Nathaniel's Ballot - Best Actress and Best Actor

by Nathaniel R

Natalie Portman in "May December" © Netflix

Time is up. Argh! We previously talked supporting actors, supporting actresses, and limited roles. Herewith the MOVIE STAR categories in the Film Bitch Awards. We saw surprisingly eye to eye with Oscar voters this year on the men if not quite the women. The 24 actors in this post are not, of course, the only praise-worthy performances this year. People will be angry that two of the actual Oscar nominees don't make my top dozen but I have to answer to my own opinion, else why have personal awards? What follows is a list of twelve performances each for Best Actress and Best Actor that resonated most with yours truly. Though, as per usual, Best Actress was far more competitive and five plus strong female performances were left on the cutting room floor.

After the jump the semi-finalists, finalists, and nominees in both categories...

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Hello, Gorgeous: Best Actress of 2023

A new series by Juan Carlos Ojano

Hello, dear readers! It’s been a while since the last time I posted an entry to this series. I was busy completing my theater class, resulting in a final showcase open to the public. Let me start with that because our current nominees for Best Actress have all done theater in different points of their respective careers, something we do not always get to say about most groups of acting nominees in a category. Truth is that’s the only connective tissue I could find with these nominees because their character introductions are vastly different from each other.

Are you ready? The year is 2023...

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Almost There: Margot Robbie in "Barbie"

by Cláudio Alves

Everybody complains about comedic performances not getting their due on awards season. But of course, the instant such work becomes a serious contender, the knives come out. These achievements are generally dismissed, as if straight drama was inherently superior to broad comedy. I'm not accusing anyone in particular, but it is a phenomenon that can be felt across cinephilia, especially when it involves a movie like Barbie, which tapped into the zeitgeist and somehow became one of the year's defining movies. I thought about writing on the reaction to Ferrera's Best Supporting Actress nomination or how the tides have turned on Gosling as the season unfolded. Yet, Robbie was perfect for the Almost There Series, so here we are. 

With the 96th Academy Awards mere days away, the dust should have settled after the collective psychosis that followed the movie's "snubs" in Best Director and Best Actress. At least, I hope cool heads prevail as I dive into Margot Robbie's portrayal of Stereotypical Barbie…

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Split Decision: "Poor Things"

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's Abe Friedtanzer and Nick Taylor on Poor Things…

NICK: Hello Abe! Congratulations on Poor Things winning the Team Experience Award for Best Picture. I’m glad a film that moves, sounds, and dresses in such an offbeat manner has become such a critical and popular hit. It’s always nice to see weird art winning. That being said, I don’t count myself as a fan of Poor Things, and have a lot of complaints I could throw at its many, many, unapologetic excesses. Still, I like starting these Split Decision panels on notes of praise, and I’d really love to hear what you think of Poor Things.

ABE: Hey Nick! Always happy to chat about movies. I had the pleasure of seeing Poor Things at the New York Film Festival back in September right after May December, a film that many liked that I did not. I've been a fan of Yorgos Lanthimos' since the incredible Oscar-nominated Greek film Dogtooth, and I found both The Lobster and The Favourite extremely interesting and engaging. I was very turned off, however, by The Killing of a Sacred Deer. Lanthimos' offbeat nature and his winning blend of pitch-black comedy and drama is usually quite effective, but Poor Things is a departure even from that…

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Split Decision: "Killers of the Flower Moon"

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's Juan Carlos Ojano and Nathaniel Rogers on Killers of the Flower Moon...

CARLOS: Hi, Nathaniel! So excited to talk to you about this film. Confession time: this is the first time I've seen a Martin Scorsese film on the big screen, even though his works (Taxi Driver, Casino, The Departed, The Wolf of Wall Street, Silence, The Irishman) usually end up in my favorite films of their respective years. Maybe he is one of my favorite directors? But my respect for him goes beyond 'favorite'. This is also my first time seeing Leonardo DiCaprio (one of my favorite actors) on the big screen, with my "relationship" with him now spanning from Titanic to this. And my gosh, after months of buzz after its Cannes premiere, I can say I was floored and destroyed. Just in awe. I think it is one of the most powerful films I've seen from last year… 

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