Mad Men @ the Movies: "Forecast"

Lynn Lee, here again to discuss this week’s Mad Men

Glen is off to Vietnam but wants a proper goodbye from Betty

Maybe Don Draper should have been a movie director.  His best ads have a film-like narrative and emotional pull, and going to the movies (something we, perhaps tellingly, haven’t seen him do in a while) seems to recharge his creative batteries.  Even now, as he appears increasingly disaffected with the business of selling either his work or his home, he yearns for the kind of high concept that sounds better suited to the big screen, whether it involves the World’s Fair or a fantasy about the inventor of the Frisbee making a million and moving to France.  After all, he’s managed to rewrite his own life story – the public version, at least – like the brashest of screenwriters: from poverty to the penthouse.

[Jane Fonda, Vietnam and more after the jump]

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A Short Detour: Best Actress 1977 Anyone ?

With Oscar ballots in and BAFTA nominations announced we'll shortly proceed to final predictions and finish the Film Bitch Categories that correlate with Oscar. In short, prepare for a busy week! But for tonight, before Golden Globes weekend, why not a brief detour from the right now?

The current Beauty vs Beast poll (ending Sunday night so get your votes in) on Annie Hall, has been prompting some unrelated Liza Minnelli comments regarding her Globe nominated / Oscar skipped work in New York New York. I also wish she'd been in the running that year since it's an amazing performance, much closer to her Cabaret brilliance than Oscar history would tell you. This threw me for an unexpected 1977 flashback. The average ticket price was $2.25. Hot damn. And it was a great year for Actress-led movies.

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National Society of Film Critics Swings French for 2014

The NSFC has announced its "Best" and we have another treat for glum Marion Cotillard. She may have been fired from her job in Two Days One Night but the world's critics would love her to be gainfully employed for years to come.

The NSFC is composed of "many of the country’s most distinguished movie critics" and were once the third holy in the critical trinity (with NYFCC and LAFCA) before the days when every single city in the nation was naming their best a development which has significantly dulled the power of critics awards altogether... or  at least confused what it is about critics awards that anyone pays attention to anymore.

The most interesting thing is that though this critics society has "National" in its name, the members were just not that into American films this year. They've crossed the Atlantic for their major prizes handing Jean-Luc Godard's 3D experiment Goodbye to Language the year's best film (in a narrow one point victory over Boyhood), Marion Cotillard wins Best Actress (by a huge margin for her Belgian feature with the Dardenne brothers as well as The Immigrant). The other mild statement this weekend is two prizes for the British Mike Leigh film Mr Turner with wins in Best Actor and Cinematography.

This last burst of recognition for Timothy Spall (interviewed right here) in a very tight Best Actor race and for Marion Cotillard who remains a longshot for Best Actress since the precursors roundly favored the exact same five women (Julianne, Reese, Felicity, Jennifer, Rosamund) keeps things exciting. At least a little bit. If AMPAS is still asking for recommendations at all, mind you. Still, we know of at least one über famous Academy member who is rooting for Marion. 

Nobody's saying it--yet-- but Marion Cotillard deserves Oscar nod for TWO DAYS, ONE NITE https://t.co/S3Bo2OpBAB

— Jane Seymour Fonda (@Janefonda) December 31, 2014

Thanks, Jane! 

Otherwise the NSFC prizes were the standard winners you've seen everywhere else: Linklater, Simmons, Arquette, Citizenfour, and Budapest for Screenplay. All this agreement has been bizarre for such a rich film year but what can you do? (If you're interest in voting data, I've included it after the jump... and you can also visit their official site here.)

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A Year with Kate: On Golden Pond (1981)

Episode 45 of 52: In which Katharine Hepburn makes Oscars history by asserting that old people are interesting.

I’ll be honest: I’ve been really nervous to write about this movie. For the past few weeks, a storm has been brewing in the comments section regarding Kate’s final Oscar win. I’m not one to (intentionally) court controversy, so I’ve been debating all week how to best give a safe space to the righteous fury of the Oscars experts while also celebrating an important moment in Oscars history. Because whether you believe Kate deserved to win or not, this was a record-breaking win at the Academy Awards, and that shouldn’t go unappreciated.

Here’s my plan: we’ll speculate wildly for a bit on why Kate took home her fourth Academy Award (by “took home” I mean “still refused to accept in person”). Then you tell me who you think should have won. What follows is my list of...

POSSIBLE REASONS WHY KATHARINE HEPBURN WON BEST ACTRESS (in order from least likely to most)

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Where My (Legendary) Girls At: Jane, Lily, Diane, and Debbie

Any 24 hour period that has wonderful news about four film legends is a good day, at least in part. We have to grasp at happy straws considering the "real" world outside of the arts. So, let's start with the best best actress news of the day week month...

first still (since pulled it looks like it)

JANE & LILY
That Jane Fonda & Lily Tomlin Netflix series "Grace & Frankie" is really happening and Jane Fonda wrote about it while sharing the first still and behind the scenes photos yesterday: 

I had a brief hard spell the first day, moving away from my Leona Lansing-Newsroom mode and into comedy. Comedy requires different muscles, a subtle shifting of gears, of attitude. It’s harder, in my opinion. This kind of comedy has to be real, the comedy has to come out of reality, out of pain, yet it has to be funny... 

Some actors don’t like to watch dailies (the footage you shot the day before). I, on the contrary, benefit from watching them, and not just the footage that I’m in. I’m one of the producers on this series and I need to see everything. Besides, it helps me calibrate my performance.. 

Jane Fonda would make the best Smackdown guest because she takes acting so seriously, articulates it well and still has curiousity about it; my heart practically burst at a Fonda event a year or two ago when she mentioned her plan to go back to acting class for reasons that there's always more to learn about your craft. This from a two time Oscar winner who, at her best, is pretty untoppable in terms of acting magic. It reminded me of Madonna taking vocal lessons in the 90s and then guitar lessons in the 00s -- Mega-successful people who still stay humble about their talent and seek to improve are a rare breed and deserve enormous respect. One of the great dangers of success is laziness and coasting, you know.

As for Lily, her 75th birthday is next month and we'll be sure to celebrate it somehow.

Debbie Reynolds & Diane Keaton after the jump... 

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