Mos of the Oscar charts are now updated but for foreign film and the acting categories. We'll get to them soon enough but otherwise we've finished the July shifts.
Things to wonder about right at this moment... (discuss in the comments, plz)
• If The Legend of Tarzan can make any headway towards a Costume Design consideration for Ruth Myers since there's so few "showy" period or fantasy costume films this year outside of the many competing works of Colleen Atwood? • When we will get our first look at images or footage from the WW II drama Allied (with Brad Pitt) or the sci-fi drama Arrival (with Amy Adams)? • If Florence Foster Jenkins has any strength in it beyond Meryl? (Costumes? Hair and Makeup? Score?) • If Marvel Studios will finally break through in tech categories (like Batman films sometimes do) or if they'll continue to snag just one or MAX two nominations for their most popular films like Civil War? • If Fences, The Founder, and Loving, which all take place across roughly the same time period will be too "muted" in terms of visuals to snag craft nominations or if Oscar will love their possibly modest naturalism? • Why we've heard so little about How to Talk to Girls at Parties release strategy? Is it going to be pushed back? • Will Lin-Manuel Miranda's Hamilton goodwill get him an Oscar for Moana despite what sounds like strong competition in the song category? • If Finding Dory's massive box office haul we'll be enough to edge smaller originals out of the animation race even though they're sometimes stingy with sequels?
Manuel here. During last night’s joyous Tony Awards, many of us got the first look at a Disney film that is sure to crash what’s looking like an already crowded Best Animated Feature race. Between Kung Fu Panda 3, Zootopia, Finding Dory, and the upcoming Sausage Party, Trolls and The Secret Life of Pets, there’ll be no shortage of films to round out a competitive category. And that’s even before we begin taking seriously the foreign productions which often leapfrog over the American CGI spectacles to worthwhile nominations (fingers crossed for Kubo and the Two Strings and The Red Turtle). Enter Moana:
As is become custom with female-driven Disney properties, the marketing team at the Mouse House is looking to play another bait and switch—remember how all those early Frozen teasers looked like Ice Age ripoffs by focusing on playful scenes of what we all assumed would be that annoying snow man? or those Tangled ones which put Flynn Ryder at the center of the action, barely making mention of the film's fairy tale leanings? This first teaser is all about Maui (voiced by Dwayne Johnson) while giving us very little sense of what the first ever Polynesian Disney princess story will be about.
We’ll wait for a full on Yes No Maybe So when the full trailer drops, but in the meantime, enjoy the teaser where you can see that Ron Clements and John Musker (they of Aladdin and The Little Mermaid fame) have stayed true to the Disney formula and given Moana a delightfully adorable pet.
Immediately, I'm already won over by the beautiful use of color—those sky blues and ocean hues look sumptuous to say the least. Also, I can't be the only one having Hercules flashbacks with that tattoo intro bit but anything that reminds me of those hilarious muses is fine by me.
But perhaps I'm burying the lede here: Moana may be the film that gets Lin-Manuel Miranda his EGOT. After winning two (more) Tonys last night for Hamilton, having won Grammys for both his Broadway shows, and an Emmy for the "Bigger!" Tonys opening number a few years back, Miranda may nab his first Oscar nomination (even a win?) for the music he's written for this Disney flick. It'd be a heck of a way to cap off a great year for the ever entertaining Broadway superstar and perhaps a way to further welcome him to Hollywood ahead of his next big film project, a little movie called Mary Poppins Returns.
With Hamilton fever not relenting any time soon, we're starting to get excited for Lin-Manuel Miranda's next projects, including the resucitated In the Heights movie adaptation and Mary Poppins sequel with Emily Blunt. But we won't have to wait years for his next musical feat: he's partnered with Disney for the music on November's animated Moana.
But he's taking some Hamilton family with him: castmate and Schuyler Sister Phillipa Soo has joined the vocal cast which also includes Dwayne "The Rock" Johnson and newcomer Auli'i Cravalho.
The casting doesn't come with details on her character beyond "villager", with much of the South Pacific-set animated film still under wraps, but surely you're thinking what I'm thinking. Could Soo be following the likes of Idina Menzel and Jodi Benson from Broadway leading lady to Disney princess? Besides, aren't Schuyler Sisters already the girl power heroes we always hope new Disney princesses will be?
Call it a stretch with as little as we know about the film (and she's not the title character - *shrug* details), but considering the composer connection, we can at least expect some gorgeous music to come from the actress. She faces stiff competition for Lead Actress in a Musical at the Tonys this Sunday, but might we even see her performing at the Oscars come 2017? Miranda shares scoring duties with Opetaia Foa'i and Mark Mancini, and could already be safe bets for Original Song nominees thanks to Disney and Hamilton's combined cache. If Soo got one of the film's key songs, it would be quite a thrilling (and fast) reunion.
Moana Opens this Thanksgiving! What other Hamilton cast member would you like to see join the Disney ranks?
Tim here. Kung Fu Panda 3 opens this weekend, and thus begins one of the most crowded years for animated features in living memory (technically, Norm of the North already kicked things off two weeks ago, but we're all better off consigning that one to the memory hole).
As a public service, I'd like to offer this highly abbreviated guide to some of the animation that will be coming out in the U.S. over the next 11 months. As with every year, there will of course be a healthy number of foreign imports that we can't predict, and hopefully a little indie or two that nobody has heard about yet; best to think of this, maybe, as a handy field guide to clearing your way through the glut of big-ticket studio films about to reign down upon us all.
/Film the first footage from Disney's Moana Playbill Rapper Daveed Diggs on getting his shot on Broadway's smash hit Hamilton expanding the world. (I hope to one day see this show. C'mon lottery gods!) Gizmodo an exo suit from Edge of Tomorrow constructed from junk! MNPP pic of the day Matthias Schoenaerts in A Bigger Splash
Comics Alliance apparently director James Gunn says Captain America: Civil War is awesome and this has excited the internet for some reason. Next time someone OUTSIDE of Marvel's employ enthuses about one of their movies early, get back to us? The Envelope thinks that Mad Max Fury Road and Carol will lead Oscar nominations (with 9 each). I dare not hope that this is true because that's just so much fabulousness in one Oscar year. /Film claims that the breakout character of Star Wars is TR-8R -- this shows how well we've been following Star Wars stanning because who knew? Cinema Blend Joss Whedon talks about why he's done with Marvel Reverse Shot a deeply insightful look at Star Wars: The Force Awakens - it's possible that f I've linked to this before but even so, it's a must read. Towleroad Matt Bomer covers Men's Fitness credits Channing Tatum for his current peak physique
Hateful Tangents Interview talks to Demian Bichir about his first gig with Tarantino. Bichir gave the second best performance in it if you ask me because he realized in the absence of being given a real character to play, play a Real Character. Slate the Movie Club is in session and it's hilarious and thoughtful as always. They argue over whether The Hateful Right is "ineffably evil", share the joys of Spy and Carol, and observe tricky critical duties as with Tangerine and The Danish Girl. Bonus points for the "f*** this thing" cat gif. Cinematic Corner on her issues with the heroism of rapists and murderers in The Hateful Eight.
I'm trying to let hate for Hateful Eight go, I really am. But it's like an exorcism. It takes time and I guess I've still got some pea soup to vomit up. I've made no secret that I personally despise this movie -- but I have been reading reviews with kind of a morbid fascination because of how much people try to say it's still somehow a good movie after lining up their lengthy issues with it. I'm not the only one who has noticed this.
It is not a good movie. In fact it's kind of a betrayal of Tarantino by Tarantino because it's him fucking up things he used to do better than anyone. There is zero depth to the characterizations beyond the most simplistic "What a character!" outline, the gore (such as exploding heads) adds nothing other than wank-bank material for sadists, the dialogue is severely lacking in his usual cleverness, and worst of all Tarantino displays none of his usual skill at that constant electric hum of "shit is about to go down!" that powers all of his best films. The only tension in this particular movie is wondering when the shit will finally go down so that it will end. If you think of all of his best films the tension is alive in every scene. The scenes repeatedly feel dangerous as if anything might happen. And something nearly always does. Here we basically have any of those individual scenes only they're now 3 hours long and the tension just goes out of it completely because who cares?
In short, stop justifying this work people; It's okay to think a movie is terrible when it is! Most great auteurs have a dud (or five) somewhere in their filmography. If we try to convince ourselves that every thing a single person makes is masterful, we are denying our own critical faculties and it also makes our love for their true masterpieces highly suspect. For instance here are a five filmmakers I regularly cite when people ask me for "all time favorites": Haynes, Almodovar, Cameron, Minnelli, Hitchcock. All of them have made a film or films that were not that great or that I could not personally connect to. That does not lessen their genius for me. That just means they're human and it helps me to appreciate their masterworks more because I know the love is true and not me trying to argue myself into fandom.
Try this at home. Realize that The Hateful Eight is a shit movie and go back to loving any of his much better films. And cry with me when The Hateful Eight takes Oscar nominations from far more deserving players in ten days time.
She did this in order to kill off a paparazzi's shot at making a ton of money off of creeping on her at the beach. Smart girl. We don't follow celebrity pregnancies so have no idea when she's due but it looks like soon... CONGRATS TO ANNIE & HUSBAND.
List-Mania Top Tens: Variety (Guy Lodge), The Telegraph (Robbie Collins); Slate (Dana Stevens); Pop Culture Crazy (Kacey Bange) Lists Lists Lists: Gothamist (Best Celebrity Subway Sightings); Pajiba (Seriously F*** That Guy - a retrospective of rage); Pajiba (5 Most Intriguing new Netflix Series. They don't mention Daredevil because it's about new series but season 2 kicks off in March, fwiw); Forbes releases their "30 Under 30" List which includes both of The Force Awakens new stars, natch, as well as all three Straight Outta Compton leads.
First Oscar Commercial of the New Year Chris Rock kinda sorta prophesies those annual nasty post-show reviews you read every year.
Monday, July 18, 2016 at 10:10PM 
