Soundtracking: When Harry Met Sally

by Chris Feil

“It’s very clear / Our love is here to stay...”

When Harry Met Sally is a love story of then and now, both in action and in spirit. As it jettisons us across the years with once tense acquaintances, to then friends, to eventual lovers, the narrative’s timelessness is undercut by contemporary observation of its era. To break up its chapters, we’re given testimonials from long-married couples that intensify the feeling of inevitability that Harry and Sally will finally come together. 

Click to read more ...

Soundtracking: "200 Cigarettes"

HAPPY NEW YEAR! Chris rings in 2018 by looking back at the 80s via the 90s with 200 Cigarettes!

Remember theme parties? Well, 200 Cigarettes is a film version of an 80s theme party, set over New Year’s Eve as several lovelorn folks slowly make their way to Martha Plimpton’s house. Sounds like a party we would all want to go to, so you would think that the film would have had a longer shelf life than it did. The film is as forgotten as the old acquaintances "Auld Lang Syne" talked about, and shouldn’t be considering its easy charms, famous cast, and relentless gifability. But while parties are meant to be replaced by other parties, the music stays the same.

Click to read more ...

Happy New Year: "The Apartment" (1960)

by Chris Feil

The week between Christmas and New Year’s can be a disorienting time - an inescapable amount of parties, reflections on the closing year, and hope for the one to come. For the more somber sort, it’s the feeling of being alone in a series of crowded rooms you can’t escape. New Year’s Eve is simply the worst holiday - like “Auld Lang Syne” it proposes joy and companionship, but always comes up feeling solemn.

Such is the emotional terrain of Billy Wilder’s classic romance The Apartment, a very best Best Picture winner. In its indifferent, wintery New York City, it’s easy to feel isolated and cast aside when everyone else goes on about their lives - but the very thing that sets you apart is what will make you feel less alone when you see it reflected in another person. The film is all the more romantic for being a love story for the melancholy, its soaring hope all the more hard won and transformative.

Click to read more ...

Happy Birthday Hannah (Plus: New Year's Resolutions)

Oops. Now I've ruined Kate Winslet's surprise for Hannah! It's a birthday cake.I've always felt bad for people whose birthdays fall around the holidays. They have to share the spotlight with something huge and impersonal (to them) and I hope that they pretend that the world around them is just celebrating their special day with a holiday-themed blowout party. So when I learned that Hannah M, a devoted member of the The Film Experience community was born on New Year's Eve I vowed to wish her a happy birthday this year. So...

HAPPY BIRTHDAY HANNAH!

And happy birthday to any of you reading who were born during holidays of any sort. I hereby vow as one of  my New Year's Resolution to bring back the 'Reader Spotlight' in 2013. That was fun when we were doing it.

As for other resolutions about life here on the blog, feel free to make suggestions in the comments though I'll be aiming for more interviews (albeit more spaced out), video blogging and festival coverage (maybe if I can find the money) and more commemorative hoopla for special films and actors. As always your comments, donations, subscriptions (see right hand sidebar), sharing and liking, and retweeting and whatnot are invaluable to keeping TFE going since this has always been a passion project indie site surrounded by behemoth corporate movie blogs. And more and more of them each year, too! It's not easy. Every year I think it'll be my last and then I here from one of you about what the site means to you or see the odd new subscription donation (one cup of coffee a month - cheap!) and I start typing again.

The point is. The site would have folded long ago without its passionate readership. So here's to next year (we survived 2012!)

MAY YOU ALL HAVE A MEMORABLE NEW YEARS EVE!

And here's to 2013 being a huge step up from 2012, which was a tough year for so many people around the world.

Be safe tonight. xoxoxo

-Nathaniel

Box Office: "New Year's Eve" Drops Its Ball & a Milestone for "The Help"

Despite overloading with stars, some more bankable than others, New Year's Eve didn't exactly get moviegoers partying. Might this be an end to Garry Marshall's holiday franchise. Since he's working backwards chronologically given that he started with Valentine's Day, one supposed Christmas was going to be next.

Trivia Note: This is Michelle Pfeiffer's second "Ingrid". One assumes the first one (White Oleander) wouldn't like this mousy character too much!Box Office (U.S.) Baker's Dozen
01 NEW YEAR'S EVE new $13 
02 THE SITTER new $9.8 
03 THE TWILIGHT SAGA: BREAKING DAWN PART 1 $7.8 (cum $259.4)
04 THE MUPPETS new $6.9 (cum $65.7)
05 ARTHUR CHRISTMAS new $6.5 (cum $33.4)

06 HUGO new $6 [Scorsese & Team] (cum $33.4)
07 THE DESCENDANTS $4.3 [Michael's review] (cum. $23.6)
08 HAPPY FEET TWO $3.6 (cum. $56.7)
09 JACK AND JILL $3 (cum. $68.5) 
10 THE IMMORTALS $2.4 (cum. $79.8) 

11 TOWER HEIST $2.3 (cum. $74.1)
12 PUSS IN BOOTS $1.6 (cum. $141.8)
13 J EDGAR  $1.1 [Nathaniel's review] (cum $34.7)

Talking Points
• Young Adult and Tinker Tailor Soldier Spy started off in teensy-tiny release (sigh. why must so many movies do this?) garnering solid per screen averages... especially Tinker Tailor. That fake out release for We Need To Talk About Kevin (Oscar qualifying) also had fairly full houses though it'll be removed from theaters next weekend just as its gaining steam. Sigh.

• The Weinstein Co is obviously keeping The Artist very close to their vest grooming it for an Oscar explosion. Despite promising first two week numbers it added only 10 new screens and is inching towards $1 million. Will the caution pay off or smother its ignitability with crowds?

• Despite a good week of awardage, Margin Call seems to be on its last legs creeping towards a $5 million gross in its 8th weekend.

• And believe it or not, The Help -- currently in the thick of Oscar campaigning and DVD releasing -- finally crawled past Bridesmaids this weekend to become the single biggest unexpected blockbuster of the year, 11th for the year overall and the 2nd biggest female led film (after Bella's wedding of course).

Sadly, The Helps #11 finish means the top ten this year is ONLY franchises. All original films were shut out which is basically the movie version of coal in the stocking of future moviegoers. Alas, we do it to ourselves! Such is the stagnating power of habit and pre-sold entertainments. No originals? DANGER. DANGER. Stop sending this message to Hollywood. If a franchise is getting weak, skip its next installment! Wait for the DVD.