FYC: Julianne Moore in "May December" for Best Supporting Actress

by Nick Taylor

I don't think Julianne Moore has enough awards

Another year, another Todd Haynes film in grave danger of being overlooked by the Academy of Motion Picture Arts and Sciences. I don’t love May December as deeply as some of y’all, but its complete omission from SAG was a gigantic bummer. With Oscar voting underway, I’ve decided to do what I do best: write about actresses for a moderate and appreciative corner of queers on the internet. I’m bringing back my Supporting Actress write-ups as an For Your Consideration pulpit, starting with my absolute favorite of the performances currently contending for a nomination: Julianne Moore’s black hole of pathetic neediness and weaponized ignorance in May December.

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Weekend Awards Wrap-Up: Just Before the Globes

by Cláudio Alves

Da'Vine Joy Randolph won the Big Four critics awards. Nothing can stop her now!

Hours away from the Golden Globes, it's time to consider the past two weeks of winners, runners-up, and the whole shebang. The new year started with a golden tsunami, as Randolph consolidated her favorite status even more than before, and Past Lives staked its claim as one of the season's major contenders. The NSFC was more conventional than expected, while the Astras were their usual self, regional critics groups did their thing, and the Alliance of Women Journalists continued to prove its un-seriousness. Also, a potentially fake critics group is making some noise.

Though the Oscar nominations are just a few weeks away, the season is far from over. If anything, the race is just now heating up…

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Oscar Volley: Is Best Supporting Actress a Done Deal?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Ben Miller and Cláudio Alves to talk Best Supporting Actress...

So far, Da'Vine Joy Randolph has won EVERYTHING.

BEN: Alright Cláudio, my Portuguese pal...let's dive into BEST SUPPORTING ACTRESS.

It's a funny year when it comes to the supporting ladies, because we actually seem to be pretty devoid of any category fraud in the main contenders.  With Lily Gladstone and Carey Mulligan in their correct categories, this race feels wide open.  Here's my big question: why does this happen every year with actresses and never with actors?  I'm glad they are striving to get it correct, but "people" also argue that Gladstone would be walking away with this category if she was still placed here.

Do you think Gladstone or Mulligan would win if they were here, and do you think they should be?  I am of the opinion they should both be leads, though I think Gladstone would be undeniable if she was thusly categorized...

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"The Color Purple" and the Best Supporting Actress Oscar History

by Cláudio Alves

A shadow of uncertainty has loomed over the awards season for a long time. It was the enigma of a major contender yet unwatched until last week when the first screenings of The Color Purple movie musical finally took place. Now, it feels like the race is truly on, with the Blitz Bazawule's picture firmly established in the run for gold. And of the categories it might compete in, Best Supporting Actress is the surest bet. Indeed, some folk are already predicting Danielle Brooks for a sweeping victory thanks to Sofia, the sing-and-dance version of the same role that earned Oprah Winfrey a nomination 38 years ago. On stage, both Brooks and Felicia P. Fields have earned nods for the part, too. But will Taraji P. Henson's Shug Avery follow her into the 96th Academy Awards ballot? 

These matters make one think about the history of the Best Supporting Actress Oscar, its embrace of musicals, and its propensity for nominating multiple people from the same film…

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Wyler, Kazan, Ashby, Scorsese – Who's Next?

by Cláudio Alves

Barbra Streisand in FUNNY GIRL was the last performance William Wyler directed to an Oscar win.

As stated in the Scorsese at the Oscars write-up, the Killers of the Flower Moon auteur is one of only four directors to have helmed Academy Award-winning performances in all acting categories. The others are William Wyler, Elia Kazan, and Hal Ashby, with the former having the record to end all records. Across 32 years, Wyler directed fourteen victorious turns, including multiple champions in the four races. Such a feat won't likely be equaled, but that doesn't mean the quartet is bound to stay put forever. Some directors are on the cusp of joining the ranks of Wyler, Kazan, Ashby, and Scorsese…

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