Linkies

Empire Bryan Singer and his writing team working on X-Men: Apocalypse already. My only objection to this article is the conditional phrase for X2 "one of the best of the franchise" I'm sorry... one of... I think they meant to type "the best by such a significant margin it's actually kind of embarrassing"
Pajiba wonders if movie reviews matter anymore 
The Wire plays goldilocks with Martin Scorsese classics and their running times: "too long, not enough or just right?"
Dorkly imagines George RR Martin (Game of Thrones) as Santa Claus  

In Contention I neglected to share the London Film Critics Circle nominations because I forgot that unlike virtually every other critics organization, they don't announce their winners a few days after the nominations and instead save it for their actual ceremony... (which begs the question: how do they get the recipients to show up? tipped off?) so in case you missed it, read away 
Deadline on the struggle to shift the dialogue on August: Osage County. I have to say that I find this piece both telling and bizarre. Telling because Tracy Letts himself refers to Barbara (Julia Roberts) repeatedly as the "protagonist"  (and yet she's "supporting?" oy!) and even how he beefed up her role to justify the new ending. Bizarre because the piece ends with the implication that Streep is doing more promotional work for this film than she usually does (I see no evidence of this but, okay?) culminating in this absolute untruth: 

...when Streep shows up for a film that has her in Oscar contention, she usually wins.

The great lady has won 3 times out of 17. And it's not like she didn't "show up" for a number of those other 14 Oscar nominated films. She is as good as any big star at promoting her work.

The Gays
People awww, Sharon Needles and Alaska from RuPaul's Drag Race broke up. But very amicably it seems so good on them
David Kawena [NSFW] the popular web artist is at it again with his Disney characters as underwear hunks. This time it's Kristoff from Frozen. What would Jonathan Groff think of this?!
Theater Mania on the seventh day of Christmas my true love gave to me, 7 Carol Channings 

List-Mania
Buzzfeed 23 most important 'selfies' of the year
Hey U Guys 10 Best Comic Book Movie Moments of 2013
i09 thinks these are the best comic books of the year
The Wire Joe Reid's top ten list and...The Act of Making Them
The Dissolve's top ten list. I like seeing All is Lost and Gravity together with All is Lost slightly higher. They really do make good companion pieces. Neither will make my list so I'm not a champion of either really but I prefer the Redford. As for Her. You know, it's funny. As soon as I knew the subject matter long before we'd seen a frame of it, I just knew it would be a huge deal on critics top ten lists, topping many of them. I should've written a prediction piece on that so you could all marvel at my psychic ways.

Marty + Michelle

The Age of Innocence Twenty Years Ago

Burning Questions: Does Last Temptation Still Have the Power to Outrage?

Michael C here to reflect on a cinematic milestone. This month marks twenty-five years since the release of Martin Scorsese’s The Last Temptation of Christ (1988)

Growing up Catholic I was taught that Jesus was both human and divine, yet the depictions of Jesus I was presented with invariably paid minimal lip service to his human side while emphasizing the holy. Flicks like King of Kings and The Greatest Story Ever Told presented a Christ with all the humanity of a figure on a stained glass window. The Jesus in these movies is forever staring off into the distance, beatific smile on his face, arms outstretched, making proclamations in the gentle tones of an easy listening DJ. Even his words seem to be walking on water.

It wasn’t until college when I saw Scorsese’s version that I finally grasped what it meant for Jesus to have the same frailties as the rest of us, rather than have a Jesus who appears human but who has none of the weaknesses of humanity. The troubled, doubting savior portrayed by Willem Dafoe in Last Temptaion bears little resemblance to the star of those comforting but shallow Biblical pageants. [more...]

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New Oscar Predix! (And What Of Consecutive Nomination Heat?)

As I was constructing the new Best Picture charts -- yes, they're finally up. Have a looksie -- it occurred to me that I was foolishly betting against a lot of regular Oscar players. Why couldn't I find room for, say, George Clooney (Monuments Men), Joel Coen & Ethan Coen (Inside Llewyn Davis), and Martin Scorsese (Wolf of Wall Street), for example? The answer came in three parts.

Silver Linings Playbook + The Fighter ÷ 1970s = American Hustle

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Jodie Foster in "Alice Doesn't Live Here Anymore"

For Jodie Foster Week I invited guests to talk about favorite Foster films. Here is one of my favorite authors Manuel Muñoz ("What You see in the Dark," "The Faith Healer of Olive Avenue") on a pre-Taxi Driver Scorsese/Foster collaboration. - Nathaniel R]

Coming up with another word for “precocious” is hard, since its precision begs no real qualification. The word bothers me a little as a go-to choice to describe Jodie Foster’s brief appearance in 1974’s Alice Doesn’t Live Here Anymore. What are we seeing in her portrayal of a girl who dislikes her real name (Doris) so much that she ditches it in favor of another (Audrey)? I thought my pleasure in rewatching Alice would come in getting to see Foster in that vulnerable adolescence where few of us had learned to mask, moderate, or amplify our sexual identities. How much more apparent would this be on camera, especially when we, as viewers, sometimes willingly blur the lines between performer and performance?

I’m happy to come away from Alice seeing Doris/Audrey as more than a thinly written tomboy role... [More]

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