Cannes Diary #09: Some unexpected fireworks in Cannes

TFE has been proud to bring you double-sized Cannes coverage this year for the first time, direct from Cannes itself, as well as companion screening suggestions at home. 

by Elisa Giudici

July, 14th: Bastille Day! Let me be honest with you, I totally forgot the holiday was today (time becomes an endless flow/blur during Festivals) but in the morning every hotel, resturant and administrative building was covered by a lot (a lot) of French flags. Happy to report that inbetween two screenings, I was able to see the magnificent fireworks exhibition on the sea with a spectacular view from the press room.

Even happier to report that there were fireworks in the Competition screenings, too...

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Cannes at Home: Day 9

by Cláudio Alves 

Today was a busy one for Spike Lee's jury. Because this year's Main Competition is so extensive, with 24 films vying for the Palme d'Or, some days feature three consecutive screenings. Still, that doesn't seem to abate anyone's enthusiasm. Lee himself was seen giving a standing ovation to Sean Baker's Red Rocket, the American director's first film to compete at Cannes. Hungarian Ildikó Enyedi also premiered The Story of My Wife, while previous Palme d'Or winner Jacques Audiard presented his Paris, 13th District. To celebrate these selected cineastes, we shall recall some of their best efforts to date. Among our program, we even find a drama led by one of Lee's fellow jurors, the recently Golden Globe and BAFTA-nominated Tahar Rahim…

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Almost There: Marion Cotillard in "Rust and Bone"

by Cláudio Alves

Throughout the years, the Oscars' most polyglot acting category has been Best Actress, amassing twenty nominations and two victories for performances in non-English languages. Those winners, Sophia Loren (1961, Two Women) and Marion Cotillard (2007, La Vie en Rose), are also the only women to nab more than one nod for acting in their native non-English tongue. That's not the only factor that makes Cotillard's awards history a strange affair. She's also one the very few actors to get attention from the four major precursors (BFCA, HFPA, BAFTA, SAG) for her work in "foreign language" films, a feat she accomplished twice. Strangely enough, it wasn't for the same two productions that got her the Academy's attention!

Marion Cotillard's take on Edith Piaf got nominated for everything and, in the end, conquered her a little golden man. Still, five years later she was royally snubbed, becoming only the second person to get those four precursor nominations and fail to enter the Oscar line-up. The film was Jacques Audiard's Rust and Bone and the performance remains one of Cotillard's greatest achievements…

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Belated César Winners List

Eeek! During Oscar madness we totally forgot about the Gallic Oscars cross the Ocean. How rude of us! For completism's sake here is the list of winners in case you also missed the news.

BEST PICTURE

• Memoir of War, dir: Emmanuel Finkiel
• The Trouble With You, dir: Pierre Salvadori
• The Sisters Brothers, dir: Jacques Audiard
• Sink or Swim, dir: Gilles Lellouche 
• Guy, dir: Alex  Lutz
• ★ Custody, dir: Xavier Legrand
• In Safe Hands, dir: Jeanne Henry

Custody's four wins reminds us that it's still so weird that France didn't push it as their Oscar prospect last season. The other big winner was Shéhérazade about young lovers on the mean streets of Marseille which was not nominated for best picture but won each of its three nominations. Sink or Swim, the nomination leader and dadbod comedy, which opened too late to be France's Oscar submission last year, only took home one prize. Supporting Actor...

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And the Skies Are Not Cloudy All Day

by Jason Adams

At several key moments in Jacques Audiard's hymnal The Sisters Brothers time stands still and we watch a curtain gently shift to and fro in the breeze, mid-day sunlight coloring in its folds, making shade where none just was. Take a moment to smell the roses, the film whispers, because hey you never know if and or when you might get shot right in your face... 

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