A Scene With Finn Wittrock

INT. RESPLENDENT PARTY - HOTEL - EARLY DECEMBER.

Medium Shot on BREATHROUGH SENSATION (thirty) in expensive light suit, jet black hair, perfect skin, perfectest face, leaving an Academy schmoozing party. His co-stars in "Unbroken" are still mingling as the party wraps up but the young actor is heading out. People congratulate him on his recent marriage on his way.

Determined NOT USUALLY AGGRESSIVE SEMI WELL KNOWN OSCAR BLOGGER (forties), approaches, looking frantic, lumpy, bedraggled in comparison despite also wearing a suit and tie. The actor is having his moment. So too shall this blogger. The actor's handlers surprisingly give the blogger the thumbs up, everyone en route to the elevator bank.

NATHANIEL 

(Nervous) I guess on the go?

FINN WITTROCK

Let's do it!

NATHANIEL

Impressive year: Masters of Sex, Freakshow and now Unbroken. And you're so different in all. Is your life completely crazy all of a sudden?

FINN WITTROCK

It's been gradual -- at this moment it feels very different than a year ago when I was starving on a raft. Maybe in some ways because I haven’t gotten insane notoriety before this I've been able to do many different things without people putting in a box for any one thing?

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Interview: Oscar Isaac on "A Most Violent Year" And His Alien Future

Oscar Isaac was not an overnight success. He made sporadic appearances in movies from the mid 90s onward and the roles and films grew, slowly but surely. Moviegoers have discovered him piece by brilliant piece each time. There wasn't even one particular year that made him a star though Inside Llewyn Davis (2013) is to date "the signature role". In contrast, his new character Abel Morales' rise to power isn't half as slow and steady. It's all compressed into one dramatic make-or-break year in J.C. Chandor's moody gripping 1981-set drama A Most Violent Year. 

I spoke to Oscar about burrowing inside this guarded businessman, working with his schoolmate Jessica Chastain, what casting directors think of him, and his obsession with the mutant supervillain he'll be playing in X-Men: Apocalypse (2016). Our conversation is after the jump...

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Interview: Yves Belanger on Shooting Reese's Face as Landscape in "Wild"

I didn't come up with this analogy but it's a good one: Yves Belanger is like Ginger Rogers to Reese Witherspoon's Fred Astaire in Wild. He does it backwards. While in heels. While carrying tons of camera equipment! 

One of the most beautiful film experiences you can have this year is taking a cathartic hike with Wild. The adaptation of Cheryl Strayed's popular memoir has been praised extensively for its heartfelt actressing but less attention has been paid to the indelible contributions of the men recording and dramatizing the journey. In addition to a fantastic sound mix and accomplished editing, the cinematography by Yves Belanger contributes greatly to this film's evocative journey.

Wild is Belanger's second film with Jean Marc-Vallée and I talked to him about his director, his rapport with Reese and capturing the human face as landscape.

NATHANIEL R: I understand you've known Jean-Marc Vallée for a long time so why did it take so long to work togther? It must be going well since you've at work on your third consecutive feature together.

YVES BELANGER: I met Jean-Marc in 1991. He was starting as a young director in commercials. They matched us together but when he did his first feature, I don't know why, he took someone else. With C.R.A.Z.Y. it was like bad timing - we spoke about it but the money comes very fast and when he was ready to do it I couldn’t. Since Dallas Buyer's Club we are back together. 

Both of your films together have major movie stars. Do you feel you've gone 'full Hollywood' ?

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Interview: James Marsh on (True) Storytelling from "Man on Wire" to "The Theory of Everything"

It's rare for acclaimed documentarians to make a dramatically successful leap into narrative features but with The Theory of Everything, a marital drama about Stephen and Jane Hawking, the 51 year old British filmmaker James Marsh (of Man on Wire and Project Nim fame) is finally doing just that. Man on Wire was one of the most successful documentaries of the past decade but his new affecting biopic, which is actually Marsh's fourth narrative feature, is already his most successful film having racked up an impressive $26 million and counting worldwide to date.

It's also been collecting plentiful Oscar buzz.  The Film Experience had a chance to chart with this articulate thoughtful Oscar winner so we jumped right in. Here's our conversation:

Nathaniel R: Given your filmography, both documentaries and features, The Theory of Everything is...

JAMES MARSH: Go ahead. You can say it.

Nathaniel R: Ha. Well, it's a much different direction for you. It's romantic drama and it's also old school biography. What prompted your interest?

JAMES MARSH: You’re right in terms of its scale for sure and perhaps its emotional spectrum. But it’s a true story and that’s my background in films I’ve done. It’s a story of a marriage as much as a biopic. That felt like an interesting challenge: to try and examine a relationship that evolves and changes over time given all the impediments and unusual and very difficult circumstances. It felt also that I could go somewhere that a documentary could not go in terms of the intimacy of the relationship. 

You're right that it's different but it does have curious connections with Man on Wire. [More...]

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Interview: Anna Kendrick at the Palace and Summering in Ohio.

A holiday gift to you, an interview with the internet's collective girlfriend Anna Kendrick, our new Cinderella in Into the Woods which hits theaters today. Merry Christmas!

Kendrick lets me know right away that she isn't entirely comfortable with all the online fawning. When I compare her very modern kind of stardom to that of Benedict Cumberbatch she freezes "Oh god, don't say that!... It gives me anxiety. He probably can't leave his house!" Kendrick and I have both been herded into a chilly hotel suite after some scheduling confusion and me with my notes out for someone else entirely, someone far less Princess-like. It's a surprise switch but a welcome one, like expecting to remain in your pot scrubbing dress and suddenly you're at the ball in magic slippers. Excuse the analogy but I'm the one playing Cinderella this time since I've traded up. Kendrick wraps herself in the throw blanket on the couch and we immediately start taking musicals.  

Where else would we start? She's the unofficial face of the modern movie musical and the Film Experience has been waiting for someone to frame there.

NATHANIEL R: You’ve been musicals back to back to back. I imagine most managers would be like “don’t do that!” 

[more...]

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