Streaming Roulette (Oct 21st-27th): A school for Good and Evil in the woods

A weekly series in which we survey new-to-streaming titles (on various services) freezing the scroll bar at random and sharing what comes up. 

So you're saying -- I can't believe I'm actually saying this -- if Sophie were to kiss her true love...

THE SCHOOL FOR GOOD AND EVIL (2022) on Netflix
Came to this one with high hopes given that Paul Feig often makes blissfully funny and stylish movies (Spy, Bridesmaids, A Simple Favor) and the source material (yes, I've read it) is great fun...

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Showbiz History: Oscared Siblings and Tilda's Sensuality

Six random things that happened on this day, November 5th, in showbiz history

Douglas Shearer and his baby sister Norma

1930 The third Oscars were held (yes, the Oscars were in Novembers for three years early in their history. The masterful anti-war picture All Quiet on the Western Front took Best Picture. The First Lady of MGM, Norma Shearer won Best Actress (The Divorcée) but, get this, her big brother Douglas won Best Sound Recording for her Best Picture rival (The Big House) making them the first sibling pair to win Oscars. 15 more pairs of siblings have followed them to win Oscars. They are, in rough chronological order...

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Amazing Sondheim Celebration, 'Take Me to the World'

by Nathaniel R

Meryl will drink to that! (and she did not disappoint for Sondheim's 90th)ICYMI last night (and thousands did since it started over an hour late!) make sure to watch the Sondheim birthday celebration concert benefitting ASTEP (Artists Striving to End Poverty). While it's reductive to cite favourite moments because the concert was chalk full of life-affirming, ear-pleasuring, moving music and delicate or funny performances, we've had to share a few notes after the jump.

But honestly we loved it all. It doubled as not just a tribute to the world's greatest living musical theater composer but as a melancholy collective longing for the return of Broadway which originally housed most of those tremendous songs...

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Months of Meryl: Into the Woods (2014)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#48 —The Witch, a witch.

JOHN: In his reserved review of the original 1987 Broadway production of Into the Woods, Frank Rich summed up the plot of Stephen Sondheim and James Lapine’s beloved musical as such: “Cinderella and company travel into a dark, enchanted wilderness to discover who they are and how they might grow up and overcome the eternal, terrifying plight of being alone.” Rich noted that, “in remaking Grimm stories, Mr. Sondheim's lyrics and Mr. Lapine's book tap into the psychological mother lode from which so much of life and literature spring.” Sondheim and Lapine’s dextrous, intertwined reimagining of classic Grimm fairy tales, from Little Red Riding Hood to Cinderella, offers a subversively adult version of these hallowed childhood fables and an artistic vision that seems fundamentally at odds with family-friendly Disney, the machine behind Rob Marshall’s 2014 screen translation.

When unhappy fans pressed Sondheim upon the film’s release to defend what felt like a compromised adaptation, he admitted that concessions were in fact happily made to secure a PG rating...

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Modern musicals and the supporting actresses we give Oscars to

by Jorge Molina

During the 85th Academy Awards, there was a somewhat arbitrary musical tribute to three modern musicals in between Seth MacFarlane's sexist monologue and Jennifer Lawrence's fall: Chicago, Dreamgirls, and Les Misérables. Besides being the soundtrack of my college experience, I noticed that all three had one thing in common: they had all won Oscars for their Supporting Actresses.

This threw me into a rabbit hole of IMDb pages, Wikipedia charts, and showtune playlists to look into the historic relation between movie musicals, supporting actresses, and the Academy Awards. If I’d put this much effort into my thesis, I might have graduated in time...

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