Happy Birthday, Julie Andrews!

by Cláudio Alves

Julie Andrews accepting her AFI Tribute Award in 2021.

Here, at The Film Experience, we keep to a 10|25|50|75|100 model when it comes to birthdays and anniversaries. Yet, as the world of entertainment lost so many bright lights in the past few days – Maggie Smith, Kris Kristofferson, Gavin Creel, Ken Page, John Amos, and Kalen Gorman – it feels right to take a moment and show some love to those who are still with us. Case in point is the jubilant Julie Andrews, who celebrates her 89th birthday today. This living legend of stage and screen is beyond compare, with a career that spans across eight decades, from entertaining the troops with her parents in the mid-40s to recent voice-over work in such projects as Aquaman and the Bridgerton franchise, for which Andrews has received three Emmy nominations.

All that said, the actress will always have a special place in my heart for reasons that go beyond her body of work. Allow me to share a personal musing…

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Goodbye, Maggie Smith (1934-2024)

by Cláudio Alves

DOWNTON ABBEY: A NEW ERA (2022) was one of Maggie Smith's last screen appearances.

We always knew the day would come, but it's still difficult to imagine life without the great Maggie Smith among us. Born to a secretary and a pathologist in the interim years between the Great World Wars, she became a respected star of the stage before a jump to cinema in the 1960s expanded her horizons. From temptress to bitter old lady, from romantic heroin to comic relief, dipsomaniac tragedienne, whodunit queen and deranged diva – she could do it all, despite what some might have said about her late-career range or lack thereof. To me, Dame Maggie Smith was a titan, one of my favorite screen presences, and a reliable workhorse who could elevate every project she was involved in, even those that didn't deserve her talents. The British star will be sorely missed and the arts are poorer without her. Nay, the world.

Over the years, multiple writers at The Film Experience have explored the career of the late great two-time Oscar winner. So, let's revisit those pieces and bask in the love for an actress of incomparable wit and unimpeachable craft…

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Hello, Gorgeous: Best Actress of 2014

A returning series by Juan Carlos Ojano

Nice to be back doing this series after last year's Oscars.

One fascinating thing about this group of nominees is how, in medias res, they provide a lot of context as to what their respective arcs will be: a depressed worker being awakened, a mother on the verge of isolation, a mysterious wife to be cracked open, and an injured traveler hitting a roadblock. Only one of the nominees gets a traditional introductione, and even that is already in establishing her dynamic with her male co-star. It’s a fun lineup of first moments with key details sprinkled in from the get-go.

Are you ready? The year is 2014...

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What If... Glenn Close had won?

by Cláudio Alves

Glenn Close in THE DELIVERANCE (2024) Lee Daniels | © Netflix

Oscar obsessives everywhere know the dark and winding road of 'what if' like the back of their hand. What if my favorite had won? How would that change things down the line? What's the domino effect in Oscar history? What about film history? It can be a fun exercise, but it's also a shortcut to madness if you're not careful about it. That's especially true when considering one of those Academy Award sad sacks, the unlucky few who've earned multiple nominations yet never get the gold. Always the bridesmaid, never the bride - the Deborah Kerrs and Peter O'Tooles of the world. Or, for a more contemporary example, the Glenn Closes.

Speaking of that Oscar-less titan, her new movie is now in theaters and will soon arrive on Netflix. As we wait for Lee Daniels' The Deliverance to hit streaming, let's celebrate Close with some awards lunacy. Let's reflect on what would have happened if she had been victorious in one of those eight bids for gold…

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Almost There: Grace Kelly in "Dial M for Murder" & "Rear Window"

by Cláudio Alves

This past weekend, Grace Kelly was honored on TCM, with an entire day of "Summer Under the Stars" dedicated to her filmography. Moreover, Rear Window is enjoying a brief 70th-anniversary re-release in a select few American theaters. Considering all this, it seemed fitting to explore the Monegasque Princess' work on Almost There, revisiting the superlative year she had in 1954. After all, though she won Best Actress for The Country Girl, Kelly probably accrued a fair number of votes for two other cinematic triumphs, both by the Master of Suspense. There's Alfred Hitchcock's aforementioned Rear Window and Dial M for Murder…

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