Cannes Diary #2: New Ozon and old Japanese sensations

by Elisa Giudici

At the premiere of "Everything Went Fine"

The Festival has really begun and I finally discovered where the press room is inside the enormous Palais. Free coffees and soft drinks for journalists are a treat I never experienced at other festivals (so I'm feeling spoiled). The room is lovely with its wooden tables and cream colored seats with a view on the blue sea. The day after Annette, it's still the first question everyone asks: do you like it or not? I've already had interesting discussion about the movie with a couple of colleagues. I am really curious to see how it will be received by broader audience after the "festival bubble" ends.

But on to the day two screenings...

Click to read more ...

Silence vs Silence

by Cláudio Alves

At times Martin Scorsese's filmography looks like a string of projects that took decades before they saw the light of day. These monstrous productions include films like the bloody epic Gangs of New York and last year's mob drama The Irishman, and the 17th century set religious historical drama Silence (2016). 

Silence is near the top of my own list of favourite Scorsese films. There are many reasons for that, not least of which is the fact the original novel, by Japanese author Shûsaku Endô,  is one of my favorite books and it focuses on Portuguese characters. Consider also the empathy Scorsese shows towards every character, along with the willingness to pursuit complex ideas and murky morality when a straightforward approach would have been easier to follow. These qualities are especially evident in Silence (2016) because we can compare Scorsese's adaptation to that of another world-renowned director…

Click to read more ...