Norway and Oscar. Which "Amanda" Nominee Will They Submit?

Last night I had a lovely Scandinavian dinner with friends as we discussed our book club title "The Ice Princess" the latest best seller capitalizing on the super hot Scandinavian crime genre (oh what The Girl With/Who... has wrought!). I didn't like the book at all and the translation seemed clunky (or maybe that was the fault of the original prose?) but I find the whole trend vaguely hilarious since Scandinavian countries, to their vast collective credit, are not exactly known as hotbeds of crime! Returning home, what do I have in my inbox?, but the nominations for Norway's annual "Amanda" Awards. Don't you love unexpected theme days?

Norway had a record breaking year with 34 original films eligible for their own prizes. To give you a very general sense of the amount of films various countries make each year here's a handy graphic AMPAS provided for the films of 2007. Would that all the regularly Oscar submitting countries had been listed!

It's no surprise that Bollywood is the biggest deal with over a thousand films made a year.

BUT BACK TO NORWAY.

They basically have two "Best Picture" categories since Scandinavia has a rich history of children's films. So the six lucky movies are as follows.

Nokas was released in Norway the day after last year's foreign film eligibility cutoff!Best Children's Film

• Elias og jakten på havets gull (Lise I. Osvoll) -ANIMATED
• Jørgen + Anne = sant [a.k.a. Totally True Love] (Anne Sewitsky)
• Keeper’n til Liverpool (Arild Andresen) -a comedy about a 13 year old soccer goalie.

Best Film

• Gazas tårer [aka Tears of Gaza] (Vibeke Løkkeberg) -This is a documentary film about the consequences of war.
• Kongen av Bastøy/ The King of Devil's Island (Marius Holst) -Here is the highest profile release, a true story period epic about a boy's prison in the early 20th century.
• Nokas (Erik Skjoldbjærg) -Another true story, this one a crime drama about Norway's most famous robbery. This is from the director of the famous thriller Insomnia (1997) which Christopher Nolan went and remade.

Trailer to The King of Devil's Island with Stellan Skarsgård

Eligibility dates aren't exactly the same for the Amandas as they are for Oscar submissions but you shouldn't be surprised if one of these six films is Norway's submission. Two other films of note: Maria Sødahl's Limbo, a period film with the great Lena Endre about expat Scandinavians in Trinidad, did very well in total nominations (acting, screenplay, direction and more) but missed the Best Picture cut under the familiar awards rule of something-has-to. But it won't be the Oscar submission as it would have been eligible in 2010 and it also has a lot of dialogue in English. Trolljegeren, known abroad as Troll Hunter (it's even in release as we speak right here in the States) won multiple nominations, too.

I'm assuming that Joachim Trier's second feature Oslo 31, August missed the eligiblity cut off for these awards. And given that it was so well received at Cannes, perhaps Oscar submission is in the cards? Norway submitted the young filmmaker's debut Reprise once upon a time. (Oscar foolishly ignored it. God, what a startling debut that was. I nominated it!). Here's the trailer to Oslo 31, August.

...same lead actor as Reprise, playing a troubled soul again. I shouldn't make any uninformed guesses but my hunch is that it'll be this one or The King of Devil's Island for Oscar submission.

"I'm going to lose to the King's Speech again??? It's my turn!"Best Foreign Film
One of the funnest things for awards junkies when perusing off-Oscar prizes is how often Oscar giants show up in Foreign Film prizes. Hint: They usually do.

Click to read more ...

May Flowers: Eyes Without a Face (1960)

Robert G from Sketchy Details here. I'm drawn to the beautiful imagery hidden in horror films. There's something intriguing about the dissonance between something so beautiful in the middle of an otherwise disturbing feature. 

Eyes Without a Face is one of the more aggressive horror films from the Black & White era. The entire film concerns a doctor trying to restore his daughter's beauty after a car accident severely burned her face. He goes so far as to fake her death after a failed medical experiment to better control his wandering child.

Even with the graphic imagery and grave subject matter, Eyes Without a Face is ultimately a film about hope and the attempt to renew a young life. This is made quite clear in the funeral scene.

After all the guests have left, Dr. Genessier and his assistant Louise are left to tend to the large quantity of flowers left at the grave. The arrangements are traditional--white lilies--but seem unnaturally bright and alive against the foggy background.

Where Dr. Genessier is unwavering in his plans, Louisa is losing faith. She's the one who always has to clean up his mistakes. She loses her composure in the Genessier family tomb against a wall of perfectly white daisies. 

A slap across the face is all it takes to bring Louisa back to reality. Her patient, Genessier's daughter, deserves a chance to be beautiful again, just like the flowers at her staged funeral. 

Cannes Winners: Kiki, Malick, and More

The 64th annual Cannes Film Festival wrapped up today with the jury awards.

Some awards announcements feel like deflations to robust film festivals but not this year. Major conversation pieces won big, extending the buzz if not adding much in the way of a surprise element that can sometimes send hype spinning in new directions.

First and foremost I, personally, must let out a whoop of joy at the news that Kirsten Dunst took Best Actress. I've long been a champion of her underappreciated gifts. She's one of those rare actresses who is just as skilled at both comedic and dramatic roles and her filmography will eventually have the last laugh over her many detractors.  Her "comeback", artistically speaking, probably started with All Good Things this December. She won very complimentary reviews and a last minute Oscar campaign even though the film itself didn't get much attention. [The Film Experience Interview from Kirsten Dunst if you missed it.]

Gif via Rich at FourFour

Main Jury (Robert DeNiro was Jury President)
This jury, the jury that gets all the attention, hands out the prizes for the films in the main competition roster. But Cannes has several sidebars as well.
PALME D'OR The Tree of Life by Terrence Malick.
GRAND PRIX (runner up) The Kid With The Bike by the Dardenne Brothers who seem to win something each and every year and Once Upon a Time in Anatolia by Nuri Bilge Ceylan

JURY PRIZE Polisse by Maïwenn Le Besco (we discussed her very briefly)
DIRECTOR Nicolas Winding Refn for Drive (making good on the critical excitement)
SCREENPLAY Joseph Cedar for Footnote
ACTOR Jean DuJardin for The Artist
ACTRESS Kirsten Dunst for Melancholia (see previous posts)

Camera D'Or (Jury President Bong Joon Ho, of Mother and The Host fame)
GOLDEN CAMERA (Best First Feature)  Las Acacias directed by Pablo Giorgelli [Argentina]

Un Certain Regard (Jury President Emir Kusturica of Underground and Black Cat White Cat fame)
PRIZE OF UN CERTAIN REGARD (tie) Arirang by Kim Ki-Duk and Stopped on Track by Andreas Dresen

SPECIAL JURY PRIZE Elena by Andrey Zvyaginstev
DIRECTING PRIZE Mohammad Rasoulof for Bé Omid é Didar

Critics Week  (Jury President Chang-dong Lee of Poetry and Secret Sunshine fame)
This jury concentrates on new directors (meaning first or second timers)
FEATURE Take Shelter (which played at Sundance) starring Michael Shannon & Jessica Chastain.
SPECIAL MENTION Snowtown (a controversial choice)
CID/CCAS and the OFAJ Las Acacias (which also won the Camera D'Or)

The Skin I Live In wins a Cinematography Prize. Notice the poster on the wall is the one they've been using for the film's teaser poster

C.S.T
VULCAN PRIZE (for an artist technician) went to cinematographer José Luis Alcaine for Pedro Almodóvar's The Skin I Live In (previous posts)
SPECIAL DISTINCTION went to Sound Designer Paul Davies and Editor Joe Bini for Lynne Ramsay's We Need To Talk About Kevin

Cross-CountryCinefondation and Short Films (Jury President Michel Gondry)
SHORT FILMS
PALME D'OR Cross-Country by Maryna Vroda
JURY PRIZE Swimsuit 46 by Wannes Destoop

CINEFONDATION
1ST PRIZE Der Brief (The Letter) by Dorotyea Droumeva
2ND PRIZE Drari by Kamal Lazraq
3RD PRIZE Fly By Night by Son Tae-gyum

In terms of the Oscar race, which rarely correlates with Cannes and doesn't need to, this still adds a helpful sheen of prestige to The Tree of Life, Melancholia and Take Shelter which will all see the US marketplace. Given the multiple prizes for the Argentinian debut film Las Acacias one also wonders if it will be Argentina's Oscar submission?

What do you make of all this? Did anything surprise you?

Cannes Check: A Fine Finnish

Robert (author of Distant Relatives) here with more info from Cannes. The Palme found another strong competitor with Aki Kaurismaki's La Havre. Probably the highest profile director from Finland (if you know him from anything it would probably be 2002's The Man Without a Past), Kaurismaki has been off the scene for five years. His return takes him to the French town of the films' title and a couple who attempt to help an illegal immigrant who's being pursued by a tough cop. The Playlist's Kevin Jagernauth notes the rapturous applause that greeted the film and says it "now matches The Artist for the biggest, most rousing crowd-pleaser of the festival."

Meanwhile director Bertrand Bonello had perhaps the least desired spot in the fest. His film House of Tolerance about the comraderie in a brothel mixed in with heaping helpings of violence and sex opened the same day as The Tree of Life. But having little attention payed to it, may turn out to be a good deal for him. MUBI has a good rundown of the mixed critical response to the film.

Nashville Awards: Andrew Haigh's "Weekend" and More...

Jury Deliberations. Most festivals have separate jurors for each of the major sections. Cannes is the one people are most familiar with it being the festival of festivals. The competition slate is the main focus but they don't actually decide each of the awards you hear about. There are other juries gathered to decide things like the Camera D'Or (best first film) and the short film prizes. Nashville has five juries and they're also an AMPAS qualifying festival so if, for instance, a short film wins "best" in category here it becomes eligible for Oscar consideration. I was on the Narrative Competition jury this year. The running joke at the table became "this doesn't leave the table..." so...end of story!

Let it suffice to say that it's always usually enjoyable to discuss movies with other creative types and in this case it was extra enjoyable as my fellow jurors Dan Butler (previous discussed) and Joe Leydon (a Texas based film critic who also writes for Variety) were both fun passionate movie-loving guys.

After we decided our prizes, I scampered over to the Music Film jury when I saw them wrapping up to thank the gorgeous Kimberly Reed for her Prodigal Sons film the one I kept raving about to y'all a couple of years back. She told me about a new percolating project of hers but she's actually still trekking around the country with her breakthrough film years later. Oprah's interest in her story really made a huge impact -- Oprah really does control the world, doesn't she? -- but that kind of sustained interest couldn't have happened to a better documentary or to a more articulate champion for the transgendered community.

BEST OF THE 2011 NASHVILLE INTERNATIONAL FILM FESTIVAL

Read on to find out which films each jury loved as well as a few notes on the films.

Click to read more ...