TCM Film Festival: Day Three - Bogey in Africa and Musicals Galore

Christopher James continues his coverage of the 2023 TCM Film Festival. Check in for daily...

If the first two days of the TCM festival were dominated by bad boys fighting the establishment, day 3 was all about the movie musical. Out of the four films I screened today, three were musicals from different eras. It was a fantastic example of the breadth and depth the genre has to offer.

Today was also the day of big stars. For the first screening, Shari Belafonte had a discussion with TCM host and Academy Museum programmer Jacqueline Stewart. Later on in the  same room, Ann-Margret arrived and blew out a birthday cake inspired by her legs. Then, right before a screening of Carmen Jones, legendary film historian Donald Bogle was awarded the Robert Osborne award for achievement in classic film preservation... 

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Dorothy Dandridge @ 100: "Island In the Sun"

by Cláudio Alves

"Island in the Sun" | © 20th Century Fox

After Carmen Jones proved a financial triumph and earned Dorothy Dandridge a ground-breaking Best Actress nomination, 20th Century Fox signed her for a three-picture deal. As Baby Clyde mentioned in part one of this centennial, Darryl F. Zanuck was invested in Dandridge's success, planning to make her a screen icon unlike any other Black performer in Hollywood history up to that point. Unfortunately, however, nearly every project fell through, including a remake of The Blue Angel that would have seen Dandridge take on Marlene Dietrich's star-making role. Even so, while absent from the big screen, her fame rose.

So high was Dandridge's profile that she became a target for Confidential magazine's libelous articles. The erstwhile Carmen Jones was one of the few stars to testify against the publication in a series of suits that brought along its downfall. In 1957, Dorothy Dandridge's victory in court coincided with her return to the big screen. Island in the Sun was her first film in three years… 

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Dorothy Dandridge @ 100: "Carmen Jones"

Team Experience is revisiting a few Dorothy Dandridge movies for her centennial

by Baby Clyde

Groucho Marks famously described Grace Kelly’s Best Actress win at the 1954 Oscars as ‘The greatest robbery since Brinks’. I think we can all agree that a terrible crime was committed, but Judy Garland wasn’t the only victim on the night of March 30th, 1955. Dorothy Dandridge was a sensation in Carmen Jones becoming the first Black woman to receive a Best Actress nomination. In any other year, her loss would be seen as a huge scandal but because of Judy’s legendary star turn in A Star Is Born the fact that Ms Dandridge was also deserving has been almost entirely overshadowed...

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Stage Door: Anika Noni Rose Brings Raw Sensuality to "Carmen Jones" Off Broadwa

Stage Door is our intermittent theater column in which we often feature plays and musicals with film connections. Please welcome guest contributor Erica Mann...

The moment Carmen Jones walks onto the stage of Classic Stage Company, it’s like time completely stops. It’s not just because the character is played by the incomparable Anika Noni Rose whose illustrious career has spanned stage (a Tony win for Caroline or Change), TV (Bates Motel, The Good Wife), and film (Dreamgirls, For Colored Girls, The Princess and the Frog). Her presence as the namesake is that powerful from the moment she sets foot into the spotlight.

Oscar Hammerstein II's adaptation of Bizet's opera Carmen became a classic screen musical in 1954 starring Dorothy Dandridge and Harry Belafonte but has rarely been seen on the NY stage. CSC's production is the first major New York revival since the 1940s. Carmen Jones is the story of love, lust, betrayal and tragedy with the action moved to the 1940s in the American south. Corporal Joe, stationed at an army reserve and working in a parachute factory, falls in love with the stunning Carmen Jones. Aware of his feelings, Carmen convinces him to change his life trajectory in pursuit for a life in Chicago with her. Things change when those initial feelings become blurry and passion turns into jealousy...

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Swing, Tarzan, Swing! Ch.3: Lex Barker... and Queen Dorothy Dandridge?

As we approach the release of The Legend of Tarzan (2016) we're ogling past screen incarnations of the Lord of the Apes...

After Buster Crabbe filled a loincloth beautifully and Johnny Weissmuller & Maureen O'Sullivan gave us the deservedly definitive Golden Age Tarzan and Jane, the franchise had to recast or close shop. O'Sullivan left first and by the late 40s Weissmuller was feeling too old for the role and also called it quits. The producer Sol Lesser wasn't about to let the profitable franchise go, though, and led a search for a replacement. The winner was Lex Barker, a then little known blue blood actor from New York who had been disowned by his family for choosing an acting career (!) and he took up the loincloth in 1949 for Tarzan's Magic Fountain.

I opted to watch Barker's third go at the character in Tarzan's Peril (sometimes called Tarzan and the Jungle Queen) because it was the first Tarzan film to actually shoot some scenes in Africa (Kenya to be exact) and six actors down the call list was the curio factor of a young Dorothy Dandridge as "Melmedi, Queen of The Ashuba".

Dorothy & Lex after the jump...

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