Queering the Oscars: The Delicious Costumes of "The Talented Mr. Ripley"

Team Experience has been looking at LGBTQ+ related Oscar nominations. Tonight we're serving lewks!

By Christopher James

For a movie with iconic nude scenes, the costumes of The Talented Mr. Ripley (1999) are just as memorable and titillating. It’s fitting that the Oscars honored the incredible work of costume designers Ann Roth and Gary Jones for the film, which should’ve shown up in more categories than the five it was nominated for. Though the actual Oscar went to Lindy Hemming’s period-specific and gloriously gaudy work in Topsy-Turvy, we’re still cheering on the sidelines for Ripley.

Let's count down the 10 queerest looks from the movie...

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A Goop-y Top Ten

by Cláudio Alves

Gwyneth Paltrow in "The Politician" | © Netflix

"I wish you well," whispered Gwyneth Paltrow to Terry Sanderson, who had just lost his suit against the star. That passive-aggressive bit of politeness was a masterful coup de grace, the cherry on top of a gossip sundae that set social media atwitter. Though the year isn't half over, Paltrow already seems like one of 2023 defining personalities, at least as far as celebrity fodder is concerned. From bone broth-based scorn to tabloid queen, Paltrow's image couldn't be more malleable, nor the internet more obsessed with her. And yet, all this furor can inspire sadness in those who admire the Oscar-winnning nepo baby as an actress rather than just as a media sensation.

In the past decade, Gwyneth Paltrow has been consciously uncoupling from the movie business, the GOOP empire taking over all other concerns. Regardless of how problematic her company's actions might be, there's a yearning for the days when we could discuss Paltrow's performances rather than the explosive qualities of her vagina-scented candles. With that in mind, and since coming up with that Angela Bassett top ten was so fun, here's a list of favorite Gwyneth Paltrow performances. May it be a reminder of what a smashing thespian she can be…

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Great Moments in Gay - The Talented Mr. Ripley - Bathtime with Dickie

In honor of Pride Month, we're highlighting a few Great Moments in Gay. Here’s Christopher James

Chess has never been this sexy.Few movies are as sexy as The Talented Mr. Ripley.  John Seale’s cinematography holds its gaze on each of the beautiful stars throughout the movie. Sex drips off the screen at every moment. Though the film is predicated on the “murderous gay” trope in the end, Minghella and company do a great job on establishing and defining its characters attractions. The bathtub scene between Tom Ripley and Dickie Greenleaf is not a “Great Moment in Gay” just because you see Jude Law’s penis. It is doing dramatic work too, illuminating the power dynamics between Tom and Dickie and their characters, too. Plus, it bears repeating, it’s incredibly hot.

Spoilers and NSFW Images to Follow…

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Almost There: Cate Blanchett in "The Talented Mr. Ripley"

by Cláudio Alves

Guillermo del Toro's Nightmare Alley is now in theaters, bringing Cate Blanchett back to the big screen where she belongs. Playing a manipulative psychologist who proves herself a femme fatale, the Australian actress is sure to bring glamour to the part, dazzling audiences as she's been doing for decades. To commemorate the occasion, this week's Almost There entry revisits one of Cate Blanchett's best performances. In fact. It might be her greatest. In any case, it's my favorite from her sterling filmography, a supporting part she injects with life and patrician heartbreak. The Academy ignored her in 1999, but Blanchett may have come close to a second nomination for her work as Meredith Logue in Anthony Minghella's adaptation of The Talented Mr. Ripley…

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The Furniture: Death by Taste in The Talented Mr. Ripley

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

As we gear up for a Patricia Highsmith centennial, here’s a not-exactly-fun fact. Only one adaptation of her work has been nominated for Best Production Design at the Oscars: The Talented Mr. Ripley. (An earlier version of this article erroneously stated that Carol had also been nominated for this award, as the author had unconsciously, but happily, written The Danish Girl out of his memory. Carol was nominated for costume design, not production design.)

Production design is central to Anthony Minghella’s adaptation of the first Ripley novel, given that so much of the plot hinges upon taste. The young Tom (Matt Damon) ingratiates himself to Dickie Greenleaf (Jude Law) with his self-trained taste in jazz. Freddie Miles’s (Philip Seymour Hoffman) knowledge of his friend Dickie’s taste in furniture is what gets him killed. Ripley’s games of subterfuge and impersonation depend upon his understanding of style and class - and his own fluctuating taste in other people will lead him to the film’s violent end.

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