BAFTA Penguins (and Grammy Diversion)

A few of the BAFTA tuxes for you. Tuxes are so amusing. Everyone looks good in them but everyone looks related.

Nicholas Hoult Did you know he is 6'2"? He is now 3 inches taller than Hugh Grant, his About a Boy co-star! How weird is that? All growed up. In other news, all of these men ('cept the Ruff) are over 6' feet tall.
Mark Ruffalo and his wife Sunshine Coigney. She's looking fab / diva-esque so I had to include her. Did you know that she was in In The Cut? The one where the Ruff got naked with Meg Ryan. Well, now you do. #freeinformation
Colin Firth. WINNER. [This Just In: Did y'all see that Andy Rooney on 60 Minutes (what a bizarre Grammys lead-in) loved The King's Speech? This is why it will win Best Picture. He told a story about meeting King George VI with a friend of his who was also a stutterer.]
Gerard Butler Do you think he's embarrassed going to these awards shows considering the kind of movies he makes? If not... he should be.
Ricky Martin was... oh, whoops. I've moved over to the Grammys. I'm very distracted tonight. I'm watching The Grammys. How stereotyped is it that Ricky Martin was chosen to introduce Lady Gaga's "Born This Way".? Get it? Because he is gay. G-A-Y.

Every once in awhile I try to watch the Grammys (which I'm sorta tweeting) and then I remember why I don't watch. The problem illustrated: Nicole Kidman just joined a standing ovation... for Justin Beiber.

Mix Tape: "Panic in Detroit" in The Kids Are All Right

Andreas from Pussy Goes Grrr here, with my first guest contribution to The Film Experience. We're kicking off a new series called "Mix Tape," all about musical choices in film, with a look at some mood music that adds considerably to one of last year's Oscar-nominated supporting performances.

Creative song selections are scattered throughout The Kids Are All Right, but the one that really stands out for me—even though it only plays for ten seconds in a disjointed form—is David Bowie's "Panic in Detroit." It accompanies a sex scene between Paul (Mark Ruffalo) and Tanya (Yaya DaCosta) which, through the magic of jump cuts, also serves as an introduction to the wildness and fertility that make Paul an ideal sperm donor... and a not-so-ideal interloper into Nic and Jules' domestic status quo.

Right before the sex scene, we get our first look at Paul: carting around vegetables, flirting with Tanya (his business partner and friend-with-benefits), and generally being earthy. He also gets the troubling phone call informing him that somewhere out there, he has a biological daughter. He pauses, presses his hand to his mouth, and suddenly we're jolted away with the sound of Bowie's voice singing "He looked a lot like Che Guevara!" as Ruffalo and DaCosta bounce naked across a living room.

After the jump, more on Ruffalo and Bowie. [Warning: slightly NSFW images.]

Click to read more ...

I Linked a Man With My Bare Hands

Acidemic recommends some girly gloomy Twilight ancestors. Fascinating.
The Carpetbagger the financial value of the Oscar bump. Interesting but I always find these figures suspect because so many films that get nominated are just starting their runs around Oscar time so it's tough to say WHY people are seeing them exactly and what they would have done financially had they been snubbed.
Shortlist Funny profanity-laced Paul Rudd interview. Is there any other kind?

Q: So, what’s the nastiest, baddest thing you’ve ever done?
A: I killed a man. With my bare hands. And my mind. I hurt him, I really punished him with my bare hands, but I wound up killing him with my mind.

The Beast the 50 Most Loathsome Americans
In Contention Ruffalo finally gets the Oscar nod. An appreciation
The Best Picture Project have you seen this blog? Alyson is watching every Best Picture nominee and writing about them.

One more as you pirouette outta here...

Lipstick Eater interesting piece about Black Swan's text of femininity but more specifically about Natalie Portman's feet. I love this bit.

After she retches, Nina flushes the toilet by stomping on the handle with one foot. This is one of my favorite moments in the movie. Kick-flushing the toilet is such a punk rock gesture, so there is a weird thrill in seeing the stomping foot covered in dirty pink satin rather than black Doc Martens: the pink doesn’t at all dampen the violence of the gesture.

Then there's three paragraphs on her knitted Ugg boots. I kid you not. Bless.

20:10 Strangely Timed Vacation

Three years ago at the original blog, I created a series called 20:07 which became one of the most popular TFE features ever and spawned a slew of imitators 'round the web. Just for fun, let's resurrect that ol' champ for the remainder of Oscar season as we finish celebrating the films of 2010 so that a new film year can spring forth.

Screen capture: 20th minute and 10th second of Shutter Island

Chuck Aule: You're in a state of lockdown, a dangerous patient has escaped and you let her primary doctor leave? On vacation?

I love that Leonardo's expression is so play-acting at detective work. Like 'I might write down a clue at this very moment. I just might. I'm a detective!'  Isn't that perfect?

But about that doctor. Do you have the phone number for where he's gone? Do you have this film's number? (I'm guessing 2 as in Cinematography and Art Direction. Not that I need every conversation to be about Oscar.)