Podcast: Judy's Pain & Glory

with Murtada Elfadl & Nathaniel R

 

Index (58 minutes)
00:01 Pain and Glory - Pedro Almodóvar's career, the moment we fell for the picture, and Antonio Banderas tender dazzling homage/star turn.
14:50 Oscar's Best International Feature competition. How they vote, movies we love, and what might get nominated.
27:27 Renée Zellweger as 'The World's Greatest Entertainer' in Judy. The performance and the film.
43:11 The Best Actress Race: Scarlett, Cynthia, Renee, Alfre, and more...

Related Reading/Listening
Murtada's Pain & Glory Review
Nathaniel's episodes of Las Culturistas
Foreign Submissions you can stream right now

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Pain and Glory, Judy

TIFF Derring-Do Double: "The Aeronauts" and "Ford v Ferrari"

by Nathaniel R

Those magnificent men (and women) and their flying machines. What prompts people to build aerodymanic death traps in which to race at incredible never before accomplished speeds or go up up up to never before seen heights?  Today's double feature centers on just this type of man and their creations.  

FORD V FERRARI (James Mangold)
This very handsomely made film centers around a famous late 60s battle between the massive Ford Motor Company and the Italian boutique manufacturer Ferrari. How did Detroit's Henry Ford II come to battle Enzo Ferrarri in the European playground of Le Mans anyway? And how does the film get you to root for the Goliath rather than the David in this battle? That's the magic of this old fashioned well-paced movie. Older audiences might be familiar with this story but we weren't so it all played out like a fleet-footed and hot wheeled corporate drama mixed with inspirational sports movie...

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Portugal's Oscar Finalists

by new contributor Claudio Alvez

a biopic on the queer 1980s singer António Variações could be Portugal's Oscar submission

In the history of the Best International Film Oscar (formerly known as Best Foreign Language Film) no country has as many failed submissions as Portugal. It’s been submitting films every year since 1980 and yet, not one of them has managed to secure a nomination. As a Portuguese cinephile and Oscar buff this has always saddened me and I doubt this Awards season will change anything. 

At the moment, there are four finalists for the Oscar submission. A special jury has selected Rage, Parque Mayer, Variações: Guardian Angel and The Domain. Following this, the Portuguese Academy of Cinema (Academia Portuguesa de Cinema) will vote on the eventual Oscar submission. The results should be known this month, perhaps around the time The Domain arrives at Portuguese cinemas. Right now, it’s the only one that hasn’t opened yet, having just been shown at the Venice Film Festival where it’s competing for the Golden Lion. It’s also the only finalist I haven’t watched, though I can give an overview of the four films...

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YNMS: "A Beautiful Day in the Neighborhood"

by Lynn Lee

It’s here!  The trailer for the much-anticipated Mister Rogers movie, starring Tom Hanks as everyone’s favorite neighbor, dropped Monday…and a million Gen-Xers wept tears of pure nostalgia.  But what does the trailer reveal about the film that we didn’t already know?  Not a whole lot, as it turns out.  Let’s break it down...

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Austin Butler will be Elvis for Baz Luhrmann

by Nathaniel R

Vanessa Hudgens with Austin ButlerBaz Luhrmann has ended his casting search for his forthcoming Elvis Presley biopic. Twenty-seven year-old Austin Butler, also known these days as Vanessa Hudgens' boyfriend, has won the role. Butler beat out bigger stars Miles Teller, Ansel Elgort, and Harry Styles for the plum opportunity. It's rare these days to see a lesser known actor snag a big biopic, but we'd argue it's actual healthy; lesser known actors come with less baggage as performers and that's theoretically better for audiences who already have their collective hive mind filled up with one famous persona when they approach any movie about an icon.  

About his choice, Luhrmann says...

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