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Entries in Jordan Peele (37)

Monday
Aug262019

Horror Actressing: Kasi Lemmons in "Candyman"

by Jason Adams

We don't talk enough about Kasi Lemmons, the actress. Maybe it's because she proved herself an absolutely terrific director in 1997 with the wildly underrated Eve's Bayou -- and she's got the Harriet bio-pic with Cynthia Erivo coming out in November -- and maybe it's because Hollywood, per their usual routine when it comes to too many black actresses, never gave her a truly great role to play with. But she's got a two-fer in the early 90s as "the best friend" in seminal horror films that she really managed to inject a lot of life into.

The most prominent one is obviously The Silence of the Lambs, where Kasi played Jodie Foster's fellow FBI recruit and friend Cordelia -- the film doesn't have much time for her but she proves a capable ally to Clarice, and as with any actress Jodie ever co-starred with the two of them had way more chemistry than with any man on the premises...

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Wednesday
Apr102019

New Podcast: Us, Dumbo, The Beach Bum, and Gloria Bell

by Murtada Elfadl, Chris Feil, and Nathaniel R

 

Now that 2019 movies are more than underway, a new season of the Podcast is upon us! 

Index (55 minutes)
00:01 Julianne Moore is Gloria Bell
12:30 Jordan Peele's Us starring Lupita Nyong'o  [MAJOR SPOILERS]
33:30 Tim Burton's Dumbo
40:00 Randomness
42:50 Harmony Korine's The Beach Bum and Matthew McConaughey's strange year
52:00 Randomness

Supplemental Reading
Film Comment Gloria Bell review
Murtada's Beach Bum review
Chris's Us review
Jason's Serenity review
Paulina García's great performance in the original Gloria

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Gloria Bell, Us, Dumbo

Friday
Mar292019

I've been obsessing over this shot in "Us"

by Nathaniel R

Not sure if there's an audience out there for a return of our Hit Me With Your Best Shot series but Jordan Peele's horror smash Us would certainly be a worthy candidate for the treatment. Lately I've been obsessing over this particular image (above) in which Red (Lupita Nyong'o) has handcuffed Adelaide (Lupita Nyong'o) to her own coffee table. It's not just the slow upsetting crack of the glass, or Lupita's stunning dual performance...

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Sunday
Mar242019

Lupita & Jordan Strike Gold

The huge launch of the new buzzy horror flick Us proved three things. First, that horror is the most reliable genre outside of superheroes for automatically high grosses. Second, that Get Out was no one hit wonder and Jordan Peele's name in the director's chair is something to remain excited about. Third, that Lupita Nyong'o has zero trouble carrying a big picture as its leading lady (which we knew the second we fell for her in 12 Years a Slave but it took six long years for it to actually become fact.) Please no more voice or mo-cap roles, are you listening Hollywood/Lupita's management? We want HER onscreen, not just her voice onscreen with her glamour on red carpets. More after the jump...

Weekend Box Office (Estimates)
(March 22nd-24th) / 🔺 = new or expanded theater counts
W I D E
PLATFORM / LIMITED
1 🔺 Us  $70.2 on 3741 screens *NEW* SNEAK PEAK, REVIEW
1 🔺  Gloria Bell $1.8 (cum. $2.4) on 654 screens   REVIEWJULI LEADS
2 Captain Marvel $35 (cum. $321.4) on 4278 screens REVIEW
2  No Manches Frida 2 $1.7 (cum. $6.6) on 472 screens

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Thursday
Mar212019

Review: "Us"

by Chris Feil

With his Academy Award winning debut feature Get Out, Jordan Peele distilled an expansive theme into one formidable package. His follow-up Us - a film as giddy to scare us as the kind of carnival house of horrors that its young Adelaide wanders into in the film’s opening moments - does the exact opposite. Here Peele builds upon a single idea, one that doesn’t come into its clearest view until the final moments. Whether Peele is asking us to look inward or look outward, he has shown to be one of the sharpest modern storytellers when it comes to exploring an expanse of intertwined psychosocial ideas.

After her brief ominous prologue, we are reintroduced to the adult Adelaide Wilson, played by the immediately knighted scream queen Lupita Nyong’o. Adelaide is beginning a summer vacation with her husband Gabe and two children, Zora and Jason, but she is seemingly ever at ease. After returning to the beach of her unspoken trauma brings her lingering paranoia to the surface, her family is visited upon by a doppelgänger one. And each of these uninvited guests has brought a very large pair of scissors.

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