Review: "Hacksaw Ridge"

by Chris Feil

Caught between championing pacifism and luxuriating in brutality, Hacksaw Ridge struggles to have it both ways. Telling the story of WWII medic Desmond T. Doss (Andrew Garfield), America’s first conscientious objector (a soldier refusing to bear arms) who rescued over seventy soldiers in a single night. What plays out is part old-fashioned star vehicle for Garfield and part survival epic.

The film is as bloodthirsty as Mel Gibson’s other directorial efforts despite Doss’s message at the center. There is more fascination in the multitude of ways military bodies can be destroyed than Doss’s moral stance against that very violence - Gibson’s gaze is never more invigorated than when someone is brutalized. While the third act could simply be presented as the grim reality of war, it is instead an aimless fetishizing of bloodshed. This won’t come as a surprise to the dissenters of Gibson’s filmography, but the habit is perhaps more glaring given it is directly at odds with the material. The taste level is questionable and the subject gets lost.

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AACTA Awards Hail Mel Gibson, Tanna and... Gods of Egypt?

by Glenn Dunks

Mel Gibson certainly won’t object to waking up to 13 nominations from the Australian Academy of Cinema and Television Arts (the AACTA Awards) for his directorial comeback, Hacksaw Ridge. This canny bit of career rehabilitation for the former Oscar winner began, by association, with the revival of Mad Max. Even if Hacksaw Ridge doesn't ultimately pan out in terms of Oscar success, it should at least go some way to redeeming him in the eyes of many who have been turned off by his personal dramas and increasingly violent movies. I have not seen the film which leads today’s AACTA announcement, but a big-budget international co-production with a big name at its helm is catnip to this group --it’s not surprising to see it nominated in every category possible except one (Best Original Score).

The pleasure in these nominations is the swathe of nominations for much smaller, unique titles like the desert noir Goldstone, the quirky coming-of-age fantasy Girl Asleep, and Australia’s foreign language Oscar entry the Vanuatu-set romance Tanna that in any other year (er, one with bigger hits) would have likely been left with scraps. These four films are nominated alongside the all-star Ibsen adaptation The Daughter in the Best Film category. Alas, Gods of Egypt had to settle for technical nominations.

And, in case you’re wondering, Lion is not here because it doesn’t receive a local release (in its home country!) until next January. This time next year, folks.

The full list of nominations with commentary after the jump...

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Beauty Break: Brad Pitt

Brad Pitt covers the New York Times Magazine in which he wears as assortment of Giogio Armani gear and talks to Man Booker prize winning author Marlon James about Brexit, Trump and Mel Gibson. And of course gives great face while doing it.

As far as magazine celebrity profiles go, this is a very innocuous one. Pitt comes in as a nice and affable guy, but doesn't really offer any interesting tidbits. Except for what he says about Mel Gibson. In the course of discussing a potential film he wants to make about Pontius Pilate, he says that his movie "certainly won’t be for the ‘Passion’ crowd". Then for good measure, adds about Gibson's box office juggernaut:

 “I felt like I was just watching an L. Ron Hubbard propaganda film.”

Brad Pitt, nice guy, movie star, expert at throwing shade.

YNMS: Hacksaw Ridge

Murtada here. Brace yourselves, Mel Gibson might be trying a comeback. He appeared this past spring at Cannes with Blood Father, a violent revenge thriller that may be released later this year. And now a decade after Apocalypto (2006), we get the trailer for his next directing effort, Hacksaw Ridge. The film is based on the real life story of Desmond Doss, a conscientious objector medic who served in Battle of Okinawa, refusing to take a gun and going on to save many lives.

A Venice out of competition slot, a November release date in the heart of fall season, a respected albeit young leading man (Andrew Garfield) playing a real life hero from WW2. A lot of signs indicating that this might be a major 2016 release. Are we ready to start seeing magazine cover stories about Gibson’s redemption? Before all that, let’s examine the trailer after the jump......

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Stream This: Two Mia Farrow Greats, Hannibal (S3), Terminator 5, Etc...

In the effort to stay au courant we'll alternate between Netflix and Amazon Prime for streaming news each week. And we'll freeze frame select titles at random places just for fun and see what image comes up. You know how we do. 

LAST CHANCE AMAZON PRIME

Amazon Prime has a far better movie selection than Netflix on a month to month basis but they are officially the worst streaming provider in terms of providing dates of expiration on their movies/tv shows. Sometimes the titles don't expire after they're marked for expiration and sometimes they vanish even if they haven't been marked. Sometimes without warning they suddenly cost money when they were once free. And they don't do press releases to announce expiring titles like the other services. So it's all rumors in a way. But supposedly they're losing these titles (among others) at the end of July and they're all worth checking out...

There's no reason why you shouldn't have complete confidence in your chances to come out of this alive and in one piece." 

Airplane (1980)
This smash comedy mocked the disaster epic genre and started the spoof craze. That spoof genre peaked early - maybe even here. It's kind of unreal how fast and quick the visual and verbal gags come. 

7 more freeze frames after the jump... 

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