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Entries in Mark Ruffalo (65)

Saturday
Apr192014

YNMS²: Foxcatcher & Gone Girl

Unless you count the LEGO Movie's probable Best Animated Feature bid and the Sundance bow of Love is Strange (I'm still hopeful - it's playing Tribeca right now) 2014 hasn't seen much in the way of Oscar contenders just yet. Recent trailers are changing the collective shrug to raised eyebrows - between The Homesman (previously discussed), Jersey Boys (if you're feeling very generous), the Cannes lineup announcement and these two trailers from past nominated directors Bennett Miller (Foxcatcher) and David Fincher (Gone Girl) the body is ready for the first wave of Oscar predictions. We'll manage them before April wraps.

Both of these trailers have been around for a bit and both blissfully play more like teasers despite their length; the job of a trailer is to sell a future ticket, not to make you feel like you've already seen it so you don't need one.  Foxcatcher's traiser was actually released last year and then swiftly pulled before we could get to it but it recently resurfaced and Gone Girl has been kicking around for a week but I've heard your plea to discuss so a couple of quick notes follow

GONE GIRL

Yes. What's not to love really? Remarkable use of music and uncomfortable juxtapositions in the montage. Plus, Rosamund Pike's gorgeousity turning to the camera just in time for the vocals of "She" is just a marvelous 'we're-making-a-star here' relief given that her career, though healthy, deserves more fame and a richer choice of scripts. That final shot of her in the water is so disturbing. (Yikes). And though they aren't prominently featured in this trailer the supporting cast is really good with a lot of underused faces like Sela Ward and Missi Pyle. 

No. I got nothing though I guess I hope Fincher takes a break from crime thrillers soon and that greenish color palette which was fun for a couple of films but three in a row. It's approaching Eastwood's inky black and Soderbergh's yellow as a default rather than an artistic choice.

Maybe So. Casting Ben Affleck as your leading man has to be considered kind of risky, right? Aristically speaking. He's not the terrible actor some say he is but neither has he ever proven himself a great one. 

FOX CATCHER

Yes. Another minimalist peak at a crime drama, this one being a horrible and super weird true story. It has a very good chance of being riveting given the cast, the story and the writer/director (Bennett Miller of Capote and Moneyball fame). The "A coach is..." speech here is beautifully judged as a teaser framing device, especially with that pathetic shuffle into the gym with the pistol out. Steve Carell, Mark Ruffalo and Channing Tatum seem like a pretty great trio to hang a movie on. And did I just spot Vanessa Redgrave?!? ( "Yes, please" times so so so many.)

Also Yes. Channing Tatum in a singlet

No. I dread any potential "sweepers" in any of the acting categories -- just on principle because there are ALWAYS more than four great performances in a film year -- so though I've long thought Steve Carell was an Oscar calibre actor (I nominated him right here for Little Miss Sunshine) I don't relish seeing him win everything because he went the prosthetic and vocal affectation route. He looks good in the trailer, don't get me wrong. I just know that no matter how brilliant he is, he'll be wildly overpraised merely because of this and the meat of the role. 

Maybe So. I suppose the ultra specific details of this tale might not help it with accessibility for the masses, or even to feel potent thematically. But we'll worry about that later if it happens.

 

Are you a Yes, No or Maybe So ?
And does the strength of your answer coincide with your faith in their Oscar play? 

 

Sunday
Mar302014

Yes, No, Maybe So: Begin Again

Can a Song Save Your Life? The Weinstein Company doesn't think so, since they've changed the title of that music industry Mark Ruffalo/Keira Knightley film. It would like to be known as Begin Again before it actually faces the fickle public. Presumably due to the widespread industry belief (it's not just TWC) that the more generic the title, the more likely it is to appeal to multiple quadrants. Why anyone interested in a dramedy about the music industry would object to the earlier title who can say without degrees in P&A?

Yes No Maybe So breakdown after the jump

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Friday
Jan242014

We Can't Wait #13: "Can A Song Save Your Life?"

[Editor's Note: We Can't Wait is a Team Experience series, in which we highlight our top 14 most anticipated films of 2014. Here's Andrew Kendall on Can A Song Save Your Life?]

Can A Song Save Your Life?
Gretta is a would-be singer-songwriter whose boyfriend ends their long term relationship leaving her to find hopes of fame and success with down-on-his-luck record producer Dan.

Talent
John Carney is the man at helm and he's worked on the music alongside his Once collaborator, Glenn Hansard. The starry cast includes Keira Knightley, Mark Ruffalo, Cee-Lo Green, Mos Def, Adam Levine, Hailee Steinfeld, Catherine Keener and James Corden.

Why We Can't Wait

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Monday
Jan202014

Sundance: Mark Ruffalo is a Bipolar Bear

Sundance coverage continues with Nathaniel on Maya Forbes' "Infinitely Polar Bear"

Remember when people used to dump on Silver Linings Playbook for reducing mental illness to cutesy romcom obstacles? That! Only this time the drubbing is fully earned. A disclaimer before we begin: I am preternaturally disposed to enjoy Mark Ruffalo's Ruffalosity in any of its varieties or sizes so I queued up for Infinitely Polar Bear, despite my gut instincts warning me away. (One must always be weary of star vehicles at indie festivals because a famous face alone can win a movie a prized festival slot. If a movie made by unknowns and starring unknowns gets into a festival there's generally more reason to hope that it got there on pure merit.)  [more...]

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Monday
Nov252013

The Linking Games: Catching Blog

Self Styled Siren has ten rental suggestions for your friends who are haven't yet become true movie fans - 10 classics anyone will love
The Cut Scarlett Johansson's runway looks for her 29th birthday
Vanity Fair Jason Statham on 'poncy actors' and stuntment deserving Oscars 
Variety Emma Thompson is just killing it in these campaign stops for Saving Mr Banks


 Awards Daily on a live performance of the score from All is Lost
The Film Doctor revisits Frances Ha and its French New Wave inspirations
MNPP The Moment I Fell For... Mark Ruffalo
In Contention I'm beginning to realize that Guy Lodge and I have very very different taste in actresses. He thinks Julia Roberts is the MVP of August: Osage County. (I will say this for her: she has the toughest role and she is really going for it.)
Gurus of Gold for this week's chart David Poland had us imagine what would happen if Oscar held a "Best Casting" prize and didn't differentiate between Adapted and Original Screenplay. FTR I love some of the other gurus choices for Casting more than my own picks but I was doing it how I thought Oscar might...
Variety Bunheads after glow... TV giant Amy Sherman Palladino joins other producers to bring Sutton Foster back to Broadway in the new musical Violet. Yes, please.
Variety finally a worthy sounding project for Oscar nominee Catalina Sandino Moreno, the biopic Castro's Daughter

All Hunger. All The Time
The Hairpin Closeted characters from The Hunger Games' Katniss Everdeen to everyone in The Great Gatsby
Monkey See and yet more thinkpieces. On gender types: Is Peeta essentially Katniss's girlfriend?
Atlantic Wire An Open Letter to Jena Malone (who does make a fabulous Johanna) 

Tweet of the Week
By name you've undoubtedly heard that Mia Wasikowska and Johnny Depp are both in for a sequel to Eyesore in Wonderland.

 

 

 

What else is there to say really?*

*although don't let that stop you from having doing what you do in the comments

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