Review: "Elaine Stritch: Shoot Me"

This review originally appeared in my column at Towleroad

I saw Elaine Stritch’s famous one woman Broadway show “At Liberty” in the last days of 2001 a couple of years after moving to New York. I’m not exaggerating when I say that it was nothing short of spiritual ecstasy but then showbiz is my religion and actresses are my only gods. You might then justifiably say that I am predisposed to love the hell out of the new documentary Elaine Stritch: Shoot Me and you’d be right. But I can still tell a peak performance from a Wednesday matinee and the last doc I saw on Stritch, which shared its title with “At Liberty” was significantly less stellar. Shoot Me is a must-see, even if you only know this Broadway legend from her hilarious guest appearances as Jack Donaghy’s impossible mother on 30 Rock. 

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Surprise. "Freeheld" Back On. Now With Julianne Moore!

You're forgiven if you've long since forgotten that Ellen Page was trying to get a feature version of the Oscar winning documentary short Freeheld (2007) off the ground. She first tried in 2008, shortly after her rise to fame with Juno (2007). The film, based on a true story, is about a lesbian couple, the young Stacie (Page) and her older police detective partner Laurel Hester (Moore) who receive devastating news: Laurel is terminally ill and the government won't let her assign her pension benefits to Stacie. At the time this was first announced it looked like a great Oscar project for Page but nothing ever came of. The good news: It's back on!

But the news gets even better...

Julianne Moore is on board to play Laurel so maybe she's finally got her Oscar role. Not that Oscar is the most important thing here. The important thing is tell good stories about women with great actresses playing them. Curiously several of Julianne's roles have been gay or gay-adjacent (Far From Heaven, The Hours, The Private Lives of Pippa Lee, The Kids Are All Right, Chloe, A Single Man, Savage Grace, Psycho). If Freeheld is anywhere near as good as The Kids Are All Right, The Hours, or Far From Heaven, her gayest and most Oscar celebrated films, we're in for such a treat. 

The news gets even better.

Peter Sollett, who directed the little-seen but totally amazing gem Raising Victor Vargas (2002) and later the slightly more seen but still underappreciated Nick and Norah's Infinite Playlist (2008) and nothing since (seriously is he waiting tables?) will direct. 

The news gets even better.

Since the project now has three stars (Zach Galifianakis will play an activist) it looks like it is really going to happen and aims to start production this summer. 

UPDATE 02/15: THE NEWS JUST GOT BEST
Ellen Page came out as a gay woman on Valentine's Day 

Maximillian Schell (1930-2014)

The most famous Austrian born actor prior to Schwarzenegger, and Oscar's favorite Austrian/Swiss actor ever, died overnight at 83. Maximilian Schell film debut came with the German anti-war film  Kinder, Mütter und ein General (Children, Mother, and the General) but it wasn't long before Hollywood came calling. 

He won a role supposedly through a misunderstanding/accident in the Brando/Clift vehicle Young Lions (1958). Global fame was just a few years away when he co-headlined the mega-star cast of the seminal Oscar Bait giant Judgement at Nuremberg (about Nazi war crime trials) with Hollywood legend Spencer Tracy and they were both were nominated for Best Actor - it's a oft-repeated fallacy of modern Oscar campaigning that people say that splits your vote and prevents you from winning; see also Amadeus. Schell also won the Golden Globe for that film. (As Rhett from Dial M for Movies pointed out on Twitter this morning, his death makes William Shatner (!!!) the sole surviving credited cast member from the courtroom classic)

Schell was quite gracious in his Oscar win and his acceptance speech is well worth watching. I'd argue he was fully aware of why he won ("honoring the movie"*) and I love that he doesn't do just the usual cheek kiss but actually a little bow/handkissing...as diva Joan Crawford warrants. 

Schell had a fine and long run as an actor with two more nominations following his win for The Man in the Glass Booth (1975) and Julia (1977 -- and yet another example of a double nomination in the same category. His co-star Jason Robards won that time). He won his second Golden Globe as recently as 1994 for a TV miniseries and a Lifetime Achievement Bambi in Germany just 5 years ago, which coincidentally was the same ceremony wherein Christoph Waltz, a clear modern equivalent of Austrian/Oscar love, won for Inglourious Basterds.

Schell's talents were many, though, and also behind the camera. He turned to filmmaking within a decade of winning Best Actor. His first two feature films First Love (1970) and The Pedestrian (1973) were both nominated in the Best Foreign Language Film category for Switzerland and West Germany respectively. And then his first documentary Marlene (1984) which was about his legendary Nuremberg co-star, was also nominated in its category. That's a lot of awards love and a long and full career worth remembering. 

*Judgement at Nuremberg couldn't really win much elsewhere. 1961 was the year of one of Oscar's true phenomenons. West Side Story made nearly a clean sweep of its nominations winning 10 of its 11 Oscar nominations! Nuremberg only bested it in the Adapted Screenplay category where musicals have historically had a very hard time winning. Only two have ever managed: Going My Way (1944) and Gigi (1958). 

Sundance Documentary Round-Up: 'Rich Hill', 'Happy Valley', 'Private Violence' and 'Last Days in Vietnam'

Our Sundance coverage is just about wrapped up. Here's Glenn on four documentaries that may just end up on the Oscar long list in 11 months time.

When I moved to New York early last year, one of my movie missions was to see more documentaries. Given there’s on average three released here a week, that was never going to be too hard. I definitely succeeded with a year-end tally that nudged 50, which I think is pretty good considering years prior my number was much smaller and in some particularly disappointing years was limited exclusively to Oscar nominees. Michael has already reviewed and liked Life Itself, Nathaniel has reviewed and didn't like Web Junkie, and I announced my love for My Prairie Home. For completions sake, here are four more starting with the Grand Jury winner...

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Sundance / Netflix Instant: 'Mitt' Stays on the Surface

Here's a leftover from Sundance that's also playing on Netflix Instant - Michael Cusumano on "Mitt".   

In one scene from Greg Whiteley’s documentary about the two failed presidential runs of the former governor of Massachusetts, Romney complains bitterly about Candy Crowley's interference in the second debate, which led to the infamous “Please proceed, Governor” moment. According to Mitt it was not the moderator’s place to comment or press the candidate for answers.

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