Best Actor in the 80s: An Alternative Oscar History

by Cláudio Alves

Your eyes don't deceive you. At long last, AMPAs and I can find common ground and award the same performance. Well, two out of ten. It's something!

This November, we've been celebrating the 1980s with a series of throwback articles. To contribute and inspired by Nathaniel's top tens, I decided to share my alternative Oscar ballots, the idealized lineups that would have come to pass in a world where my taste prevailed over the Academy's. We've already looked at Best Actress, Supporting Actress, and Supporting Actor, so now it's time for the leading men. As always, I welcome all recommendations – it's been a great pleasure to read all your own ideal lineups and jot down films to watch in the future. To repeat some critical details, these lists include my personal Oscar lineup according to the eligibility established by the Academy. There are also honorable mentions, ineligible gems, and some notable titles I already have on my watchlist…

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Over & Overs: Amadeus (1984)

by Cláudio Alves

To celebrate the recent centennial of sound mixer turned movie producer Saul Zaentz, I decided to revisit my favorite of his projects, the glorious marvel that is Amadeus (the second of his three Best Picture winners). On paper, the movie may sound like the most airless and insufferable of Oscar champions. It's a musician's biopic, probably my least favorite of prestige subgenres, whose take on history is closer to feverish invention than thoughtful analysis. With a theatrical cut running for nearly three hours, the movie's a behemoth of excess in a decade when the Academy was prone to shower such things with undeserved accolades. Nevertheless, I find myself besotted by Milos Forman's 1984 Best Picture winner, its meditations on mediocrity and spiritual discontentment, its celebration of opera, the lushness of its emotions...

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Link Flood

Entertainment Weekly Mark Harris sounded off on horror television like Hannibal and The Walking Dead "with gore less is more"
LA Times treasure trove of silent films found in Amsterdam including Mickey Rooney's first film role at age six
The Playlist interviews Denis Villeneuve (Enemy, Prisoners) on working with Jake Gyllenhaal, and his future projects
The Wire watching Noah during the Los Angeles earthquake

Playbill talks to F Murray Abraham about his career resurgence at 74
Variety Spain's Malaga festival reveals its winners. Maybe we should look at some of these as Oscar submission possibilities
Salon a new book makes the case for Wonder Woman as one of the greatest superheroes
The Wrap Game of Thrones and The Secret Life of Walter Mitty win the very first "Location Manager" awards - both shot partially in Iceland which is where it's at lately but more on Iceland in a special series in April
Comics Alliance the creator of the beloved Batman TV series died at 91 
Salon Catherine Keener does not think she should be called 'Spike Jonze's muse' 
Slate loves Darren Aronofksy's Noah but thinks the environmental message is problematic 

Must Read
We like her. We've always really liked her. Sally Field pens an open letter about being the mother of a gay son to encourage people to join the fight for civil rights and marriage equality and the like...

Sally Field and her son

One of the great privileges of my life to have been allowed to be a part of Sam’s journey.

There are people out there – organizations and politicians, strangers who have never even met Sam – who would rather devote themselves to denying his happiness...

Not only a wonderful actress but a wonderful person.

In the History of Shamelessly Greedy Ideas We Have a Winner
The movie industry's fever for making movies just like television with endlessly padded storylines to win more billlions from our pockets continues. Variety reports that J.K. Rowling's 54 page Harry Potter tie-in book "Fantastic Beasts and Where to Find Them" will now become a film trilogy.

P.S.
I CANNOT WAIT to see what people choose for their "best shot" from CAN'T STOP THE MUSIC (1980) on Tuesday night. It's absolutely insane. tacky. ridiculous.  And I'm not just talking about the opening glitter splooge credits and rollerskating sequence with Steve Guttenberg and his padded crotch.

If you'd like to join the Best Shot party, the movie is available for instant watching on Netflix, Amazon Instant and iTunes. Just pick your best shot and post it and we all party with the same movie on Tuesday night. Here's the upcoming schedule for other movie selections. 

Happy Birthday Amadeus!

Today is the 258th birthday of Wolfgang Amadeus Mozart. Of course he didn't live to see 258 (unless there's a vampire Mozart creeping around), dying an ignoble pauper's burial death at 35 despite a lifetime's worth of legendary brilliant compositions already behind him. Remember how great Amadeus (1984) was back when the biopic genre still produced huge quality epics? Remember when The Academy understood that movies could have two leads of the same gender? [More...]

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Thoughts I Had... About Our First Look At "Grand Budapest Hotel"

In the interest of speed and efficiency, and before all this good icing melts, my uncensored thoughts as they come to me...

• This poster looks good enough to eat. Literally. All I see is a tiered heavily frosted chocolate cake and I want it in me right now. Put it in me!

• Remember when people made such a big deal of Natalie Portman's nudity in "Hotel Chevalier" even though it was only like side butt? Will their be profile nudity in this hotel? And if so whose? My guess is Léa Seydoux though its unlikely to occur at all.

• The title signage is like delicate decorative pastel frosting (I have not eaten dinner yet, can you tell?)

• So pleased that Ralph Fiennes' career seems to be on an upswing again -- I believe he's the protagonist and butler here -- though I read the weirdest headline the other day (I didn't click on the link) about The Invisible Woman, his second directorial effort, being a misfire of a vanity project. I have seen the movie and I can't for the life of me think why it would be considered a vanity project (though "misfire", maybe) when Fiennes is SO much more handsome in real life than he allows himself to look as Charles Dickens. And Dickens doesn't even come across all that well in terms of character, either. He's no outstanding citizen in the movie. 

• Can Ralph Fiennes please do playful homages to Tim Curry and Forrest Whitaker and other famous butlers when he hits the talk show circuit. Please?

• Did Oscar winner F Murray Abraham get a new agent or something? Totally back! Homeland (sinister!), Inside Llewyn Davis (wonderfully judged cameo), and now this.

• This poster reminds me of the architectural minimalism of Chris Ware or maybe it could have been done by illustrator Max Dalton who did great stuff for Matt Zoller Seitz' new book on Wes Anderson. I want to read that book. Did any of you get it yet? 

Max Dalton print of Wes Anderson characters

• My favorite Wes Anderson movies are The Royal Tenenbaums (#1 by a margin of 375 imaginary city blocks), and Moonrise Kingdom. Hotel Chevalier and Fantastic Mr Fox tie for third. No, really.

• My best friend used to live super close to the exterior of The Royal Tenenbaums on Convent Avenue here in  NYC and I used to stare at that building in melancholic wonder every time it entered my field of view. 

• Wes Anderson is the ideal person to make a movie about a hotel because structures are like actual characters in his movie: the train in Darjeeling Unlimited, the submarine in The Life Aquatic, the tree in Mr Fox, the vertical home in Tenenbaums, and so on...

• When will Oscar voters ever warm to Anderson? Beyond the writers branch who (wisely) gets him.

• I just noticed that Anjelica Huston's name is not on this poster and it suddenly doesn't look as tasty.