Smackdown '60: Glynis Johns, Janet Leigh, one Mary and two Shirleys

A lusty bar owner, a vengeful hooker, a teenage wallflower, a doomed secretary, and a sexually liberated suffragette made up the Best Supporting Actress quintet for 1960.

That shortlist found room for two established Hollywood stars (Glynis Johns and Janet Leigh), both overdue for their first nominations, two rising starlets named Shirley (Jones & Knight) and an acclaimed Scottish import (Mary Ure). They all caught Oscar's attention and it didn't hurt that their films were so popular (all but Dark at the Top of the Stairs were major contenders in multiple categories, and Dark surely intended to be, being a prestige transfer from Broadway). This resulted in one of the most homogenous lineups ever -- all blondes (though Glynis was a redhead for her role) and from their early 20s to mid 30s (average age: 29).

THIS MONTH'S PANELISTS    

Here to talk about these five nominated turns and the movies that housed them (Psycho, The Sundowners, Sons and Lovers, Dark at the Top of the Stairs, and Elmer Gantry) are writer/director Leslye Headland (Russian Doll, Bachelorette), theater and screenwriter Peter Duchan (Dogfight), freelance critic Kyle Turner, and your Film Experience co-hosts Murtada Elfadl  and Nathaniel R

1960
SUPPORTING ACTRESS SMACKDOWN + PODCAST  

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Goodbye, Valentina

We regret to inform you that the headscarf-loving Italian actress Valentina Cortese has passed away at 96 years of age. She first came to international fame playing Fantine & Cosette in an Italian take on the oft-adapted Les Misérables (1948). After that picture European directors came calling and so did Hollywood (including the Academy)...

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CONSIDER - Actresses of 2019, First Half

Here's our penultimate 'halfway mark, year in review' post for you. The 19 performances by actresses we treasured most at the movies thus far this year. 

We hope you'll sound off on these and share your own favourites in the comments... and we hope this list serves as a reminder to Oscar and Globe and SAG voters to keep lists of things that impress you all year so that at the end of the year you aren't just voting for the 5 things you just saw. Before we begin I should note that I sadly missed the three following female-led films and will catch up with them when given the chance later in the year: Her Smell, Little, and The Souvenir. Okay here we go...

7 LEADING ACTRESSES
(Jan 1st - June 28th releases)  

Jessie Buckley as "Rose-Lynn" in Wild Rose
Yes, the movie basically hands her the "star-making" reviews on a platter. It's ALL about watching her sing and emote. But the performance has lovely nuances, lived-in feeling, and own-worst-enemy fire. And that voice. Good god.  

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Smackdown '01: Connelly, Tomei, Winslet, and the Dames

A bohemian novelist, a longsuffering wife, a snobbish Lady, and a supremely competent housekeeper were the Oscar-honored roles in the Best Supporting Actress competition of 2001. 

The shortlist that year was a veritable who's who of this very category, most of the actresses had been nominated before / would be again. One was already a two-time winner and Dame of the British Empire in fact (Maggie Smith... Helen Mirren wouldn't become a Dame until 2003). The anomaly / party crasher was Jennifer Connelly, who had been a teenage star and was receiving her first taste of awards glory as an adult, building on the momentum of a critically well-received turn the previous year in Requiem for a Dream with a borderline leading role in on of the year's biggest hits (A Beautiful Mind made an incredible $170 million at the US box office, believe it or not). 

THIS MONTH'S PANELISTS   

Here to talk with your host Nathaniel about these five nominated turns are (in alpha order): Erik Anderson of Awards Watch, freelance critic Valerie Complex, This Had Oscar Buzz's Joe Reid, and Shane Slater from Awards Circuit. Now it's time for the main event...

2001
SUPPORTING ACTRESS SMACKDOWN + PODCAST  

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Emmy FYC: Christina Hendricks in "The Romanoffs"

Team Experience is sharing FYCs as the Television Academy votes on Emmy nominations over the next two weeks. Here's Mark Brinkerhoff.

The general consensus, if we even can have one in these divisive times, seems to be that Matthew Weiner’s The Romanoffs is an ignoble failure. As his immediate follow-up to Mad Men, the seminal, peak-TV series that gave him pretty much carte blanche to do whatever he wanted to creatively, The Romanoffs arrived last fall on a wave of buzz and eager anticipation. With a star-studded, international cast and intriguing, globe-trotting storyline (made possible by Amazon’s $70 million investment), what would Weiner & Co. ultimately deliver? The answer: Zzzs. (I sort of checked out mid-way through the second to last episode, as a matter of fact.) 

Nevertheless, within this eight-part limited series (which surely was meant to continue?) are elements that succeed better than they ought to quite frankly. Indeed, the parts are greater than their sum, and one in particular stood out to me immediately/in retrospect: Christina Hendricks... 

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