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Entries in Oppenheimer (39)

Thursday
Nov092023

Best Supporting Actor: Is double-dipping the new trend?

by Cláudio Alves

For decades, it wasn't unusual to see two thespians from the same film nominated for Best Supporting Actress, but the same couldn't be said about its brother category. That was until recently when double-dipping in Supporting Actor became fashionable. 

It started in 2017, with Three Billboards Outside Ebbing, Missouri's Sam Rockwell and Woody Harrelson. In 2019, it was Joe Pesci and Al Pacino for The Irishman, and then Daniel Kaluuya and LaKeit Stanfield for Judas and the Black Messiah in 2020. The following year, Jesse Plemons and Kodi Smit-McPhee did the honors for The Power of the Dog, while, in 2022, The Banshees of Inisherin got in with Brendan Gleeson and Barry Keoghan. For comparison, in the same period, Supporting Actress only had two such cases, with The Favourite and last year's Everything Everywhere All At Once. Now, the question is whether the trend will continue at the 96th Academy Awards…

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Wednesday
Nov082023

My best IMAX Experience

by Cláudio Alves

As a last hurrah, Oppenheimer has been back on IMAX screens since last week, allowing interested audiences to revisit it in the format before the film comes to streaming on November 21st. Enjoy your last chance to see Cillian Murphy's bronzed pores projected sky high, closeups galore for titanic portraiture, faces the size of monuments. Indeed, this year, because of Nolan's blockbuster biopic, it seems like big screen superiority has been more discussed than usual, with cyclical discourse about the latest pictures to shine bright on IMAX. So much so that it got me thinking about my best experiences with the giant screens…

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Saturday
Nov042023

Best Costume Design is all about Big Hats

by Cláudio Alves

It's always interesting to find links between otherwise disconnected pictures, whether in the context of a film festival or just the calendar year. Sometimes, the awards season can suggest interesting threads uniting films by virtue of competition-born comparison. Note that one need not be very intellectual about this, and it's always good to have some fun about the race. This year, for example, I couldn't help but notice how three of our likely nomination leaders are bedecked in exuberant millinery, with Killers of the Flower Moon taking the cake as 2023's best hat movie. Or, at the very least, 2023's most hats movie.

And, as we all know, when it comes to the Academy, "most" often trumps "best." Not that Jacqueline West is locked to win Best Costume Design for the Scorsese movie. After all, even in hat terms alone, there's stiff competition from Barbie and Oppenheimer

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Saturday
Oct282023

Is it finally Blunt's time?

by Cláudio Alves

With Pain Hustlers new on Netflix, Emily Blunt continues to stake her claim in 2023. Indeed, we're heading into an awards season that could end with the British actress becoming, at long last, an Academy Award-nominated thespian. For over a decade, she has persisted as a contender who never makes it to the finish line, stranded with precursor support but no love from AMPAS itself. Hell, when the Almost There series eventually comes back, one could dedicate an entire month, if not more, to Blunt's many failed bids – from The Young Victoria to her SAG-winning turn in A Quiet Place. Keep in mind that The Devil Wears Prada, arguably her most egregious snub, was already covered a while ago.

In any case, hopes are high for Blunt fans, even if few would argue her performance in Oppenheimer represents the height of her talents. Not that it's any sort of meritless hack job…

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Friday
Sep152023

What Does Oscar Campaigning Look Like During the Strikes?

By Ben Miller


The fall film festival season is upon us, but with a notable exception.  The usual lineup of Hollywood A-listers are (mostly) absent due to studio greed and the continuing SAG-AFTRA and WGA strikes.  But so far, the date of the 96th Oscars haven't moved.  Unless the strikes are resolved more quickly than anyone believes they will be, the best films and performances will have to go toe-to-toe without the benefit of a robust campaign.

But what does an Oscar campaign look like if you aren't allowed to campaign?  

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