Streaming Roulette, July: Angels, Witches, Hamilton, and the Czech New Wave

If you're new to the site this is how we share new streaming offerings for the month. We select a handful or two of titles and just randomly hit a place on the scroll bar to see what the film looks like - no cheating.  Ready? Let's play...

[Eavesdropping]
Mum: Look at the lovely sunshine all the other boys are out their playing in the water.
Dad: Pick up your knife.
Mum: You're just like your father.

The Witches (1990) on Netflix
The Grand High Witch watches a young child eating. She hates children! Has any actor had as genius a double feature as Anjelica Huston did in 1990 with The Witches and The Grifters? (Besides Kidman in 2001, of course!) Good lord she was on fire in the late 80s and early 90s. If you've never seen this you should watch it before the remake with Anne Hathaway starts filming. 

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Movies-to-Stage. On Musical Adaptations

Today we've turned the blog over to Tom Mizer, one half of the songwriting team Mizer & Moore...

Musicals have alwasy been adapted from non-musical material

by Tom Mizer

Can I admit something and you promise not to judge me? My writing partner and I are working on adapting some movies into stage musicals. If eye-rolling made a sound, I bet I would hear a thousand violent swooshes. “Not another movie made into a musical! Why can’t there be original musicals?”...

Here’s the deal: musicals have always been built largely on the foundations of other forms, whether adapted from novels (South Pacific, Show Boat) or straight plays (Oklahoma, My Fair Lady) or, yes, movies. Musicals are incredibly difficult to make work; there are so many moving parts that having the framework of a good story already in place can be an enormous advantage...

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Almost There: The cast of "A Raisin in the Sun"

by Cláudio Alves

The 1950s and 60s marked a time when the Academy Awards loved few things more than prestigious stage play adaptations. This was particularly true of the acting categories, where dozens of such movies scored multiple nominations. Comparing the Tony nods with the Oscars' is to find many of the same roles, like Tennessee Williams' heroines, Eugene O'Neill's human wrecks, Clifford Odet's tragic characters, and Edward Albee's domestic demons. For a short period, the Tonys were even better precursors for an Oscar victory than the Golden Globes. Still, even these trends have exceptions and one of the saddest was the 1961 movie based on Lorraine Hansberry's A Raisin in the Sun…

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Zainab Jah and Jayme Lawson on the Vulnerability of Theater Acting

by Murtada Elfadl

Lupita Nyong'o and Zainab Jah in "Eclipsed"

We continue the conversation between Zainab Jah and Jayme Lawson from the Sundance 2020 film Farewell Amor, that we started yesterday. Both actresses have worked on stage and in film and today they're speaking to what diffrentiates the experiences. Jah also tells us about the time she co-starred on Broadway in 2016 with Lupita Nyong’o in Danai Gurira’s play Eclipsed, about five Liberian women and their tale of survival near the end of the Second Liberian Civil War in the early 2000s.

The conversation has been edited and condensed for clarity...

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Vintage '81

We're having a little 1981 party for the first week of May so let's give the year some overall context before the Supporting Actress Smackdown hits on the weekend of May 8th. 

The year's two biggest blockbusters competed for Best Picture

Great Big Box Office Hits:
Raiders of the Lost Ark was the year's true behemoth, grossing twice as much as its nearest rival On Golden Pond. The Best Picture winner Chariots of Fire was a sleeper hit and that year's James Bond picture  For Your Eyes Only was also hugely popular (though that's no surprise with 007). But otherwise audiences were mostly drawn to comedies in 1981: Arthur (with Dudley Moore), Stripes (with Bill Murray) The Four Seasons (with Carol Burnett) and Cannonball Run (with Burt Reynolds) were all the rage.

Oscar favourites / theories and other cultural touchstones of 1981 after the jump...

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