Anthony Powell (1935-2021)

by Cláudio Alves

Just the other day, I was writing about Peter Ustinov's Poirot movies, praising their sartorial exuberance, their delectable Oscar-winning costumes designed by Anthony Powell. Not long after publishing that, while perusing Twitter, I encountered unexpectedly sad news. According to some of the stars he dressed, like Elaine Paige and Betty Buckley, the great Anthony Powell died at 85 years old. It happened just the other day and, while most movie sites seem to be ignoring the tragedy, here at The Film Experience, we couldn't let the news pass by unnoticed. Powell was one of the most fabulous costume designers in recent Hollywood history and one of the most generously rewarded, with three Oscar victories and three other nominations. Throughout his career, he dressed numerous stars and even more iconic characters…

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93rd Academy Awards: Best Costume Design

by Cláudio Alves

Costume illustrations by Gloria Young Kim (left) and Matthew JLeFebvre (righ)

After last year's dispiriting domination of Best Picture contenders in craft categories, this year's Best Costume Design lineup feels like a breath of fresh air. While the branch is resistant to contemporary narratives, their reluctance to honor new names has alleviated a bit. For the first time since 2006, we have three first-time nominees among the costume designers competing for gold. Better yet, the five achievements honored by AMPAS offer a dizzying variety of film styles, aesthetic strategies, genre, and tone. From Disney remakes to Italian literary adaptations, from biopics to biting period comedies, this batch of nominees has it all.

Still, in the end, one must win. With that in mind, here's how I'd rank the five Best Costume Design nominees at the 93rd Academy Awards…

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Julie Harris: The woman who dressed 007, Sherlock, and The Beatles

by Cláudio Alves

The word 'iconic' gets thrown around a lot these days. So much so that its essence has become diluted, nearly meaningless. Nonetheless, some people do deserve to be called iconic. Costume designer Julie Harris, who was born 100 years ago, is one of them. If not her, then her work deserves the moniker. From the 1940s until 1991, Harris helped define the look of British cinema and pop culture, dressing a myriad of international stars and idols, working for some of the greatest directors ever.

Her impact was particularly felt in the 1960s when - designing films like Darling, the Beatles' A Hard Day's Night and Help! - she defined mod fashion on the silver screen. Furthermore, Harris dressed such iconic characters as James Bond, Sherlock Holmes, Dracula, and the Muppets. Her filmography's the stuff dreams are made of…

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Death in Venice @50: Piero, I love you

by Cláudio Alves

For a cinephile, costume enthusiast, and Oscar obsessive like myself, there are few things more enticing than the lone nominee. That elusive movie that gets nominated only for the Best Costume Design statuette. Such is the case of Luchino Visconti's adaptation of the Thomas Mann novel Death in Venice. To celebrate the film's 50th anniversary, I decided to explore that wondrous wardrobe that caught AMPAS' collective eye. It's one of the best works of Piero Tosi, a man who may have been the greatest costume designer to ever create for film.

After five unsuccessful Oscar nominations, Piero Tosi won an Honorary Academy Award in 2014, the first costume designer to ever do so. It couldn't have happened to a more deserving artist...

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Lana @ 100: Love Has Many Faces

Celebrating Lana Turner's Centennial. Here's Baby Clyde...

1965 was the year Martin Luther King marched on Selma, The Civil Rights Act was signed and Malcolm X was assassinated. The Vietnam War was raging, London was swinging, The Beatles played Shea Stadium and Dylan went electric. The times they were a changing, but some things stayed the same because this was also the year Lana Turner starred in the trashiest of all her tawdry melodramas, the Acapulco-set potboiler Love Has Many Faces or as it should have been called ‘Lana Has Many Costume Changes’.

In it she plays Kit Chandler a rich, international glamourpuss, with luxury apartments around the globe, who chooses to reside in the luxury Mexican resort with her estranged husband Pete (Cliff Robertson). When a dead body washes up on the shore it transpires that the deceased beach boy was one of Lana’s many conquests and she's the main suspect in the murder investigation....

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