SAG Ensemble -- Everyone's Nominated... Except for You!

Happy SAG NOMINATION DAY! It's time for our glorious depressing tradition of trying to convince a UNION that they ought to look into slightly different rules that are less likely to devalue their dues paying members. Each year when the SAG ensemble nominees are announced the list of actual nominees from the films reveal that non-big name actors are routinely excluded. The problem is that the size of your fame doesn't always correlate with your role and the bulk of SAG's membership is non-famous actors.  If you're curious about why this happens it's due to the rules that you have to have your own title card to be considered part of the official ensemble. In other words you need to a) be famous or b) have a really good agent or c) have the leading role. The only exception to this rule is when the credits don't follow the normal rules. For example Woody Allen movies always list the cast alphabetically on a shared title card. In those cases, you have to be on the first title card to make it in which is why Corey Stoll, who gave the best performance in Midnight in Paris, was left out that year. He wasn't famous enough yet to be on the first page of credits. Now he tends to get his own title card. 

So let's look at who was honored and who was mistreated this morning by the group nominations.

BEASTS OF NO NATION
Nominated Cast: Abraham Attah, Idris Elba, Kurt Egyiawan (as "2nd I-C")

Who was left out: Just about everyone which makes it the strangest nomination of the group. Does three make an ensemble?  I have not yet seen the film -- child soldier dramas are a subgenre I avoid like the plague since they're mentally scarring -- but I hear that Emmanuel Nii Adom Quaye who plays "Strika" is quite good in the movie. 

more after the jump...

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Don Cheadle x 4 in "Miles Ahead"

Nathaniel reporting on the closing night film of the New York Film Festival

Don Cheadle has been an esteemed actor for a full twenty years now. His big reputation began with his breakout turn in The Devil with the Blue Dress (1995) and kept building. Somewhere along the way, despite a Best Actor nomination for Hotel Rwanda (2004) the leading man career didn't materialize (apart from his 4 time Emmy nominated gig on Showtime's House of Lies). The sturdy ensemble player attempts to right that wrong by producing, writing, directing and starring (whew) in a Miles Davis biopic.

Cue the trumpets!

And here we are. Miles Ahead was given the honor of closing this year's New York Film Festival. Sony Pictures Classics will release the film.

It's tough to argue that Cheadle hasn't earned a spotlight as bright as this. [More...] 

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How To Get Away With Linking

/Film Keith Stanfield of Short Term 12 fame will play Snoop Dogg in the N.W.A. biopic Straight Outta Compton. He also has a key supporting role in Selma. So glad things are going his way
Buzzfeed Must read list of 17 black women who deserve their own biopic. God, if we could get even half of these projects greenlit there'd finally be roles for our best black actresses to fight over. I'd replace some of the dream names with better actresses though. Where's my Lorraine Toussaint and Kimberly Elise?
In Contention icymi images from Selma have been going around. Can't wait to see this movie 
Playboy interviews the one and only Terry Gilliam on Zero Theorem and his past pictures

Playbill in light of all the 'was it or wasn't it cut from the movie?' discussion around Into the Woods' songbook, here's a list of famous numbers that were cut from their film versions like Cabaret, Dreamgirls and so on
Gawker has an amusing objection to Clive Owen hawking vodka
MI6 the new James Bond film is looking for a memorable assassin called "Hinx" -- muscular and over 6'2" and will have some major fight scenes. 
Bam Smack Pow a twitter account called Josh Trank gave us our first look at what Jamie Bell will look like in Fantastic Four (i.e. not like Jamie Bell at all. Ugh. Why you wanna cast him in a role where we can't see his face. Sigh) but it turned out to be a prank
Moviefone talks with Joseph Gordon-Levitt about Sin City: A Dame To Kill For and tries to ask about that proposed Sandman adaptation, too

Tweet of the Week

View from my car on the way to work....uh....pressure? pic.twitter.com/28iZ4JyyRz

— Viola Davis (@violadavis) August 23, 2014

 Love you Viola! We do. We do. 

Gay Gay Gay
The Guardian MPAA is homophobic. What else is new. If you have gay content you're obviously always R. Even without sex scenes. See: Love is Strange. 
The Advocate explains why there needs to be more gay sex on television. Looking can't do it alone!   

Cinema and Real Life
The Stake on what we can learn from sci-fi movies and TV about the militarization of police forces 
Salon is the medium's obsession with Robin Williams suicide rough on those struggling with depression? That'd be a yes.

Off Cinema But Of Interest
i09  incredible photo tribute to the cats who served in World War I. I had no idea about this. I now feel personally cheated that there's never been a good cat moment in a prestige war movie.
AV Club have you heard there's a transphobic Congressmen messing with Laverne Cox's Wikipedia page. Shameful. (And while we're on the subject of Orange is the New Black stars, I'm thrilled that Lori Petty will be joining Season 3. I guess she'll get transferred to Litchfield or something)
Salon interviews Sinead O'Connor on her new record and why she won't sing some of her early work anymore 

Film Bitch Awards: Actor & Supporting Actor

I haven't forgotten about The Film Bitch Awards, also known as "Nathaniel's Ballot" that once grand internet tradition (14 years now, Jesus!) that has been eroded by my time management problems. But no more. I'm turning over new leaves in 2014, you'll see, and so we begin now with the catch-ups.

And now 43 words it gives me great pleasure to type...

Elyes Aguis Kyle Chandler Bradley Cooper Chris Cooper Bruce Dern Leonardo DiCaprio Paul Eenhoorn Chiwetel Ejiofor Michael Fassbender James Franco James Gandolfini Jake Gyllenhaal Tom Hanks Sergio Hernandez Oscar Isaac Hugh Jackman Jared Leto Matthew McConaughey Mads Mikkelsen Tye Sheridan and Keith Stanfield 

And that's just the cream that rose to the top for yours truly when it came time to sort out my thoughts on the best performances by men this year at the cinema. Though supporting actor was lean, the leading men more than made up for it. It was such an unusually rich year that I, the internet's ringleader for actressexuality, am arguably or at least sometimes more excited about Best Actor than Best Actress. This has little precedence.

My ballot: BEST ACTOR & BEST SUPPORTING ACTOR
The whys and the whos on great work from 12 Years a Slave, Nebraska, Spring Breakers, to Inside Llewyn Davis and beyond...
Three previously posted ballots: ANIMATED FEATURE, CASTING AND ENSEMBLE 

Team FYC: Keith Stanfield, Best Supporting Actor

In this series Film Experience contributors sound off (individually) on their favorite fringe awards contenders. Here's Matthew Eng on Keith Stanfield from "Short Term 12" (who was recently Spirit nominated)

Chief among the achievements of Destin Cretton’s Short Term 12 is an early, two-minute scene in which Keith Stanfield’s Marcus, a sullen, soft-voiced, 18-year-old intake on the verge of being released from the film’s titular foster care facility, shares a self-penned rap with Mason (John Gallagher Jr.), one of the center’s supervisors. What unfolds remains, still, the single most heartbreaking moment I’ve seen onscreen this year, as Marcus launches into an unforgiving tirade against the abusive mother who raised him, that soon transitions into a harrowing lament about the unwavering, angering pain of being born into a broken life.

Look into my eyes so you know what it’s like
To live a life not knowing what a normal life’s like”

It's unshakable, shattering stuff, further enhanced by the beautifully-felt efforts of Stanfield, who wrote the rap himself and whose striking, breakout turn remains one of the year's most egregiously undersung performances. It’s easy to imagine all the ways in which the “Young Actor Playing a Troubled Youth in a Social Drama”-model could potentially go wrong: sometimes, steadfast commitment to the “troubled” aspect threatens to render the character one-note; other times, it’s as if the performer has chosen to play the shameless summoner of unmitigated audience sympathy, rather than an actual character. Instead of falling into either of these traps, Stanfield commits whole-heartedly to unveiling each and every complicated layer of Marcus without ever seeming bent on becoming something akin to the underdog worth rooting for. Stanfield is brilliant at navigating and detailing the character’s rocky emotional landscape and prickly persona, whether he’s snapping at Rami Malek’s “new guy” Nate over a dim comment about “underprivileged kids,” rushing to hostile extremes with Kevin Rodriguez’s antagonistic Luis, or allowing his lanky frame to buckle under the weight of suppressed emotional anguish during an impromptu haircut. Marcus’ surly toughness, deep-concealed heartache, and quiet introversion may be his foremost traits, but it’s to Stanfield’s credit that we also get to glimpse a softer, breezier, and funnier side of Marcus, as when he playfully converses with his housemates or cheekily exposes two counselors’ semi-secret relationship via rap.

That Cretton ultimately leads Marcus to something of a narrative dead-end is an unfortunate outcome, albeit one that in no way diminishes the impact of Stanfield’s concentrated and compelling work throughout Short Term 12. He fully and frequently grounds the movie, rooting it in remarkable truthfulness and bold emotionality, helping us locate the beautiful, gently-beating heart that sits firmly at its center.

Previously on Team FYC