Hello, Gorgeous: Best Actress of 2019

A new series by Juan Carlos Ojano

The Best Actress shortlist in this particular year is noteworthy in that all of them appear at the very beginning of their films.  Three of the five are in the very first shot of their films. One is the first person we see in the film. Meanwhile, another film begins with a different actress (a younger version of the character), but is still the character of the nominated performer.

While not always indicative of how centered they are in the respective narrative of their films, it is nevertheless a striking gesture that informs how we were supposed to enter their stories. Even in two instances where there are other leads aside from the Best Actress nominee, the five films featuring these actresses position them as navigators of their own stories.

Are you ready? The year is 2019...

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Oscar Volley: Who's Really Safe in Best Actress?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Eurocheese and Nick Taylor to talk Best Actress . . . .

Lily Gladstone is coming on strong for KILLERS OF THE FLOWER MOON . . . .

EUROCHEESE: Hi Nick! So excited to discuss the award we all care about most here at The Film Experience - Best Actress. This year has given us a deep bench of competitors, making this feel like a category where we could see a curve ball or two.

Maybe it's best to get the obvious out of the way first - Lily Gladstone's subtle, moving work in Killers of the Flower Moon steals the film from her veteran costars, and Emma Stone's risky, inventive performance is the heart of Poor Things. I don't see the Actress field without them, and I expect one of them will most likely run away with the Oscar. Which one of them takes it? I don't think that's clear yet. I don't put any stock in LA Critics' Supporting mention for Gladstone though - these are our sure things.

NICK: Hi Euro! I’m so excited to discuss this category with you again. I remember we did the pre-nomination volley for last year’s Best Actress contenders. There were so many fun performances to talk about, and in the end I got maybe 3/5 of my predicted lineup right. This year looks similarly crowded, though who knows if another To Leslie is lying in wait . . . .

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Hello, Gorgeous: Best Actress of 2020

A new series by Juan Carlos Ojano

Women are at the center of the Oscars conversation*. Two female nominees for Best Director. Chloé Zhao making Oscar history. Highest number of female-directed films nominated at the Oscars as well as highest number of eligible films at the Oscars in total. Maybe it’s too early to say, but this year is looking like the bellwether of a significant change that is about to happen in the cinematic experience and landscape in the years to come. In a time when cinema as we know it was changing right in front of our collective eyes, this year in film has shown that the future is female indeed.

As for Best Actress - save for one co-lead situation - women are also the center of their respective films’ narratives (longtime Oscar fans know that’s not always the case). The roles nominated during this time exemplify the complex emotions of the year. Social unrest and grief are big forces that confronted us that year. And look at what we have: their nominees’ character introductions are reflective of that.

Are you ready? *The year is 2020...

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Hello, Gorgeous: Best Actress of 2021

A new series by Juan Carlos Ojano

From one nail-biter year to another, this year presents an interesting set of nominees with an interesting lead-up to Oscar night. Kristen Stewart racked up the majority of critics’ awards. Nicole Kidman won the not-televised Golden Globe. Olivia Colman was riding the waves of The Lost Daughter’s late-breaking hype. Speaking of late breakers, Penélope Cruz was another big critics’ push and enjoyed a last-minute surge for a win leading to Oscar night. Ultimately, Jessica Chastain - after winning SAG - squeaked out and won the award.

Another thing to note is the dominance of biopics in this category - three of the five nominees played real-life figures. However, that is where their similarities end. Their films could not be any further in terms of style and tone. Same goes with the other two remaining nominees - one originated from an acclaimed novel and one an original character from a formidable master of world cinema. But for now, we are going to explore how the five characters of the Best Actress nominees were introduced in their respective films. 

Are you ready? The year: 2021...

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Hello, Gorgeous: Best Actress of 2022

A new series by Juan Carlos Ojano

“WHO IS SHE?”, a philosopher named RuPaul once asked.

As with that question, character introductions are vital in storytelling. First impressions are usually given importance right from the page, as those will establish our relationship with said characters. Screenwriters strategize on how they describe a character when they enter the story. Likewise, directors pay attention to how characters enter the story for the first time. Whether those entrances become consistent with the rest of the character or are ultimately subverted as the narrative unfolds even further, they matter a lot. 

Since it is a truth universally acknowledged that Best Actress is perhaps the single most important category in the long history of the Academy Awards, particularly in the lives of its (mostly gay) fans who worship actresses to the ends of the earth, this new series will be focusing on how each of the five Best Actress-nominated performances were introduced in their respective films. Narrative functions, filmmaking decisions, emotional implications, and stray observations included...

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