The Honoraries: Samuel L. Jackson in "Eve's Bayou"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their careers.

by Cláudio Alves 

Previously in the "Honoraries" miniseries, Ben Miller and Lynn Lee looked at Samuel L. Jackson's work in two provocative indies, exploring the actor's innate intensity. Craig Brewer's Black Snake Moan reveals Jackson as a bluesman inflamed by spiritual purpose, while Quentin Tarantino's Pulp Fiction saw him play a hitman and resulted in the actor's only Oscar nomination. It should have also resulted in a victory, but that's a matter for another day, another article. This time, I shall investigate the complexities of his turn in Kasi Lemmons's Eve's Bayou. The director's debut feature was a passion project for many people involved, including Jackson, who also produced.

Such investment, such devotion, may be at the heart of his achievement. Not only is Eve's Bayou a masterpiece of 1990s American cinema, it also features one of Jackson's best performances…

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The Honoraries: Samuel L. Jackson in "Pulp Fiction"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.

“And you will know my name is the Lord when I lay my vengeance upon thee.”

by Lynn Lee

If Jungle Fever (1991) put Samuel L. Jackson on Hollywood’s map, Pulp Fiction (1994) made him a star.  With his jheri curl helmet, glowering eyes, and stentorian voice, Jackson’s gun-toting, Bible-quoting Jules Winnfield became an instant icon.  At least, it wasn’t long before high school and college boys of the mid to late ’90s were sporting “BAD MOTHERFUCKER” wallets and reciting his “path of the righteous” speech – without, of course, anything resembling SLJ’s diction or élan.

It wasn’t just him, of course...

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The Honoraries: Samuel L Jackson in 'Black Snake Moan'

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.

by Ben Miller

Craig Brewer’s Black Snake Moan is a hard sell on paper and an even harder sell in execution.  Jackson’s Lazarus finds half-naked and half-dead sex addict Rae (Christina Ricci) on the side of the road.  He takes her back to his house to nurse her back to health.  In order to cure her sex addiction, Lazarus chains Rae to his radiator. Luckily for Brewer and the film, Jackson fully invests in the provocative material, delivering a fiery performance of angry righteousness, and one of the best star turns of his career...

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The Honoraries: Liv Ullmann in "Face to Face"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.

by Juan Carlos Ojano

Liv Ullmann garnered her second and final (to date) nomination for her role as Dr. Jenny Isaksson in Face to Face, her seventh collaboration with Ingmar Bergman. Last included in the Oscar conversation in 1974 but was hampered by the eligibility issues of Scenes from a Marriage, Ullmann came back in the awards race roaring, with Best Actress wins from NYFCC, LAFCA, and NBR while getting nominations from the BAFTA and the Globes. While Faye Dunaway was the expected winner for Network, Ullmann undoubtedly gave one of her best performances (in a career filled with them) in this film.

TW: Sexual violence/rape...

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The Honoraries: Liv Ullmann in "Shame"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career. 

by Eric Blume

Ingmar Bergman’s 1968 film Shame features one of Liv Ullmann’s greatest performances.  This was the third collaboration between the two artists, and the film is the middle portion of Bergman’s unofficial “Island Trilogy” that started with The Hour of the Wolf and concluded with The Passion of Anna.  Ullmann’s face is like the face of the film: beauty going blankly sour…

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