Hello, Gorgeous: Best Actress of 2021

A new series by Juan Carlos Ojano

From one nail-biter year to another, this year presents an interesting set of nominees with an interesting lead-up to Oscar night. Kristen Stewart racked up the majority of critics’ awards. Nicole Kidman won the not-televised Golden Globe. Olivia Colman was riding the waves of The Lost Daughter’s late-breaking hype. Speaking of late breakers, Penélope Cruz was another big critics’ push and enjoyed a last-minute surge for a win leading to Oscar night. Ultimately, Jessica Chastain - after winning SAG - squeaked out and won the award.

Another thing to note is the dominance of biopics in this category - three of the five nominees played real-life figures. However, that is where their similarities end. Their films could not be any further in terms of style and tone. Same goes with the other two remaining nominees - one originated from an acclaimed novel and one an original character from a formidable master of world cinema. But for now, we are going to explore how the five characters of the Best Actress nominees were introduced in their respective films. 

Are you ready? The year: 2021...

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Oscar Volley: Best Actress. You can sit with us.

Team Experience is discussing the various Oscar categories. Here's Nathaniel, Ben Miller, Mark Brinkerhoff and special guest Nick Davis to discuss Best Actress.

NATHANIEL: I've been thinking a lot about what the characters and not the nominated actresses would make of all the competitive hoopla around the Best Actress Oscar this year. Photographer Janis (soulfully embodied by Penélope Cruz) wouldn't quite want all the eyes on her but she'd keep busy and turn her lens on her fellow nominees. She'd stick around for all the events.  Professor Leda (Oliva Colman in all her complexity) and Princess Diana (anxiously inhabited by Kristen Stewart), who I'd never otherwise pair in thought, would both surely acknowledge the honors while eyeing the nearest exit and counting the minutes until they could escape. They would skip anything non-mandatory.  Lucille Ball (surprisingly portrayed by Nicole Kidman) would be the consummate star and pull all the focus... but what would she actually be thinking about in the glow of all the lights? Only Tammy Faye (enthusiastically reincarnated by Jessica Chastain) might truly enjoy it. She would be very extra about campaigning and thoroughly enjoy the circus of it all.

Am I stalling due to utter suspense about who might win? Sure...

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Oscar Volley: ‘Cruella’ is the one to beat in Best Costume Design

Continuing our Oscar Volley series at The Film Experience.  Cláudio Alves and Glenn Dunks discuss Best Costume Design

Cláudio Alves: This is my favorite Oscar race! I studied Costume Design in college and still design for theater. However, that doesn't necessarily correlate to my appreciation of the Oscar category. That admiration stems instead from this branch's propensity for lone nominees, the recognition of films with little to no hope of breaking into other races. Sometimes, that lonely contender even wins, though it's been over a decade since that last happened – 2006's Marie Antoinette with costumes by Milena Canonero.

Truthfully, I could envision that occurring this year with Cruella. Beyond that Disney fashion show, one wonders if there'll be any surprise single-category nominees. Honestly, I'm having trouble coming up with a potential candidate unless it's Cyrano or House of Gucci drastically underperforms. What about you, Glenn? 

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Contemporary Costume Design - an FYC overview

by Nathaniel R

We don't get "finalist" lists for half of the craft categories so theoretically everything is still in the running for the visual categories of Cinematography, Editing, Costume, and Production Design. Today let's focus on Best Costume Design options for awards voters. While two-time winner Jeanny Beavan's work on Cruella has been looking like a potential Oscar-winner since way back in May, plenty of competition has arrived since. Our first clue as to what the industry might go for here will be on January 26th with the CDGA (Costume Designers Guild Awards) nominations which divide movies up into period, sci-fi/fantasy, and contemporary. That's a handy way to do it, since it's too easy to fall into "Most Costuming" otherwise and entirely ignore the breadth of what is possible in this field. 

What follows are NOT predictions as to what the Guild or the Oscars might choose (craft predictions are here) but FYCs if you will, highlighting six options we think are interesting in the realm of "contemporary" (mostly)...

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Surprise Podcast! Nick & Nathaniel reunite to talk Campion, Zola, and *much* more

Since several of you have asked over the past couple of years, Nick Davis, who was once a weekly regular on both our podcast and his own site (haha) is fine! We spontaneously jumped on the phone to talk last month and recorded it. Apologies for waiting so long to share but you know how December is. So "Happy New Year!"

94 minutes
00:01 Reunited and it feels so good
01:40 Jane Campion's return with The Power of the Dog
13:35 The brilliance of Rebecca Hall's Passing which Nick has taught in book form for years
23:00 C'mon C'mon 
29:30 Quick feelings on King Richard, Dune, and  Licorice Pizza
40:12 Titane's anger and the atmosphere of The Humans
53:15 We split on The Worst Person in the World 
1:08:00 Quick feelings on tick tick BOOM!, Belfast, Prayers for the Stolen, and The Velvet Underground
1:14:00 Hating on Spencer together. We really dislike it, okay?
1:24:45 Loving on Zola together. Get into it, bitch!
1:31:30 "Deleted Scene" House of Gucci

You can listen to the podcast on iTunes, Stitcher or Spotify or right here, attached...

Power of the Zola