Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in How Had I Never Seen (33)

Friday
Jun262020

How Had I Never Seen..."Hard Eight"?

by Cláudio Alves

Paul Thomas Anderson turns 50 today, making this a good time to remember how his film career began. Weirdly enough, despite being a longtime fan of the director, I had never seen his first feature, a little indie by the name of Hard Eight, which hit Sundance and Cannes in 1996 but would only get a commercial release the next year. That made 1997 quite the occasion for Anderson. In February, he opened Hard Eight to good reviews and, in October, Boogie Nights made him one of the most critically acclaimed directors of the moment. The latter movie went on to conquer him his first Academy Award nomination, for Best Original Screenplay. What's fascinating and what most surprised me about the pair is how distinct they are, showing two very different sides of their director's craft…

Click to read more ...

Friday
Jun122020

How Had I Never Seen... "But I'm a Cheerleader"?

by Cláudio Alves

To celebrate Pride Month, the Criterion Channel has chosen to highlight several works of queer cinema as well as various films featuring LGBTQIA+ characters. The selection is varied, spanning from Ettore Scola's Oscar-nominated A Special Day to the avant-garde work of Chantal Akerman and Cheryl Dunne. It's not all high-brow artistry -- there's space for kitschy entertainment, too. Such is the case of 1999's But I'm a Cheerleader directed by Jamie Babbit, a cult classic looking at gay conversion therapy through the prism of outrageous farcical humor. It's a movie I had never watched before, making it a great subject for this particular series

Click to read more ...

Thursday
Apr302020

How Had I Never Seen..."Xanadu"?

by Cláudio Alves

In these stressful days, it can be nice to sit back and lose ourselves in the escapist marvels of cinema. Of course, what constitutes escapism varies from person to person. Some love the bloodlust of gory pictures while others revel in good midcentury melodrama. Whatever your poison of choice is, now seems like a good time to indulge. For me, one surefire way of dispelling the doom and gloom of day-to-day life is to bathe in the glamour of movie musicals. Other prime sources of stress-relief are those movies which are so terrible, so unbelievably miscalculated, that their turpitude becomes entertaining. The logical conclusion is that there's no greater joy than watching a movie musical that's so bad it's good.

Well, that's precisely what I did one monotonous afternoon, trading in the frustrations of reality for the disco disaster fabulousness of Xanadu

Click to read more ...

Sunday
Mar292020

How Had I Never Seen... "Splash"

by Cláudio Alves 

From time to time, there's talk of creating new Oscar categories. Just this year, Brad Pitt spoke about the need to give stunt coordinators some love and appreciation during his acceptance speech. Maybe he's right, maybe there should be a stunts category. Another arguably necessary addition is a casting award that reflects that job's importance in creating the movies we love – it's much more crucial than original songs, for instance. Casting is not just a matter of hiring good actors, but the challenge of getting the right people for the right roles. It's knowing how to capitalize on a star's persona and energy, the performer's fame, the tonal register they bring and the audience's perception of them. In the right circumstances, a limited actor can be a better choice than a consummate thespian with a greater range.

Ron Howard's delightful Splash (available on Disney+) is a pertinent example of the importance of good casting for a movie's success, humor, and dramatic functionality. With different performers, it probably wouldn't work half as well as it does…

Click to read more ...

Sunday
Jan122020

How Had I Never Seen... "Memories of Murder" and "The Host"

In this Team Experience series, contributors catch up with gaps in their film history. Here's Cláudio Alves...

With Parasite making history and Bong Joon-ho more celebrated than ever, it's a good time for me to watch the two films that propelled the Korean director to his first waves of international success. I had never seen 2003's Memories of Murder and 2006's The Host so I was eager to correct that. 

The first film is based upon real events, telling a story of police investigation and serial killing, while the second is a sort of South Korean answer to Godzilla's prismatic view of national trauma as monster movie hijinks. Not unexpectedly, I found myself in awe of both pictures…

Click to read more ...