Interview: Maria Schrader on Directing Austrian Oscar Submission 'Stefan Zweig: Farewell to Europe'

By Jose Solis

Two years after The Grand Budapest Hotel put Stefan Zweig’s writing at the center of the Oscar race, the author himself now is the protagonist of Austria’s submission Stefan Zweig: Farewell to Europe. Directed by Maria Schrader, the film focuses on Zweig’s exile in South America after fleeing Nazi Germany in the mid-1930s, played with gravitas by Josef Hader, Zweig becomes one of the most powerful male characters of the year, in a performance that works on an intellectual as well as visceral level. Audiences who only know Schrader from her acting work, in films like Aimee & Jaguar, will be caught off guard by her elegant sense of framing, her impeccable pacing and the way she engages the viewer by avoiding going into any biopic stereotypes. I spoke to her about making the film, working with Hader, and what an Oscar nomination could mean for the film.

JOSE: This was a very hard movie to watch after the American election.

MARIA SCHRADER: Should I take that as a compliment?

JOSE: Yes!

MARIA SCHRADER: (Laughs)

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Annie Award Nominations: Kubo, Zootopia, The Red Turtle...

Nominations for the 44th annual Annie Awards have been announced. Zootopia leads with 11 nominations with Laika's Kubo and the Two Strings just behind with 10 nominations. Because the Annies have two separate feature categories (the regular one plus an "indie" category which basically means "foreign") you can probably safely assume that the eventual Oscar lineup will be some mishmash between the two.

nominees and more after the jump...

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In Case You Missed The Gothams...

vous m'aimeChris here. Did you catch the Gotham Awards last night? The ceremony is always streams online for easy access - this year on Facebook to glitchy results. It always serves a spunky start thanks to a lack of jadedness that the just beginning season will bring and the idiosyncratic results from separately juried categories.

However, this year those juries were almost unanimous in their love for Barry Jenkins's Moonlight...

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Interview: Director David Schurmann on How 'Little Secret' Became Brazil's Oscar Submission

Jose here. After a complicated, slightly controversial, submission process that saw several filmmakers remove their name from consideration, Brazil selected David Schurmann’s Little Secret as the film that would represent them at the 2016 Academy Awards. The real life drama is based on the life of Schurmann’s adoptive little sister, who went from anonymity to becoming one of the most notorious people in Brazil. Needless to say so this means that it takes an easy Google search to find out where the film goes and how some plot twists end (i.e. spoilers await). This is Schurmann’s first feature film, but not the first time he’s featured stories about his family in his work. The Schurmanns are famous in Brazil for their maritime adventures, as well as their books and documentaries. I spoke to David about working so close to his family, adding dramatic turns to reality and being part of the Oscar race.

So, here’s another less subtle spoiler warning before the full interview...

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In Praise of Bradford Young

Chris here to spread some love for one of my below the line favorites in this year's Oscar Race. Like many of my cohorts here at The Film Experience, I am completely taken with Arrival. Director Denis Villeneuve's last two films (Sicario and Prisoners) resulted in Best Cinematography nominations for the genius Roger Deakins, but this time he partnered up with future legend Bradford Young to stunning results. If the Oscars want to reward some diversity below the line, Young is a mightily deserving talent.

Arrival seems like a fitting film to break him into the Oscar fold considering how it perfectly distills his greatest strengths: layering intimacy and the grandiose in equal measure, complimenting theme, and creating awe in the everyday. Like the film itself, his camera is only deceptively stoic with a great well of feeling underneath. Add in Arrival's many unforgettable images and fluid movement, and we have a real contender.

The cinematography branch is one of the stingiest to let in new voices, but with a major contender like Arrival he can hopefully break through. While much of his past work might have been too small for Oscar, he's been building a steady resume of immaculate work. Let's take a look back at five favorites from his work thus far...

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