Erotic Thrillers: Part 4 – Naughty Nineties

by Cláudio Alves

THE COMFORT OF STRANGERS (1990) Paul Schrader

The last time we checked on the Criterion Channel's Erotic Thrillers collection, it was to consider the voyeuristic properties of late-80s cinema. Moving on to the next decade, let's get over the nineties in one go. During this era, the erotic thriller reached its apotheosis of influence and trashiness, gradually fading into obsolescence as the millennium approached. It was an epoch of Fatal Attraction copycats and prestige-infused sensuality, a final resurgence of neo-noir aspirations, the rise and fall of Joe Eszterhas, Sharon Stone's stardom, and direct-to-video sleaze. Criterion traces these arcs through eleven titles, spotlighting great cinema and irredeemable garbage with the same gusto…

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Streaming Revisit: "Bound" is 25

Please welcome guest contributor Brent Calderwood... 

by Brent Calderwood

I first saw Bound in 2000 at a special screening at the Castro Theatre in San Francisco, four years after its initial release. The audience was rapt, cowering in their seats or nervously laughing in all the right places. Back then, my college friends and I were so desperate for LGBTQ content that we’d hold house parties to watch pirated VHS tapes of the original ten-episode British series Queer As Folk, converted from imported PAL-format tapes by a friend of a friend in our school’s AV department. Given the dearth of queer representation, we convinced ourselves that we loved everything we saw no matter what, down to the neutered gay characters serving up puns on Will & Grace. Fast forward to 2021—would Bound live up to my memory and expectations?

I was nervous about how Lana and Lilly Wachowski’s debut would hold up 25 years after it was first released, but as it turns out I didn’t need to worry. The 1996 noir, which just began streaming on Hulu, remains as fresh and edgy as ever...  

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Queer critics on their fav queer films

by Nathaniel R

Pedro Almodóvar and Antonio Banderas on the set of "Law of Desire"

I didn't intend to point you to yet another "best LGBTQ films" list since we've been to that well twice with an overview of online lists and then my own personal list for Pride month. Nevertheless you'll surely want to check out this article at Paste Magazine called "50+ Queer Writers, 50+ Queer Films". Our friend Kyle Turner polled dozens of critics who identify as LGBTQ asking them to share a short thought about a cinematic favourite. We were only allowed one film, so I went with Law of Desire. We were also encouraged to think broadly about what "queer" meant so a lot of the choices you'll read are atypical rather than full on G-A-Y. Head to the Paste link above to read the whole exciting thing but after the jump I'm sharing three excerpts I particularly loved, two of them from trans critics since they don't get mentioned often...

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Prime/Hulu in July: Breakfast on Mulholland Dr with a Manchurian

Time to play Streaming Roulette. Each month, to survey new streaming titles, we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share -- no cheating!  

Which of these films will you be streaming this month for the first time or as a rewatch? Do tell us in the comments. Ready for our game? Okay let's  go...

Everyone thought he was dotty the way he gorged himself on peanut butter. But he wasn't dotty. Just sweet and vague and terribly slow. Poor Fred. 

Breakfast at Tiffany's (1961) only on Prime
Everyone knows that Audrey Hepburn is wonderful/funny/elegant in this picture... though some think she's miscast. Less often noted but worthy of careful inspection: the smoking hotness of George Peppard as her conflicted gigolo neighbor. [5 Oscar nominations and 2 wins, both for Henry Mancini's music]

[no dialogue]

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Surprise "Bound" reunion (and a little Sense8, too)

Gina Gershon and Jennifer Tilly on the beach together this week (courtesy of Tilly's twitter feed)

Then Joe Pantoliano piped in...

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