Charlink

• Boy Culture "A Star is Bored" a new novel from Carrie Fisher's former assistant
• Vanity Fair interesting piece on the new "primacy of the face" due to scial media - we're all disembodied talking heads now
• My New Plaid Pants it's Charlize Theron's birthday today. What are your favourite of her films?
• The Guardian Diego Luna talks about his new show Pan Y Circo
• IndieWire investigates what moviegoing is like in China now 
• The Guardian Dirty Dancing is getting an official sequel 33 years later and Jennifer Grey is returning 
• After Ellen, a lesbian site which is of course named after Ellen DeGeneres discusses the allegations against the famous comedian and her management team about the toxic work environment on her show
• Cartoon Brew Disney posts a quarterly loss for the first time in ages. Maybe this is behind the Mulan decision - quick money?
• ...TFE The Mulan streaming release news icymi
• Coming Soon trailer for Judas and the Black Messiah, a new Black Panther reelated biopic starring Daniel Kaluuya and LaKeith Stanfield
• Broadway World Club Cumming, the nightclub owned by Alan Cumming, is going to start offering virtual variety shows -- it's such a fun club here in NYC. Stay tuned for the guest list

Exit Video
Lily Wachowski talks about recent discussions of the trans allegory nature of The Matrix...

The New Classics - Y Tu Mama Tambien

Michael Cusumano here to add a title that is near and dear to my heart to the New Classics pantheon 

Scene: Epilogue
The Narrator in coming-of-age stories most often represents a grown-up version of the protagonist. Think The Sandlot or A Christmas Story, or the quintessential example, The Wonder Years, voices looking back, awash in nostalgia. In Alfonso Cuarón’s Y Tu Mamá También not only is the narrator not a character, but the voice is indifferent, even coldly clinical in its omniscience, as likely to note the fate of a passing group of wild pigs as to reveal the deepest secrets of the protagonists.

We get used to the voice as a welcome companion throughout the film. Its flat, objective viewpoint is a welcome respite from the main trio’s frequent emotional upheavals. Little do we realize we are being set up for the emotional gut punch of the film’s epilogue...

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Disney+ for those who can't get enough franchise!

by Nathaniel R

Disney, the corporation that will one day have a complete monopoly of the entertainment business, made lots of Disney+ announcements this week. Gizmodo has the details on how much their streaming service will be like Netflix. If you haven't been playing along they've announced at least eight scripted episodic streaming series thus far though we don't really know how far these are from being realities but for the first one...

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''Cause every girl crazy 'bout a sharp dressed man'

We'd be remiss not to share photos of the men of the 91st Academy Awards. Who wins your best dressed among the men? Despite Rami's perpetually crooked tie, Christian Bale's typical black on black (we didn't include him -- you've seen it dozens of times over the years), and the weird choice of shoes that did strange things to Stephan James (making him look shorter and more childlike), most of the men really stepped it up on Sunday. Men's fashion has been ever-so-slightly more daring this season...

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Great Moments in Kissing: "Y Tu Mama También"

We've decided to extend our 'kissing' appreciation series past Valentine's. Not that you were asking but we're having fun and it's a sexy break inbetween Oscar madness. Here's Eric Blume...

In director Alfonso Cuarón's 2001 mini-masterpiece Y Tu Mama Tambien, lifelong friends Julio (Gael García Bernal) and Tenoch (Diego Luna) spend much of the movie talking about girls and sex.  And when they begin a road trip with older, sexy Luisa (Maribel Verdu), most of their focus is on her, her body, and the idea of getting her into bed.  Which makes the climax (yep, I said it) of the film so incredibly surprising:  at the end of their journey, they finally consummate their adventure in one of the cinema's best threesomes... 

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