Smackdown '46: Duel in the Sun with the King of Siam

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode goes back to the 19th Academy Awards honoring 1946. It isn't a particularly beloved Oscar vintage though the Best Picture winner, The Best Years of Our Lives, is sublime. Apart from the winner and the Christmas film It's a Wonderful Life, the Academy all but ignored the most enduring pictures of that post-war year (Notorious, Gilda, The Postman Always Rings Twice). But we're here to discuss Best Supporting Actress and these five women were having a moment...

THE NOMINEES For the 1946 Oscars the Academy invited back two previous winners (Gale Sondergaard & Ethel Barrymore), tossed a bouquet in the form of 'career' nomination to a legend (Lillian Gish), honored a character actress for stretching (Flora Robson) without realizing how poorly that kind of stretch would age, and invited a new starlet (Anne Baxter) into the club. That's a typical mix in some ways though the films were a fun mix of genres rather than five straightforward dramas. We've got a culture clash historical epic (Anna and the King of Siam), a thriller (The Spiral Staircase), a camp western (Duel in the Sun), a post-war spiritual journey (The Razor's Edge), and a restless genre-hopping whatsit (Saratoga Trunk).

THE PANELISTS Here to talk about the performances and films are (alpha order from left to right), playwright Peter Duchan, film critic Guy Lodge, Statueseque's Allen Nguyen, and Actor Tory Devon Smith. And, as ever, your host Nathaniel R. Let's begin...

 SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...  

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Best Supporting Actress 1946: Getting to know the nominees

by Cláudio Alves

The Supporting Actress Smackdown of 1946 is fast approaching, and with it comes one of the most head-scratching lineups in the category's history. To call this bunch of films, performances, and legacies problematic is to undersell just how much racial insensitivity plays into this particular Oscar race. Still, what complicates matters further is that the nominated actresses are all artists with considerable talent, superlative careers – most of whom started on stage – and undeniable historical importance. Unpacking all this mess is too great a task, but I'll try to introduce you, dear readers, to this impressive quintet of Old Hollywood thespians...

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Almost There: Myrna Loy in "The Best Years of Our Lives"

by Cláudio Alves

The 19th Academy Awards were, in some regard, a celebration of the war's end, a reckoning with its immediate consequences. We can see it in the embrace of European cinema, an industry rising from the ashes, with nods for films like the Italian Neorealist Rome, Open City, and the French poetry of Children of Paradise. American cinema, America itself, was also still reeling from its hard-won victory. The scars were fresh and bloody when William Wyler's The Best Years of Our Lives won the Best Picture Oscar. The production portrays the lives of three military men returning home after the war's end, traumatized and still recovering, adapting back to civilian life. It was the perfect champion for these postwar Oscars.

Nevertheless, not even the picture's awards success could spell away some of its performers' chronic bad luck when it came to movie awards. After decades as one of Hollywood's greatest stars, Myrna Loy still couldn't get herself an Oscar nomination…

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Yes No Maybe So: The Eyes of Tammy Faye

by Nathaniel R

The Eyes of Tammy Faye was once the title of a popular 2000 documentary and now it's the title of a biopic about the rise and fall of televangelists Jim and Tammy Faye Bakker, with the emphasis being on the more sympathetic Tammy (who is no longer with us, having died of cancer in the Aughts). For you youngsters out there they were VERY famous in the 1980s with their scandal and downfall happening in 1989. The movie is directed by Michael Showalter (The Big Sick, Hello My Name is Doris) and gives plum roles to Oscar nominees Andrew Garfield and Jessica Chastain as the famous fallen couple. Will it be great, terrible, a mix of both simultaneously or (most dangerously) blandly mediocre? Will it be up for all the Oscars or none of them? Let's give this the full Yes No Maybe So™ treatment after the jump...

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One and Done? Toni Collette

by Matt St Clair

Cate Blanchett, Nicole Kidman, Russell Crowe. Those are just a few of the grand talents from Australia to grace the big screen. Then there’s someone who doesn’t have the same kind of Oscar record as those A listers: the painfully unsung Toni Collette who, despite having an eclectic fascinating career with roles that range in size, genre, accent, etcetera, in many noteworthy films, somehow only has one Oscar nomination under her belt. 

The Nomination

Her sole bid (thus far) came in 1999 when she was nominated in Best Supporting Actress for her role as Lynn Sear, a working-class mother whose child can see ghosts in The Sixth Sense...

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