The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
The sting of the #OscarsSoWhite movement from the 87th Oscars continued as no people of color were nominated in the acting categories for the second consecutive year. Idris Elba won the SAG for Supporting Actor for Beasts of No Nation, but Netflix was a completely new player at the time and unable to get traction in the Oscar race. Jada Pinkett Smith called for an Oscar boycott after her husband Will Smith missed in Actor, but his film Concussion had disappointed at the box office and received mixed reviews. The tension was high enough that The Hollywood Reporter even felt the need to clarify that “there [were] no minority actresses in genuine contention for an Oscar [that] year”.
The lack of diversity extended to gender in Best Director (the subject of this series) where no female directors were in the conversation with the arguable exception of Angelina Jolie early on before By the Sea began to screen...
7 random things that happened on this day, January 30th, in showbiz history
1931 City Lights premieres in Los Angeles. Albert Einstein, pictured above with Chaplin, was the guest of honor. It was a silent film released well past the point when that was fashionable (sound took over very quickly in one of Hollywood's most titanic upheavals) but it proved a success in theaters...
Marielle Heller has built quite a reputation as a director based on two films; Diary of a Teenage Girl (2015) and Can You Ever Forgive Me (2018). We attended a talk at the Tribeca Film Festival in which she was interviewed by the writer Jo Piazza. They talked about how she started as an actor and her transition to writing and directing. Of course she mentioned her next project, scheduled to come out later this year, A Beautiful Day in the Neighborhood. Tom Hanks plays Mr. Rogers in the film, but Heller was adamant that it’s not a biopic. She said it's a story about fathers and sons and based on journalist Tom Junod (Matthew Rhys) profile of Mr. Rogers.
“Mr. Rogers is not the lead character. You can’t create a narrative around Mr. Rogers because he’s too good...”
We're nearly finished* with 2015 Film Bitch Awards, our own annual year in review yearbook/party and of imaginary Oscar ballot (well, half of it is that). Today the remainder of our Best Scene categories with six final scene categories. This group hands more nominations to films from the top ten list of course but for highlights to point out here on the blog before you click over, we're using films outside the top ten list.
Obviously this page (and post) of awards contains mild spoilers so if you haven't seen the films and wish to stay pure, these are not the awards categories you're looking for. Here is one nominee I felt the need to gab about (maybe you will too?) from each category...
BEST KISS While Creed was mostly ignored by the Academy, chances are its big box office (which significantly outgrossed Stallone's last two attempts are reigniting the franchise) will insure a big career for Michael B Jordan. Can Tessa Thompson hope for the same (it's always trickier for actresses of color)? They're wonderful together. Especially endearing is the scene in her apartment where Adonis makes up a godawful wrap and they end up collapsed on the floor, caught up in the moment. It's an upside down shot from above and they're something beautifully innocent and pure but also sexy about this kiss. (Later they'll bring the heat in a proper sex scene at Rocky's house. "but what about your Uncle?" / "He old!" Ha!)
SEX SCENE Angelina Jolie's third directorial effort By the Sea was mercilessly trashed upon arrival but this was always going to be its fate. The Jolie-Pitts are extremely mainstream-famous. And household name blockbuster stars that the public has longed to see paired again onscreen aren't supposed to reunite for an indulgent overly serious tribute to Euro art cinema of the 1970s. That's for the other kind of movie star, like the Julianne Moores and the Ryan Goslings of the world, whose filmographies are built on eclectic sensibilities and crisscrossing between the ittybitty and the giant. But By the Sea isn't without its moments. The best scene, repeated in different forms like a musical riff, is when the couple sits on the floor in their hotel room and shyly watches another younger couple (Melanie Laurent & Melvil Poupaud) make love in the next room through a peephole. It's beautifully sympathetic and tragicomic, an estranged couple tiptoeing back to intimacy through surrogates.
OPENING SCENE David O. Russell's Joy is an easy movie to quibble with. It often feels like five different movies that haven't reconciled themselves. This problem (?) is embedded right in its prologue which jumps from inside a stylized soap opera, to Diane Ladd's wonderfully expressive fable-like narration, and back to the soap opera but this time "outside" of it through a TV set, and into little Joy's bedroom where she makes a castle and theorizes about her possible superpower (maybe she doesn't need a Prince?). Ladd's Grandma guides us through this collision of styles and ideas with an expertly dropped line about Joy's creativity that doubles as a guide to how to watch and make ambitious movies.
The patience to figure it out."
Will Joy grow on us with time? Perhaps it might. Perhaps we quibbled too much. Perhaps Russell didn't have the patience to truly figure this one out but there's a lot to figure therein.
ENDING Spotlight may have the most mellow finale we've ever nominated in this category but there's something about its sober work ethic and the core ensemble wide shot, with Walter "Robby" Robinson centered, that really lands emotionally and elevates the film. His phone rings and they all just return to work. Where they've always been.
Spotlight..."
CREDIT SEQUENCE I've been disappointed these last few years that it's more and more common for films to have virtually no credits at the beginning and double up at the ending. So shout out to Mission: Impossible - Rogue Nation which has great opening and closing credits. The opening credits would be spoiler-alert central if they didn't come at you so aggressively with machine-gun montage speed. The ending credits are even more stylish --both an homage to the TV show and film appropriate -- with action frames from the film outlined by the wicks of time bombs; this movie is a blast.
MISCELLANIA - A DOZEN FAVORITE SCENES When writing about the Film Bitch Awards I often revisit a whole bunch of movies in clip forms, particularly the earlier releases that are blurry int he memory. Here we are at the end of the prize-giving and here comes Diary of a Teenage Girl and it suddenly looks just as good as everyone claimed it to be (I was previously in the admired but only admired camp). It was easy to turn certain movies off after checking the scene in question but I kept getting sucked into this film, as if it were the first time. One of the best moments is an animated interlude "The Making of Harlot" where a 'Beautiful Junior,' getting it on with Minnie, remarks upon her aggressive sexuality with something like judgment in his voice (though he's benefitting). Giant Minnie, holding him in her King Kong paw, turns away, with a single teardrop and casts him aside. True movie magic.
* Only three categories left to announce (Limited Roles x2 & Line Readings). Can you believe we're actually going to finish this year before the Oscars**?! Wheeee. We'll announce those three categories plus all the Gold Silver and Bronze medals at some point in the next 24, ya dig?
** Okay technically I won't have finished, damnit. I never named the Animated Feature nominees (we only go 3-wide here) because I was trying to see Boy and The World before voting. So we'll be finished with everything but that category.
It's time for the irregular 'newish for home viewing' list. If you've been trying to catch up on 2015 hits & misses (no judgments -- we're all for movie consumption of multiple kinds and whenever people can get to them) it's worth noting that a lot of things hit DVD, Blu-Ray, and Streaming over the past three weeks. Here are some highlights. (Links go to related articles here).
Tuesday, January 11, 2022 at 10:06PM 
