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Entries in Best Actor (436)

Wednesday
Jan252012

Virgin Nominees

It took Gary Oldman *forever* to get an Oscar nomination. Do you think he'll return for a second?Five years ago I did a study of Oscar's acting categories and multiple vs. singular honors. I discovered that 64% of Oscar nominees never return for a second nomination.

That year I polled readers who voted Transamerica's Felicity Huffman, Good Night and Good Luck's David Straithairn, Crash's Matt Dillon and (OOPS) Junebug's Amy Adams least likely to return. Readers had the most confidence in return engagements for (OOPS) Cinderella Man's Paul Giamatti... but weird that he hasn't been back, right?, Syriana's Clooney, Capote's Phillip Seymour Hoffman and (OOPS) Hustle & Flow's Terrence Howard! So some of y'all got it pretty right in the polling and also way wrong which just goes to show you that you never know!

The Streeps and Winslets are a true rarity. Even major movie stars across the decades have had to settle for one. And sometimes people just get snubbed forever.

 

P.S. Have your say in the comments: why'd you vote the way you voted? 

New Oscar Post - Snubs That Hurt 

Monday
Jan232012

Nathaniel's Ballot: Best Actor

Another few hours, another write up. I might have to quit here... quickly losing energy and must store some up for the Oscar onslaught on the morrow. 

One thing that's really been bothering me about The Artist backlash is the notion that the movie doesn't really understand silent films, drawing as much from 1930 and 1940s and even 1950s cinema visually and aurally as it does from the 1920s. My very erudite response to that criticism: So what?!?

A pure "found film" is not what Michel Hazanavicius and team were going for here which you can see quite obviously in [SPOILER ALERT] the dream sequence and the finale which both work like sound films [END OF SPOILER]. I love that Jean Dujardin pulls so liberally from Gene Kelly (1940s and 1950s) rather than strictly silent movie stars for example since The Artist is polyamorous in its loves. People have reduced it to a love letter to the silents but it's just as smitten with the very tumult of movie stardom and the idea of Hollywood in general and those things span decades. We're still in love with them in 2011! 

MY BEST ACTORS
Each year it seems like I have at least one acting category -- two at the most! -- that closely align with Oscar and Best Actor is where we might meet sorta see eye to eye. Crossing my fingers for Michael Fassbender's Shame to resonate with enough voters, though I've predicted otherwise

Saturday
Jan212012

Naked Gold Man: Final Oscar Predictions !

I've never been good at math so predicting this year's Oscar race feels especially challenging. You can tell me that a picture requires 5% of #1 votes or that it's 10% or 406 votes or that you need #2 or #3 placements on 69.3% of ballots with odd #1 choices that weren't already tossed aside... None of it will really sink in. For the first time in well over a decade, I had a flashback to my high school algebra class and how my friends (who were in calculus) kept teasing me about my "polynomials?" confusion.  I hate math!*

But in the end what does it matter? Buzz, also an abstraction, is more fun to play with and closer to the truth for non-mathematicians. Best Picture nominations have long required #1 votes, maybe not in the same configurations but they've always required them. And as Joe recently pointed out on the podcast, we're tricked into thinking too deeply about this each and every year. Who thought Frost/Nixon was the best movie of 2008? Who would ever have voted for Chocolat as the best film of 2000? And yet it happens year in and year out. Focusing too much on #1 votes can cloud this certainty: Any film still being discussed as a possibility this late in the game has a fanbase. The question is just 'is that base big / loyal enough within the Academy to secure it a best picture nomination?'

Mo'Nique reading the Best Picture nominees last year!

What Happens With The Screens Behind the Presenters?
For the first time in modern history we'll have no idea until the names are read whether there will be five, six, seven, eight, nine or ten nominees. In past years when they announced the nominees you'd see the blank boxes where the nominees would be revealed while they read out the names. You knew, for instance, if there would be 3 or 5 animated nominees by how many boxes were there even if you hadn't been paying attention to the number of eligible pictures released.

My current hourly obsession is wondering whether we'll be tipped off to how many pictures there are seconds before we hear the titles...

When we knew there would be ten they simply appeared as they were read but there weren't actually boxes behind the announcers to be filled in as there were in years with five. You follow? So this year if there are, say, 6 nominees will we first see the empty boxes and KNOW there will be six before the names are read? 

PICTURE
If we only had five nominees, this race would be easy to call. Our nominees would be: The Artist, The Descendants, The Help, Hugo, and Midnight in Paris. And in that order of likelihood. (My preference order, just as reminder from my year in review, would be The Artist, Midnight in Paris, The Help, Hugo and The Descendants.) I believe the nomination tally hierarchy is going to be HugoThe Artist, and The Help way out in front of other films. Moneyball would, I think, be the spoiler in a traditional shortlist year. No matter how you feel about those films on an individual basis, as a group that's a pretty beautiful spread of the film year: message movies, family dramas, cinematic novelties, smart comedies and releases stretching from summer to Christmas, from critical triumphs to sleeper hits. It's representative and we like the Oscars that way.

More after the jump...

Click to read more ...

Sunday
Jan082012

25th Anniversary: George Clooney's Big Screen Debut

Twenty five years ago one of the world's few bonafide movie stars and one of this year's Best Actor frontrunners made his silver screen debut. Internet sources disagree on the exact date -- probably due to the film being a no-budget indie with an erratic release schedule -- but the earliest is January 9th. The point is this: We've now reached a quarter century of Clooney on the big screen!

If you investigate a trail of blood in a horror movie, you deserve to die.

Like many stars before and after him, George Clooney's first movie role was in a cheapo horror flick. His was named Return to Horror High (1987). Though Clooney is dispatched in the first fifteen minutes (first victim is an honor in horror casts, yes?) he was a big enough "name" in a field of (mostly) nobodies to get second billing.

He'd already had two short-lived series regular gigs on television, most famously a recurring role on The Facts of Life. In 1984 he starred in a sitcom called E/R which is hilarious in retrospect (the gig not the show) since it was about emergency room doctors in Chicago. Ten years later with ER, a very different show about the exact same thing, he'd become a major star. It'd be nice to state something triumphant like 'Return to Horror High was the first and last time he'd ever have to accept second billing!' but it wouldn't be true. In between there was lots of flailing around... in roles and screens big and small.

A prophetic moment after the jump.

Click to read more ...

Thursday
Jan052012

The Link Menagerie

Stale Popcorn defines "Xanadusiasm" and we're all about it. Make it official, Websters.
Towleroad in which I make New Year's Resolutions for Hollywood since they keep having dumb ideas like remaking Carrie (1976) of all things. Just... NO.
Observer Rex Reed laments the many cultural departures of 2011 from La Liz to another Oz Munchkin.
Best Week Ever who knew that Michael Shannon had this much adorable cuteness in him?

THR Jessica Chastain coming to Broadway in 2012. I guess she wants the EGOT by 2017 or something. Over Achiever!
Some Came Running Glenn Kenny has a J. Hoberman top ten to mark the Village Voice's strange decision to dump their famous critic. 
Cinephilia & Sass has a letter to the fading James McAvoy... who does need his "Here I Am!" role surely. 
Acidemic If I were a TCM programmer... 

Your Movie Buddy shares his Oscar ballot. Kurt is also busy over at...
The House Next Door ...offering up Oscar prospects for The Tree of Life
Super Punch why your clothes don't look as good as in magazines (illustrated by Antonio Banderas)
Tom Shone wonders why Best Picture so rarely lands a Leading Acting Oscar to go with it anymore. Oddly, he seems to be complaining about it. Me, I love the spreading of wealth at the Oscars since the best film of any given year rarely has the best everything. 

Finally...
This week's most actressy event -- other than my interview with Charlize ;) -- is Nicks Flick Picks announcement of a Best Actress Birthday Party project. Here's the calendar and the first birthday party favor: Jane Wyman in The Glass Menagerie. Nick's been busy! In related news it's also Annie Hall's birthday today. Ms Diane Keaton turns 66. I'm itching for her to be in a good movie again so here's hoping one of her recently completed pictures works. It's not that she doesn't work.