Hit Me With Your Best Shot: Fire Island (2022)

by Nathaniel R

It did occur to us that a visual series stopping to center on a new rom-com would be a risk. The romantic comedy genre doesn't tend to scream "visually interesting!" (though obviously it can be). But we knew most of our readership would be watching so... why not? As it turns out, though, with a true filmmaker at the helm (Andrew Ahn of Spa Night and Driveways) it wasn't a risk at all as a Best Shot discussion. Fire Island isn't just funny -- the "Heads Up" game scene snapped above is only one of many hilarious bits in the excellent screenplay from Joel Kim Booster -- but a real movie-movie, too. In short, it's one of the year's best films and we are blessed to have it.

While you'd probably prefer a "ten funniest moments" or "five sexiest guys" list -- hey, we can do those too if this gets engagement -- the visuals are more than worth discussing! Conversations about visual storytelling are ironically in short supply on the internet whenever movies are discussed. The focus is always on acting/casting and screenplay/messaging. And there's a LOT to say about those of course but the internet is already handling that so we're here to talk visuals. Here are the three overall smartest choices director Andrew Ahn,  cinematographer Felipe Vara de Rey, and editor Brian A Kates make in telling this particular story...

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Cláudio's Best Shot Pick: Fire Island (2022)

The next episode in our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week's film is Andrew Ahn's Fire Island, which recently premiered on Hulu. You still have time to participate! In the meantime, here's Cláudio's entry:

For the past decade or so, numerous filmmakers have tried to revive the romantic comedy with varying degrees of success. And yet, it seems that the romcom's heyday will never return. Still, there's plenty of nostalgia for those days gone by when mid-budget projects of this ilk were a mainstay of any studio's output. Nowadays, every such exercise feels like an exception to the rule, a precious rarity, and a throwback. Maybe that's why the modern romcom refuses to stick, as it often comes off as a retrospective homage rather than its own thing. Or else it's too focused on justifying its existence, wanting to appear cool and hip with such alarming vehemence it ends up forgetting the basics that make these movies work.

By centering identities rarely depicted in mainstream cinema, appealing to classic literature tropes, and getting a director with a strong point of view, Fire Island avoids most of these pitfalls. It succeeds where others have stumbled, and even if it doesn't revive the romcom's Golden Age, it's pleasant summer entertainment…

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Cláudio's Best Shot Pick: Yentl (1983)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week's film is Barbra Streisand's directorial debut, Yentl. In 1983, she was infamously snubbed for a Best Director Oscar nomination after winning the Golden Globe. You still have time to participate! Here's Cláudio's entry:

This isn't the first or second time I've explored the wonderful world of Yentl on The Film Experience. First, when writing about two instances when the same performance got nominated for both an Oscar and a Razzie, I defended Amy Irving's work, concluding she deserved the former rather than the latter. Then, when revisiting all of Babs' work as a director, Yentl emerged as her most passionate project as well as the best showcase for the star's behind-the-camera talents. Check out those other articles if you're interested.

My positive feelings about Yentl haven't changed with this Hit Me With Your Best Shot-prompted revisit. In other words, I'm still a fan…

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Cláudio's Best Shot Pick: Ex Machina (2014)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives Tuesday night. Since Alex Garland's Men is upon us, this week's selection falls on the director's breakthrough feature – the Oscar-winning Ex Machina. You still have time to participate! Here's Cláudio's entry:

Even though one tries to avoid the online discourse around Men – at least until everybody has had a chance to watch it – some grumblings are rather hard to block off. If that wasn't enough to affect the expectations going into the new movie, this look back at Ex Machina certainly does. The sci-fi chamber drama is a formidable reminder that Alex Garland is a better director than a writer, colligating blunt ideas and blunter dialogue with spellbinding form. Within the realm of glances refracted through glass labyrinths, insinuating architecture and eerie eroticism, Ex Machina triumphs. It's when its characters open their mouth to blabber on that the appearance of cinematic greatness gets spoiled. 

Thankfully, Hit Me with Your Best Shot is about visuals, so we're in a safe place with Ex Machina. Whatever misgivings I might have, the film looks impeccable…

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Hit Me With Your Best Shot: Happy Together (1997)

by Nathaniel R 

I first saw Wong Kar Wai's Happy Together at an arthouse cinema in Utah where I went to college. Though enthralled by its saturated colors and amazing performances, it left me very depressed. I had only been out for a couple of years, was wildly inexperienced with relationships, and chafed a bit at "sad gays" in the movies. Mostly because they were the only kind of cinematic gays regularly on offer back then. Nevertheless I devoured the "New Queer Cinema" of the 1990s wherever I could find it (i.e. arthouse theaters or Blockbuster rentals). And this particular movie lingered. I thought about it often. Seeing it again in 2022, twenty-five years after its Cannes premiere, it felt brand new. It wasn't... but 25 years of life experience later, it was. It wasn't devoted to gay misery as I'd remembered but merely a fascinating emotionally precise account of a particular romance. Not that the title isn't wildly ironic.

"Starting over means different things to him," is one of the saddest lines ever spoken in a movie and it hits early...

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