Almost There: Class of 2021

by Cláudio Alves

Another year, another class of actors who got close to Oscar glory but failed to make the cut. Like last year, here are capsules of 15 unnominated but buzzy performances. At the end of the article, you'll get to vote for who you think should get the full "Almost There" treatment. Since I already wrote extensively about Ruth Negga in Passing and Simon Rex in Red Rocket, those two won't be here, though my heart mourns for their dashed Oscar dreams. 

First up, let's start with the season's wildest race...

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Monica Vitti (1931-2022) What makes a great actor?

by Timothy Lyons

This year’s Best Actress discussion / post-BAFTA nomination shake-up has reached a new height of confused scrambling. Things have, for now, refocused on the single consistent presence throughout precursor season: Lady Gaga as the murderous Patrizia Reggiani in House of Gucci. When watching the film, it became clear to me how much Gaga’s distinctive visage bears striking resemblance to that of the great Italian star Monica Vitti. This came into sad focus today on my learning of the legend’s passing on Wednesday at the age of ninety from complications related to Alzheimer’s.

I will get quickly back to the subject at hand but to help in drawing out Vitti’s unique gifts, a little more on Gaga in Gucci as a comparison…

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Oscar Volley: ‘Cruella’ is the one to beat in Best Costume Design

Continuing our Oscar Volley series at The Film Experience.  Cláudio Alves and Glenn Dunks discuss Best Costume Design

Cláudio Alves: This is my favorite Oscar race! I studied Costume Design in college and still design for theater. However, that doesn't necessarily correlate to my appreciation of the Oscar category. That admiration stems instead from this branch's propensity for lone nominees, the recognition of films with little to no hope of breaking into other races. Sometimes, that lonely contender even wins, though it's been over a decade since that last happened – 2006's Marie Antoinette with costumes by Milena Canonero.

Truthfully, I could envision that occurring this year with Cruella. Beyond that Disney fashion show, one wonders if there'll be any surprise single-category nominees. Honestly, I'm having trouble coming up with a potential candidate unless it's Cyrano or House of Gucci drastically underperforms. What about you, Glenn? 

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Oscar Volleys: What do voters want in Best Makeup and Hairstyling?

Continuing our Oscar Volley series at The Film Experience. This morning Glenn Dunks and Ben Miller on Makeup and Hair.

Ben Miller: Alright Glenn, let's get into one of the more fun craft categories, Best Makeup and Hairstyling. This category has sometimes gravitated towards being the MOST makeup, as opposed to the best.  Some presumed frontrunners include Dune, Cruella, and The Eyes of Tammy Faye. Do you have a personal preference and what do you look for in a potential nominee?

Glenn Dunks: I really like the make up and hairstyling category in theory. They are one of the most individual branches, often choosing lousy movies or those otherwise outside of the Oscar conversation strictly because they appreciate the technical work on display. I have to respect that...

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CDG Nominations: 'Gucci' is IN, 'Spencer' is OUT

by Cláudio Alves

My reaction, seeing SPENCER snubbed, yet again.

The Costume Designers Guild announced its nominations for the 2021 movie and TV year. Some trends continue to accentuate, including the industry's lack of passion for Spencer and the resurgence of Nightmare Alley as an awards contender. House of Gucci is also getting a boost, as is Spider-Man: No Way Home, which scores an inexplicable nomination here. Overall, though, this was a good day for the Marvel industrial complex, scoring nods across the board, both for their big screen and small screen fare. As far as victory predictions go, Jenny Beavan's Disney couture for Cruella seems like the obvious choice. 

Come check out the full lineups and additional comments after the jump…

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