More thinkin' on that '100 Best Comedies' list...

by Nathaniel R

Since I haven't been able to stop thinking about the BBC top 100 comedies list (previously discussed) the only way to exorcize it is to make my own. These are presented in rough order and extremely subject to change since I basically made the list in 30 minutes and argued with myself about whether or not certain films (not on this) were comedies or not and whether or not one should list as "funniest" or "best" which are two very different things, even with comedies...

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The Top 100 Comedies: Screwball Dames and Male Auteurs

by Seán McGovern

The limit of list culture is the absolute bias of the person compiling it (except of course the Dewey Decimal System which is without imperfection). To compile theirs, the BBC polled 253 film critics - 118 women and 135 men -  from 52 countries to determine what exactly are the "100 Greatest Comedies".

It's good to look at these lists to remind ourselves that since the majority of films are made by men, so too is the work that's considered both the funniest and the best. Right-on caveat aside, some great, female-centred comedies make the list: 2016's Toni Erdmann at 59; Mean Girls, which we can now call a modern classic, at 57; and Clueless (iconic) at a very healthy 34...

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Happy 'International Owl Awareness Day'

by Nathaniel R

Yes, International Owl Awareness Day is a real thing. For our purposes at The Film Experience owl awareness would be how those nocturnal birds are portrayed onscreen. They're hit-and-miss on celluloid and television. For example, we always needed more personality from Hedwig in the Harry Potter series, that damn mechanical owl in Clash of the Titans is an anachronistic disaster, and is it sacrilege to say that 'Owl' in Winnie and the Pooh is the least engaging Hundred Acre Wood denizen?

The following list is dedicated to the Twin Peaks owl(s) and Archimedes in The Sword and the Stone (1963) who didn't quite make it but we love them. TFE's five favorite screen owls are after the jump

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Happy 10th Anniversary to Mad Men

by Nathaniel R

Joss Whedon's Buffy the Vampire Slayer is the only series I've ever watched twice all the way through. I know I will eventually follow suit with my other favorite series of all time: Matthew Weiner's Mad Men. But the time is not yet. I still miss it terribly, especially on Sunday nights. The very first episode, "Smoke Gets In Your Eyes" premiered on this day 10 years ago... 

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Q&A: Who needs their own "Big Little Lies"?

Hello dear readers. I didn't forget about your questions. I just ran away for two weeks to beautiful southern Connecticut and the National Critics Institute. It was grand. But, now, back to work. Here are seven questions you asked (more to come) answered...

MARK G: Word in the UK from a respected critic is that Kate Winslet is on top/peak/Blue Jasmine form in Woody's Wonder Wheel and the film has a chance as breakout hit. What do you think of Winslet's chances of winning a 2nd - you always say the ladies win a 2nd within the first 10 years.

NATHANIEL: Until the Steve Jobs year I thought it highly improbable but that year reminded me that it was possible if she lucks out and runs with a great performance in a weak year. She was clearly in the runner-up position and only category frauding from Vikander denied her her second. Winslet's hurdle will be that people who win an "overdue" Oscar don't tend to win again thereafter. Overdue Oscars carry a whiff of 'thanks for the career -- NEXT!' as if everyone knows it has to happen but wants to swiftly move on. Note that Pacino and Sarandon were never nominated again after winning. (As for Wonder Wheel who knows. Woody's output is so uneven.)

TYLER: What is your absolute favorite Audrey Hepburn performance? 

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