FYC: Penélope Cruz for Best Actress

by Cláudio Alves

Since they started working together, Penélope Cruz has always been a mother figure in Pedro Almodóvar's cinema. He calls her the epitome of Spanish motherhood, resilient and sensual. It's an archetype she has represented, in some way, in all their collaborations – from 1997's Live Flesh to this year's Parallel Mothers. Indeed, their latest partnership feels like a culmination, the maximum manifestation of the auteur's ideas on motherhood. It's also the most complicated role he's ever given his current muse, an extreme of melodrama paralleled by political reflections. The actress is asked to go to extremes of emotion while also holding back. She must be outwardly demonstrative, crystalline clear, naked in sentiment and expression. However, the part also demands internalization, reticence, secrets that burn. All in all, it's a monumental challenge…

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Almost There: Rita Moreno in "The Ritz"

by Cláudio Alves

She just turned 90, but Rita Moreno is on the top of her game. The 1961 Best Supporting Actress champion is back on the silver screen thanks to Steven Spielberg's remake of West Side Story. While not playing Anita this time around, Moreno still manages to steal the spotlight and deliver one of the movie's most impactful songs, the emotional high point of the entire production. As pundits argue over the nonagenarian's Oscar chances, it's a good time to look back at her filmography and consider the last time she was in the awards conversation. After the success of West Side Story, Moreno's most acclaimed movie role was probably that of Googie Gomez in the big-screen adaptation of The Ritz…

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Almost There: Charlize Theron in "Young Adult"

by Cláudio Alves

Ten years ago, Young Adult arrived in theaters, signaling the second collaboration between director Jason Reitman and screenwriter Diablo Cody. It was also the creative duo's first work alongside Oscar-winning actress Charlize Theron. Polarizing to this day, the picture divided critics and audiences alike, even as it gained champions heading into awards season. Cody's work and Patton Oswald's supporting turn won many admirers, but Theron's acidic star turn proved to be the movie's biggest Oscar bid. While already blessed with much critical recognition for her dramatic efforts, the actress wasn't known for comedy. Her casting was, thus, a bit of an against-type choice and her success a surprise. 

In retrospect, it sounds silly that there were any doubters. A decade after its premiere, Young Adult shines bright as Charlize Theron's greatest achievement…

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Dame Judi Dench deserved the Best Actress Oscar for "Notes on a Scandal"

by Matt St Clair

Dame Judi Dench is an international treasure. The legendary actress currently has seven Oscar nominations under her belt, having won once in Best Supporting Actress for her role as Queen Elizabeth I in Shakespeare in Love (recently discussed right here at length). Should the stars align, she might add an eighth nomination to her record for her role as the lovable Granny in current Best Picture frontrunner Belfast. Even at 86 years-old, and with her deteriorating eyesight, Dench is still going strong, managing to get quality roles in an industry notoriously unkind to actresses when they reach a certain age and whose names don’t rhyme with Beryl Deep. 

Astonishingly, Dench didn’t become an official Academy darling until she reached her 60’s. Up until she joined the James Bond franchise as M in GoldenEye, and earned her first Oscar bid for Mrs. Brown in ‘97, Dench was more of a theater mainstay while working sporadically on film. Yet since that one-two punch, she's been a consistent movie presence with Notes on a Scandal being a high water mark. She deserved to win her the Best Actress Oscar that year...

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Kidman rising, Stewart holding for Best Actress. But who else?

by Nathaniel R

Our favourite category! Not that Oscar chooses well but it's always the best acting category IN THEORY. So let's discuss Best Actress. You know you want to.

THE SURE THINGS
While Kristen Stewart has maintained the early frontrunner lead handily for her work as Princess Diana in Spencer, response to this past week's screenings of Being the Ricardos have suggested that Nicole Kidman could overthrow her for Oscar #2 for her work as Lucille Ball. She's sensational in the film, doing really interesting work (vocally and physically) differentiating between Lucille Ball and Lucy Ricardo, and also marrying some elusive internal issues like creativity, inspiration, ambition, with external stuff like a chain-smokers voice and the drama of the plot and multiple interpersonal conflicts. Ball's tetchy relationships and hot/cold rapports with each I Love Lucy cast and crew member is brilliantly differentiated and articulated. Besides, if any current one-time acting winner deserves a second statue, it's Kidman. This theoretical competition between Stewart and Kidman is interesting because both films originally raised eyebrows with their casting...

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