2014's Interview Index

Nathaniel leaves for Los Angeles for the Critics Choice awards mid week and Michael we'll join him at Sundance the following week. It's high season! Can you handle all of these things happening at once every day? If you've missed any of our chats, they're listed below. It's one of the only perks of a life of movie blogging to be able to meet talented people and grill them about their gifts and work (albeit in a usually rushed way!). Hope you enjoy reading them!

The Actors
Joan Chen & Zhu Zhu (Marco Polo)
Carrie Coon (Gone Girl)
Chadwick Boseman (Get On Up)
Jason Clarke (Dawn of the Planet of the Apes / Terminator: Genysis)
Laura Dern (Wild)
Oscar Isaac (A Most Violent Year)
Anna Kendrick (Into the Woods / The Last 5 Years)
Jenny Slate (Obvious Child)
Timothy Spall (Mr Turner)
Marisa Tomei (Love is Strange / The Realistic Joneses)
Finn Wittrock (Unbroken / Freakshow) 

Auteur Theory
John Carney (Begin Again)
Damien Chazelle (Whiplash)
Stephan Haupt (The Circle)
Jennifer Kent (The Babadook)
Hong Khaou (Lilting)
Chris Mason Johnson (Test)
James Marsh (Theory of Everything)
Tomm Moore (Song of the Sea)
Matthew Warchus (Pride)
Daniel Ribeiro (The Way He Looks)
Toa Fraser (Dead Lands) 
Liv Ullmann (Miss Julie)

Behind the Scenes
Cinematographer Yves Belanger (Wild)
Composer Antonio Sanchez (Birdman) 
Composer Patti Smith (Noah) 
Composer Hans Zimmer (Interstellar)
Costume Designer Michael Wilkinson (Noah)
Production Designer James Chinlund (Dawn of the Planet of the Apes)
Stuntman Bobby Holland Hanton (Avengers: Age of Ultron)
Producer Guillermo del Toro (The Book of Life)
Producer Joanna Natasegara (Virunga)
Screenwriter Nicole Perlman (Guardians of the Galaxy) 

Oscar Parties / Cocktails / Banter
Allen Leech, Alex Lawther, Matthew Beard (Imitation Game Party)
Ava DuVernay, Common & John Legend (Selma Luncheon)
Ava Duvernay, Niecy Nash, and Lorraine Toussaint (Selma Premiere)
Jessica Chastain, J.C. Chandor, and Oscar Isaac (A Most Violent Year Premiere)
John Boorman (Hope & Glory Memory and Current Ballot) 

Celebrity Guests For Our Devout Actressexual Readership
Dana Delany (Amazon's Hand of God) shared A+ stories in our '73 Smackdown. Such a movie buff! 
Missi Pyle (Gone Girl) one of Hollywood's best scene stealers, guest-blogged with hilarious Oscar memoir
Melanie Lynskey (Happy Christmas, HBO's Together) participated in our '64 Smackdown and cursed herself for picking a bum year 

and...

Quick Impressions - in this unique experiment we celebrated the non-famous working actor, day players and/or possible future stars. Thousands of showbiz dreams are embedded in every frame of your favorite movies from the principles on down to the one-liners. In this three episode tryout we talked to actors who worked on Gone Girl, The Boxtrolls, and American Horror Story: Freakshow. Should we resume for 2015?

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2013's Index - Matthew McConaughey, Sarah Paulson, Sally Hawkins, etc
2012's Index - Nicole Kidman, Eddie Redmayne, Kerry Washington, etc.
2011's Index  -Jessica Chastain, Charlize Theron, Corey Stoll, etc.
2010's Index - Julianne Moore, Kirsten Dunst, Juliette Lewis, etc.

A Quick Chat with Jenny Slate Who Will Love Her Future No Matter What!

Jenny Slate, one of last year's biggest breakthroughs, started 2014 on a career high and still hasn't come down. Obvious Child was so buzzy at the 2014 festival that you can be reasonably sure that comedies from the forthcoming 2015 festival will see themselves held up in comparison 'what's this year's Obvious Child?'  After a successful limited release, Jenny Slate found herself on red carpets and snow she's up for a Critics Choice Award a week from today.

Best Actress in a Comedy, Critics Choice Movie Awards
Rose Byrne – Neighbors
Rosario Dawson – Top Five
Melissa McCarthy – St. Vincent
Jenny Slate – Obvious Child
Kristen Wiig – The Skeleton Twins

Whether or not she wins it, it seems likely that she'll enjoy herself. Perhaps it was her character Donna Stern's abrasive caustic humor that led me to picture someone either darkly funny or like the stereotype of the sad clown but instead the new star is relentlessly cheerful and super positive, and determined to stay that way. She even makes lemonade from lemons when I mention This Means War.

Here's our conversation...

NATHANIEL: This has been such a huge year for you? How would you rate it on a scale of 1 to 10? 

JENNY SLATE: Oh man. I guess i’d give it an 8 but I feel like most years I usually rate them pretty highly because I like life!  But this has been the most satisfying year of my career so far: Obvious Child really changed things for me.  [more...]

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Interview: Chadwick Boseman Gets On Up to a Big Movie Career

With the Get On Up DVD just out this week, let's take a look at the fast rise of Chadwick Boseman. He'd already headlined one surprise hit (42) when he delivered his first huge performance as Godfather of Soul James Brown. Critics casually and regularly mentioned "Oscar" in their reviews but the precursor awards didn't bite (the Golden Globes forcing that film into Drama when films of its kind usually compete in Musical surely didn't help). But individual honors aside, there's no arguing that Boseman is at the beginning of a big career.

When I sat down with him last year (though less long ago than that sounds) he was unusually cagey about future career plans. Chalked it up to caution, I did, at the time. But cut to a very short time after the interview: News broke that he'd spend at least a couple of years in a form fitting black lycra (?) costume as T'Challa, The Black Panther (2017). That surely accounts for some of the shifting in his seat and long pauses when I grilled him about his future plans and what kinds of roles he's looking to play post-Brown over coffee. He must've already known and been sworn to secrecy since these multi-year multi-film deals don't happen overnight.

Here are highlights from our conversation about both his James Brown work, his relationship with those flamboyant costumes and Alex Proyas' forthcoming Gods of Egypt (2016) which arrives before he dons the T'Challa costume. 

NATHANIEL R: Let’s start with something crazy. Could you do the splits before Get On Up? [more...]

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Interview: "Virunga" Producer Joanna Natasegara

 Here's Jose with an interview with a PGA nominee on her Oscar finalist in Documentary

Virunga chronicles the battle being fought in the beautiful Virunga National Park in Congo, where a British oil corporation is putting in peril the lives of the world’s last mountain gorillas. The gorillas are defended only by a group of brave rangers, led by Prince Emmanuel de Merode, who dedicate their whole lives to defending the cause. Shot with urgency by first time feature filmmaker Orlando von Einsiedel, few other films last year felt as alive as this, as it combined thriller elements with an important call to action. It's available on Netflix.

The film continues earning mentions in non-fiction categories this awards season. First it was shortlisted among the documentary films that made it to the last round before Oscar nominations are announced, and now it has also earned a Producers Guild of America award nomination. We spoke to one of its producers, Joanna Natasegara, about working in the jungle, the role of a producer and why it’s essential for us to help Virunga National Park.

JOSE: How did you get involved in the project?

JOANNA NATASEGARA: Originally Orlando had been working on the film for about a year with Emmanuel, and based on their discussions they realized that their ambitions around the objectives of the film, meant they had to bring someone on board who could make sure all their goals could be achieved and I have a history of working in social impact films, so we were introduced at an event in the UK, and at the time we talked about it and Orlando realized he wanted me to be the producer, because the scale of the film meant he needed an extra pair of hands.

JOSE: I’m sure this was one of those projects that made you go “I have to do this”...

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Interview: Michael Wilkinson. Before 'Batman vs Superman', Came 'Noah'

With Oscar voting in progress, let's talk costume design. With Best Picture contenders hogging all the conversation, we remain ever hopeful that the guilds remember to look beyond the films as a whole to the specifics of their particular craft when they scribble down their nominations. One of the most influential costume designers working today is Michael Wilkinson who regularly pushes the envelope in terms of costume technology (see Tron Legacy) and I'm not talking about the miraculous cleavage feats of American Hustle which won Wilkinson a well-deserved Oscar nomination last year. This year you can even see the influence of his 300 costumes in those Maze Runner harnesses (Fun fact: Christine Bieselin Clark, one of the costume designers on that film, was once Wilkinson's assistant!)

Prior to American Hustle he was best known for the films of Zach Snyder (Watchmen, Man of Steel) and the costume designer and I spoke  between fittings on day 104 of the Batman v Superman: Dawn of Justice shoot (he'd just finished the final fitting of our new Amazon Princess Gal Gadot). This superhero epic has occupied him for well over a year but he says "happily so" but Noah was no easy task either. He built an entire film's worth of costumes for Noah ...from scratch. 

No matter what genre or film he's working on, be it prestige dramas like Babel, indies like Friends with Money or huge superhero fantasies like Watchmen he's always look for ways to illuminate character. In his own words

Costume design is a subtle art but immensely satisfying.

We couldn't agree more. Excerpts from our conversation follow

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