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Entries in Juliette Binoche (63)

Wednesday
Oct032018

NYFF: Claire Denis and the "High Life"

Jason Adams here reporting from the New York Film Festival...

We're all dying. That's the grand rule of everything that we do all we can to distract ourselves from. It might seem like some of us are dying faster than others from the position we're standing in at any precise moment, but time is, as the saying goes, relative. We're all of us on track to stardust, circling the drain of a black hole out here, hair stiff on end.

Leave it to Claire Denis to dream-weave a perverse space opera all about that stuff, then. Who else, really? High Life on its gorgeous scuffed up Rothko painting of a surface has all sorts of distractions from that central mission statement - Horny convicts in outer space! Juliette Binoche's infinite ponytail! Something called a "Fuck Box!" - that a smaller-minded filmmaker would've gotten caught up on...

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Wednesday
Sep262018

NYFF: Olivier Assayas' "Non-Fiction"

Jason Adams reporting on the New York Film Festival which kicks off Friday night.

Calling a movie "Woody-Allen-ish" in 2018 is less of a double-edged sword than it is a single-edged one - there's not a lot of benefit; mostly just wounds. And yet Olivier Assayas' Non-Fiction kind of demands the comparison to Classic Woody - it's about a group of chatty literate urbanites having  literate urbane chats in luxurious apartments and outfits, all of them sleeping with each other while being obsessed with death and sex and books, order TBD. It's terribly witty in that very specific way that certain New Yorkers love, where they can turn to the person next to them and smile and nod, everybody content that hey, they got that one.

And listen, hey, I am one of those Certain New Yorkers myself, so I'm allowed to make fun...

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Thursday
Jul262018

"I love trees."

A message today from Juliette Binoche's instagram.

Sunday
May272018

Box Office: Solo Flies Low, Binoche Charms, and Book Club Holds.

by Nathaniel R

Holiday Weekend Box Office Estimates
(May 25th-27th)

W I D E
800+ screens
L I M I T E D
excluding prev. wide
Solo: A Star Wars Story Disobedience
1.🔺Solo $83 *NEW* REVIEW, BEHIND THE SCENES
1. 🔺 RBG $1.1 on 415 screens (cum. $5.6)  REVIEW
2. Deadpool 2 $42.7 (cum. $207.4) 2. Disobedience $368k on 224 screens (cum. $2.5) REVIEW
3. Avengers Infinity War $16.4 (cum. $621.6) REVIEW 
3. 🔺 Pope Francis - A Man of His Word $290k on 385 screens (cum. $1)
4. Book Club  $9.4 (cum. $31.8) REVIEW
4. 🔺 First Reformed $282k on 29 screens (cum. $425k) REVIEW
5. Life of the Party $5.1 (cum. $39.1)
5. 🔺 How Long Will I Love U $210k on  23 screens *NEW*

 

These numbers will go up given that this weekend is extra long and there's still Memorial Day monday in which families are free to see movies if they'd like. But the numbers won't go high enough for Disney's taste. Now, $83 million in one weekend is nothing to scoff at but for a film within the Star Wars saga it's surprisingly low. Lots more on multiple films after the jump...

Click to read more ...

Saturday
May262018

Burning Question: Most egregious Weinstein-backed Oscar Nods?

Upon seeing Harvey Weinstein in handcuffs yesterday our friend Rob asked a very timely question on Twitter which we though we'd share here for rabid discussion purposes. 

In the spirit of the day: Which ridiculous Oscar nomination that Harvey Weinstein facilitated was the most infuriatingly egregious?

My personal vote goes to Chocolat's 5 nominations (including Best Picture!!!) in 2000. The fluffy disposable film was nominated over obviously well-liked films like Billy Elliott, Wonder Boys, and Almost Famous... and great but divisive films like Dancer in the Dark and. 

And though Juliette Binoche is one of the all time great screen actors, there was simply no excuse for that Best Actress nod when Michelle Yeoh (Crouching Tiger Hidden Dragon) and Björk (Dancer in the Dark) were both RIGHT THERE, totally inspired, and more than worthy of nominations. Even further outside the race there were still other leading ladies who were running circles around one of Binoche's least impressive performances including Michelle Pfeiffer's genre transcending in What Lies Beneath, Renée Zellweger's comic skill in Nurse Betty, and Gillian Anderson, all tragic and ravishing in The House of Mirth

But what's your answer to the question? And if you are 2000 focused, please let us know you're ideal Best Picture/Best Actress lineup that year.

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