Oscar Chart Updates: The Screenplays

by Nathaniel R

After Visual Effects and Makeup and Animated and Documentary Features let's turn out attention to the written word seeking Oscar approval. The critics awards for Best Screenplays are never very telling because many film critic organizations lump Adapted and Originals together. The only films in the Oscar race that have already won Best Screenplay prizes this year (at this writing) are the originals Promising Young Woman (LAFCA) and Never Rarely Sometimes Always (NYFCC and CFCA) and the adaptation that feels like an original i'm thinking of ending things (BSFC, FFCC, and IFJA). (The various screenplay winners from Cannes, Venice, Sundance and Berlinale are not eligible at the Oscars this year.) That's a long way of saying that we have very little to go on in the Oscar race...

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Review: "Ma Rainey's Black Bottom" does August Wilson proud

by Nathaniel R

"Deep Moanin' Blues" - Ma's introduction

We see black suffering so often in films that the slightest purposeful subversion of that expectation can stun. You could easily mistake the first shot of Ma Rainey's Black Bottom, for instance, for a slave drama. It's a wide shot of a dark quiet forest, crickets chirping, that's punctuated by two men running breathlessly through it, and then the sound of dogs barking as if in pursuit. Two lit torches at the end of the shot, however, don't spell doom but joy. The only escape these men are currently after is communal experience. They're headed for a tent concert where folks are already lined up to pay their coins (a sharp detail) before the camera swoops up to see "Ma" Rainey (Viola Davis) humming those "Deep Moanin' Blues" before a joyful crowd.

Not, mind you, that Ma Rainey's Black Bottom replaces suffering with joy. It just nods to their connection before announcing everything else it has on its mind. Which is quite a lot...

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NYFCC loves "Da 5 Bloods" and "Never Rarely Sometimes Always"

by Nathaniel R

The New York Film Critics Circle have spoken, delivering their verdict on the Best of 2020. The only films which scored multiple awards were Da 5 Bloods and Never Rarely Sometimes Always. But the top prize went to First Cow (which is the only prize it won). This year featured the most female directors they've ever honored simultaneously with female-helmed films winning Best Film, Best First Film, Best Director, and Best Screenplay (all four of them different films, too!). Their honors for 2020 go like so...

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Review: Guatemala's Oscar submission "La Llorona"

by Nick Taylor

Three cheers for the Boston Society of Film Critics, who kicked off this year’s wave of critics prizes with an amazingly idiosyncratic list of winners and runners-up. Capping their day off with their Foreign Language Film category, they honored Jayro Bustamente’s political ghost story La Llorona, with The Painted Bird in second place. La Llorona has been selected as Guatemala’s submission for International Film at the Oscars, making this the second of Bustamente’s films to be submitted after his astonishing debut Ixcanul in 2015. Three more cheers for Cláudio Alves, whose heroically long FYC thread on Twitter has informed a lot of my recent choices for which 2020 films to catch up with.

La Llorona’s opening credits are delivered over a black background with white text, while a woman’s quiet, hurried, forceful prayers can be heard. Our first real image of the film is a close-up on the speaker’s face, revealed to be an older white woman (Margarita Kenéfic), back straight and eyes unwavering as she stares directly into the lens and asks for protection for herself and her family against those who seek them harm...

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Oscar Chart Updates: Visual Effects and Makeup

by Nathaniel R

Oscar chart overhaul is upon us. Let's talk two categories that are exceptionally difficult to read without the usual supply of blockbuster style filmmaking to dominate them.

VISUAL EFFECTS
Given that most of the blockbuster style films moved out of 2020 (without those theatrical billions to win), this might be the weirdest Oscar race of the year or the dullest if they don't nominate well...

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