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Entries in Great Moments in Horror Actressing (59)

Monday
Jan272020

Horror Actressing: Ronee Blakley in "A Nightmare on Elm Street"

by Jason Adams

Marge Thompson is such a weirdo. Less than ten years after her Oscar nomination for Robert Altman's classic Nashville the singer turned actress Ronee Blakley was playing the Mom in a slasher flick. Some might disparage that turn of events -- say she was "reduced to" playing the Mom in a slasher flick. I am not one of those people. Especially when you see the gloriously strange performance that Blakley turned in. There's nothing unmemorable about the final girl Nancy Thompson's momma -- she'll haunt your dreams!

A Nightmare on Elm Street is about the sins of the parents being visited, rather traumatically, upon their children, a symbiotic theme that Craven would come to visit time and again with his horror films...

Click to read more ...

Monday
Jan202020

Horror Actressing: Bonnie Aarons in "Mulholland Drive"

by Jason Adams

Sometimes all it takes is one look. Ang Lee be damned film captures twenty-four individual moments every second -- twenty-four chances every single second to burn an image into infamy. And I don't know if there's a director alive who understands that power greater than David Lynch, who's sneaked into the world more individual frames of fright, of luminous beauty, and of the overlap therein, than most will ever come leagues near. And today for his 74th birthday we're turning our eyes towards one of them -- one image, one moment, and one of the greatest single second scares ever put on screen.

We speak of course of Winkies. More specifically the dumpster behind Winkies...

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Monday
Dec302019

Year in Review: Horror Actoring of 2019

by Jason Adams

Since it's the second to last day of 2019 and we already named our "10 Favorite Horror Actresses of 2019" last week I figured I'd give us a last second bonus and shed some affection on the best fellas of the year. I know, I know, we're all all more inclined towards favoring the actresses... well, so's the genre to be frank. Horror really does favor female stories and experiences, and it was I will admit much easier to come up with last week's list. Besides the magnificent duo that anchors my favorite movie of the year I had to dig a little deeper for this one. But once I began rifling around I managed to uncover some gems...

Willem Dafoe & Robert Pattinson in The Lighthouse 

When forced to choose between the two (and no thanks to Awards Season I have had to here and there) I tend to choose Dafoe, but only because his magnificent to-the-moon work is more straightforward... as straightforward as anything is in this topsy-turvy madhouse of a movie, at least. Pattinson's work is trickier -- his accent and behavior is all supposed to be wobbly, as his character's unformed; a liar trying to pour himself into a new shape. But make no mistake these are the two best male performances of 2019 slapping against each other in slippery tandem.

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Monday
Dec232019

Year in Review: Jason's Fave "Horror Actressing"

by Jason Adams 

It's been easy to say this for several years running now but it's been a pretty darn good year for Horror Movies. There are filmmakers out there taking risks and big swings with the genre, from art-house oddities (Midsommar) right on up to the mainstream ones (Us). And once you really dig deep -- the Horror Genre has almost always been one where the most interesting stuff has been a dirty secret whispered between likeminded folk -- the beautiful freaks really come out to play.

For the past five weeks in our "Great Moments in Horror Actressing" series I've covered five of my favorite female performances in the genre in 2019, so first let's recap those before we get to the other five -- click their names to read those earlier posts.

Sofia Boutella in Climax

Rebecca Ferguson in Doctor Sleep

Fatma Mohamed in In Fabric

Lupita Nyong'o in Us

Florence Pugh in Midsommar

And now let's round out our top ten...

Click to read more ...

Monday
Dec162019

Horror Actressing: Lupita Nyong'o in "Us"

Most folks first reference the voice, the Batman-needs-a-lozenge croak that Adelaide's underworld doppelganger Red speaks with, when praising Lupita Nyong'o's dual performance in Jordan Peele's Us, and for good reason -- she put a lot of work into it, meeting with people who've suffered from the very real neurological condition called spasmodic dysphonia that's brought about by trauma, and that work memorably shows. I made the Batman joke but only because it's very nearly already as iconic a choice as that one -- go find somebody and talk like Red at them and see how movie-savvy people will get it; the percentage won't be low.

You'd also get a lot of mileage talking about Lupita's physicality in the roles...

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