Red Carpet Lineup: The 21st Annual SAG Awards

Greetings, fashion followers and actress admirers! Anne Marie and Margaret here with the Screen Actors Guild Awards edition of Red Carpet Lineup. We're carrying on without Nathaniel this time, since he's over at Sundance walking some red carpets of his own.

Anne Marie:  Last night held few surprises awards-wise, but the red carpet looks were as wide-ranging as Tatiana Maslany's clones in Orphan Black. Without further ado, let's talk fashion!

Margaret: Color-wise, it was a subdued red carpet, so let's start with some of the ladies in black and white: our queen Viola (VIOLAAAAAA), it-girl Emma Stone, the Supreme Sarah Paulson, and proud "complicated woman" Maggie Gyllenhaal. Which neutral getup is your favorite?

Anne Marie:  VIOLAAAAAA! Damn, she looked good. She sounded good, too. That speech was wonderful, and almost made me forgive How To Get Away With Murder for its grievous faults. Sarah Paulson, queen of my heart and the master of photobombs, is also rocking that black and white dress. I don't, as a general rule, like two-piece separate dresses like this, but she is... dare I say... bewitching. (Groan all you like but it's true.)

Margaret: I have to say, all four of these ladies' makeup artists deserve a serious bonus. Their faces look magnificent.

Anne Marie: True. Although, what the heck is going on with Emma Stone's dress? She looks like she's wearing an oversized suit jacket with a gauze skirt stapled on.

Margaret: Perhaps it's an avant-garde nod to her Birdman role, an abstracted fashion cape?

Anne Marie:  Sort of a Lois-Lane-by-way-of-Morticia-Addams kind of thing?

Margaret: Sure looks like it. If I'm honest, I hope her people pull her something twice as kooky for the Oscars. Liven things up a smidge.

Anne Marie: Any final thoughts on our first 4 ladies in white-and-black?

Margaret: Just that Maggie Gyllenhaal's cleavage keyhole amuses me, and that I'm almost sorry that Frances McDormand beat her last night because after the glorious stoneface Ms. McDormand produced after losing at the Golden Globes, I can't help but mourn for the gifs that might have been.

Now, on to our second lineup, the theme of which is WINNERS. 

Maternity couture, OITNB, and casting ideas for a gritty Little Mermaid reboot after the jump...

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Birdman Surprises at PGA. Is it a Three Way Best Picture Race?

The Film Experience has never loved the complacency of locked up Oscar races, so it is with great pleasure that I share the news (though you probably didn't miss it) that Birdman won the Producers Guild Award tonight. Do we have an actual race for Best Picture? Have you voted as to who should win yet?

This doesn't mean that Boyhood is in trouble, necessarily, but it's a fascinating curveball, especially given that Boyhood was such a feat of producing; Imagine bankrolling and shepherding a small scale but dozen yaer experiment when you had no idea how it would turn out or if it would work at all?!

As you know from my top ten list I do slightly prefer Birdman to Boyhood but let's forget about Oscar's unfortunate "side-taking" for a minute and face facts: either of those films would make thrilling, atypical and totally deserving Best Picture winners.

More...

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We Are the Link

Fistful of Film a wonderful personal take on We Are the Best from a father of girls 
Section Eighty a composer discusses the Oscar-nominated film scores
Coming Soon Milla Jovovich confirms she's about to make another Resident Evil movie, supposedly the final one. She turns 40 this year and started this series when she was but 25.
KCRW Actor Craig Chester believes he's haunted by the ghost of Montgomery Clift 
Out Alexis Arquette taking no prisoners in an interview. But bizarre that she didn't know her own sister was up for an Oscar! 

 

Indie Wire the lineup of New Directors New Films this year The Tribe and White God are both featured. They feel like anything but "new" to me after a whole year of festivalling but I still haven't had the chance to see either - will they ever open theatrically or just keep doing festivals like this one for a second year?
In Contention most anticipated films of Sundance 
We Recycle Movies you should check out Anne Marie's rainbow countdown to the Oscars
The Carpetbagger welcome to Phase 2 of the Oscars. Also: Mark Schultz changes his tune again on Foxcatcher. I am not saying this snarkily but with concern: this is why we need universal health care and easier access less stigma for mental illness treatment. Something is seriously wrong with this guy 

American Sniper Mania
Grantland excellent piece by Mark Harris on why American Sniper's box office won't help its Oscar run ... "success breeds scrutiny"
Rolling Stone on American Sniper's stupidity - they use a similar comparison to Forrest Gump like the one I tweeted icymi
Movie City News David Poland doing some train of thought hand wringing on the extreme combativeness of theAmerican Sniper and Selma Oscar battle... that isn't really a battle but that people have suddenly made it into one 
Playbill ...but perhaps the worst American Sniper news is that its leading Broadway's Elephant Man revival to cancel several performances due to Bradley Cooper's awards schedule 

Off Cinema
Pajiba the one reason to keep watching Girls 
NYT John Cameron Mitchell returns to Hedwig, the role which made him and also, not so incidentally, brought us a brilliant film director. Make another movie, Mitchell! All three of yours are heaven.
i09 looks at lesser known characters in the public domain. Will any of them be revived? 
i09 they also look at the case of James Bond, now public domain in Canada! But not in the US or Europe.
Towleroad's the story of Björk's new album, released two months early. Sad she broke up with Matthew Barney. They seemed like such an iconoclast match

Bradley, Benedict, Eddie, Michael and Steve. OR...

The Best Actor chart is revised for your perusal with our usual game of 'how'd they get nominated' -- especially relevant in this stacked category (sniffle goodbye Timothy Jake Fiennes-Oyelowo) -- and the readers poll of who you think is actually best.

So check that out and vote, would you?

Though I've already expressed my disappointment in the Acdemy's shortlist given the wide variety of strong performances they didn't love enough, one thing that is satisfying about it is how many first timers we have. Indeed, had they not nominated Bradley Cooper and chosen, say, Oyelowo or Spall we could have had an all virgin Best Actor lineup.

Trivia Break: there's been a lot of talk about Cooper's 3 consecutive nominations (2012-2014 for Silver Linings Playbook, American Hustle and American Sniper). If you're curious, no, it's not an acting record. The all time consecutive record holders for men are Marlon Brando (51-54) and Al Pacino (72-75) each with four. Neverthless Bradley is the first to accomplish it since Russell Crowe (99-01) and if he is nominated again for this new year of film we're entering he'll be tied for #1 in the male division. Greer Garson (41-45) and Bette Davis (38-42) are the all time record holders with five consecutive acting nominations each. You can wish Cooper good luck if you're a fan but four consecutive is extremely rare; the last person to do it male or female was Al Pacino in the 1970s and even Meryl Streep hasn't managed it.

Enough trivia. I hope you haven't forgotten my own kudos. Here is my ballot for Best Actor as we continue the Film Bitch Awards (nominations have now been announced for Picture, Director, Screenplays, Animated Feature, and Actor)

For what it's worth I made my selections before Oscar votes and didn't expect the final list to be so contrary to mine so this is not to be misunderstood as a pointed corrective but actual opinion. The further we get away from the heat of nomination day the more sad I am that the wondrous "Gustave H", one of the best character conjurings in years, was not selected. In fact, I think it's Ralph Fiennes most Oscar-worthy work since Schindler's List. 

Box Office: American Sniper Towers Above Oscar Nominees

Amir here, back from my very long vacation to hit you with some box office news.  Did you know that this group of eight Best Pictures is the least popular set of nominees since the turn of the century, going by box office receipts? The average gross of about $39m is the lowest of the past fifteen years, though it will probably edge out 2005’s collective (standing at $49m) once the theatrical run of all these films ends. It is also the first time since that year that none of the nominees have hit the $100m mark, though American Sniper is about to change that. 

Chart via Box Office Mojo. Estimates as of Sunday January 18th

It is easy to forget sometimes what a small bubble we occupy in the film blogosphere, and how differently people in the real world perceive and consume these films. It feels like Whiplash has been around for ages, having first entered the conversation all the way back in January. It’s shocking to see what little impact this expertly directed film has made at the box office, barely edging out Amour and Winter’s Bone to avoid becoming the lowest grossing best picture nominee of the century.

Oscar wasn’t interested in what people liked this year, despite finally getting on the Wes Anderson bandwagon for his biggest hit – and a decade too late. Several of the year’s biggest hits either missed out on nominations entirely, or underperformed with the Academy. File Gone Girl, Noah, The LEGO Movie, Edge of Tomorrow and even Fury under that category, though only one of those had any hope of a best picture nomination. What has been surprising is that Eastwood’s late party-crasher performed as well as it did, breaking all sorts of records for January releases and R-rated films, grossing $90m on its first wide weekend.

American Sniper is going to be the savior of this collective, financially speaking. According to Box Office Mojo, the film has made more than Birdman, Boyhood, Whiplash and The Theory of Everything combined. Its gross this weekend is wildly beyond expectations, but the magical combination of Bradley Cooper, conservative material and Eastwood in his comfort zone have totally hit America’s sweet spot. This caps an outstanding year for Cooper, who just netted his third consecutive best actor nomination and starred in the year’s biggest box office hit, Guardians of the Galaxy. You’d have been called a lunatic if you predicted this as recently as three years ago and yet, here we are, witnessing Cooper’s reign. And for what it’s worth, he’s a better king for Hollywood than most of his contemporaries.  

Have you seen American Sniper? Which gaps do you still need to fill in your Oscar slate?