Almost There: Idris Elba in "Beasts of No Nation"

by Cláudio Alves

Spike Lee's latest joint, Da 5 Bloods, was released on Netflix last week and people are already talking about the possibility of Oscar glory. Delroy Lindo, in particular, is getting plenty of attention for what many call the best performance of his career. He's an early contender for the Academy Award. To observe such a reaction is to see how far Netflix has come in the past few years, effectively carving a place for itself in the Oscar race. It wasn't always like this and we need only look back at 2015 to find proof of it. Then, rewarding the cinematic excellence of films produced by streaming companies was still a relative taboo, a bridge too far for many awards bodies. 

If it weren't for the early resistance of AMPAS towards Netflix, Idris Elba would probably already be an Oscar-nominated actor…

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The Linkling

• Interview Awesome oddball auteur Miranda July interviews director Cary Joji Fukunaga about his latest, No Time To Die
• Variety good length piece from Peter DeBruge about the when and how of movie theaters reopening and what that might mean
• /Film Netflix wins a bidding war for a new Melissa McCarthy drama, The Starling from director Ted Melfi (Hidden Figures, St Vincent). Damn, shoulda included it in those Oscar predix we just made
• MNPP Good morning. Here are photos of Paul Newman in tighty whities

Film festival news, Julia Child doc sale, There Will Be Blood snarkiness, John Cameron Mitchell's birthday and more after the jump...

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Beauty vs Beast: Bad Romance

Howdy, everybody - Jason from MNPP here with a brand new round of "Beauty vs Beast" for you on this first Monday of June. Coming up on this first Friday of June a movie called My Cousin Rachel is coming out (you can watch the trailer right here) that stars Rachel Weisz and Sam Claflin and is adapted from the 1951 book by Daphne du Maurier (who also wrote The Birds and Rebecca). The book was already turned into a movie once in 1952 with  Richard Burton and Olivia de Havilland (which I have never seen; have you?) - anyway it's one of my favorite genres, the overheated gothic romance, brimming with lace and poisons, and I can't wait.

So in the spirit of such things this week we're tackling one of the greatest of all when it comes to these stories - Charlotte Brontë's Jane Eyre. There are a couple of film adaptations but let's go with the most recent, Cary Fukunaga's 2011 film starring Mia Wasikowska and Michael Fassbender, since I found it a grand adaptation.

PREVIOUSLY We spent last week trapped in that damn cryogenic container so we've got to skip back two weeks to our last competition, which pit the Ellen Ripley of Ridley Scott's Alien against the Ellen Ripley of James Cameron's Aliens. And it was the bigger badder bitchier (her words not mine!) version of the latter who stomped away with 67% of your votes. Said markgordonuk:

"Alien is my favourite movie but the Aliens performance is something else, the looks and glances, the fear, the physicality, the line readings, the no bull attitude, I could go on, such an Iconic performance, everyone knows who Ripley is."

Tweetweek: Amy Adams, Cognitive Dissonance, and Apocalyptic Futures

 Amy Adams double feature (Arrival & Nocturnal Animals), 2016's grimness, Actressy fierceness, and more after the jump...

Not that this is directly relevant to anything happening right now, but I really miss BUNHEADS. pic.twitter.com/yq8Q9WIXGE

— Anne Marie (@WeRecycleMovies) November 16, 2016

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Ira Sachs and Cary Fukunaga Team Up To Bring '80s East Village AIDS Drama to TV

by Daniel Crooke

When mulling over Ira Sachs’ last handful of films – the intimately sketched, ephemeral epics of the heart, body, and soul, Keep The Lights On and Love is Strange, as well as his upcoming Little Men – a jokey poke from David Wain’s They Came Together immediately pops to mind: New York, a common setting between Sachs’ three aforementioned stories, “it’s almost like another character in the movie!”

After chronicling the city through a queer lens from the 1990s until now, Sachs will join forces with Cary Fukunaga to wind the clock back another decade to bring Christodora to the small screen – a interlocking character drama set in a 1980s East Village apartment building, built around devastation and communal connection in the midst of the AIDS crisis. Props to Sachs, for his New York stories always incorporate the city into the narrative in a way that isn’t only about iconographic lip service; his characters and their dilemmas could only exist within these urban surroundings, which creates deep internal and external senses of environmental exploration, whether through hard drugs, real estate, or gentrification.

Based on the novel of the same name, which was just released earlier this week, Christodora will be directed by Sachs and produced by Fukunaga via his production company, Parliament of Owls. [Side note: this company name in and of itself sounds like a creative collaboration between a lofty, Lincoln-mode Spielberg and Zack Snyder’s Ga-Hoole.] We don’t yet have a release date but fingers crossed that the limited series hits our televisions, tablets, very tiny screens, etcetera by 2017.

Have you picked up a copy of Christodora yet? What should we expect from Sachs’ first foray into television series?