Oscar Volley: Animated Feature Film

Team Experience is discussing the various Oscar categories. Here's Abe Friedtanzer and Juan Carlos Ojano.

ABE: It's always a pleasure to talk awards with you, and I'm excited to dive in to the Animated Feature race this year. While I wish that we could have been discussing out-of-the-box choices like Apollo 10 1/2: A Space Age Childhood, Eternal Spring, or Little Nicholas, Happy as Can Be or even mainstream fare that for some reason didn't click like Lightyear and The Bad Guys, there are five worthwhile nominees that did make the cut. I know that I had to seek out The Sea Beast once nominations were announced since I hadn't yet streamed that title, while the other four didn't come as much of a surprise. Going into this race, it feels like Guillermo Del Toro's Pinocchio is the clear favorite. But it didn't net any other Oscar nominations, which many thought it would. Neither did any of the other nominees, however, so maybe we're back to square one...

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"Pinocchio" and "Living" among USC Scripter Nominations

by Nathaniel R

The annual USC Scripter awards honor film and television adapted from other literary sources. The cool thing about them is they award both the current screenwriter and the original author being adapted.

It should be one of the nomination announcements that excite us the most each year in terms of assessment of screenwriting -- the jury is generally made up of writers and critics -- but they often fail to live up to their potential. Usually that's a result of them hewing very close to the Oscar conversation rather than suggesting that the full jury has actually been watching plentiful movies year round and thinking about the craft of writing. Whch is not to say that some of their choices aren't strong but there's usually at least one title that suggests they've been reading Oscar tea leaves rather than books and screenplays. I'll leave it to you to glean what that title is this year. They get a little more creative with the TV side, perhaps because there's no current awards buzz (Emmys were over a few months ago) to piggyback on...

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Cinema Audio Society nominees. How are they as a precursor?

by Nathaniel R

THE BATMAN

In the mad rush of guild announcements last week (all over but for the ACE Eddie awards which will curiously be announced after the Oscar nominations this year) we missed this one: The Cinema Audio Society. While Top Gun Maverick has long been marked the frontrunner for the Best Sound nomination it has formidable competition in the sound spectacle department. Nominees, comments, superhero split, and Oscar stats after the jump...

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Oscar Volleys: How Many Pop Hits in Best Original Song?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Eurocheese and Baby Clyde...  

"Ciao Papa" in GUILLERMO DEL TORO'S PINOCCHIO

EUROCHEESE: Well Baby, It's Cold Outside and you know what that means - we're Falling Slowly into awards season, and it's time to name the songs seeking Glory in the City of Stars. There are a few big hits that Take My Breath Away: Rihanna's "Lift Me Up," which seems to be everywhere at the moment; Lady Gaga's "Hold My Hand" in the year's biggest hit that just won't slow down; and the standout song from Del Toro's Pinocchio, "Ciao Papa," which I expect will make the cut. Do you agree these three are solid initial nominees, or do you have High Hopes that rest elsewhere? Any Secret Love that you see near the top of your list?

BABY CLYDE: Hey Mr Cheese, I Just Called To Say I Love You. The Academy must be salivating at the prospect of this year’s nominees. Am I correct in thinking that Rihanna, Gaga, Taylor and Billie Eilish are all legit contenders in this category...

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Oscar Volleys: The Worldbuilding of Production Design

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Eurocheese and Nick Taylor... 

AVATAR: THE WAY OF WATER

EUROCHEESE: Hi Nick! We have an exciting group of larger-than-life worlds to conquer for Production Design, but maybe it would be best to start with the elephant in the room: Despite some mixed reviews on Babylon, I have to imagine if nothing else it will make its coked-up presence known here, as homage to Hollywood's glory days. Then we have two blockbuster sequels to previous Best Production Design winners, with Black Panther Wakanda Forever and Avatar The Way of Water both asking similar questions: will the branch be excited enough for an encore nomination? I'm actually leaning towards no, now that we've seen the CGI-heavy worlds. Both might make more sense in other craft categories.  I'm curious to hear your thoughts though...

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