International Oscar Race Pt 1 - 93 Films This Year. It's List Time!

by Nathaniel R

It's that lovely too brief moment in the year when we have the pretty-much official list for Best International Film before they are savagely narrowed to 15 films on December 21st and then further reduced for the actual nominations in . It is possible that a couple will be disqualified of course (as that happens from time to time and there are two titles that might be if IMDb is correct that they're fully in English. This year there are 93 submissions (full charts / letterboxd list / predictions) so let's break it down for some stats and trivia for fun, shall we?

The Dozen Highest Profile Submissions

Please do not mistake this list for Finalist predictions! Armchair pundits often make the mistake of assuming that high-profile means you'll be nominated but you never know what the individual voters and the Executive Committee might like. History is full of high profile titles that Oscar rejected in this category...

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C'mon C'mon is "...a gift"

The new trailer for C'Mon C'Mon is upon us and we were proud to see our own Jason Adams quoted from his typically brilliant review. The movie arrives on November 19th in time for Thanksgiving. We currently have predicted it for 3 Oscar nominations (Picture, Screenplay, Supporting Actor) which is either too much or too little. What'cha think? 

European Film Award nominations for 2021

by Nathaniel R

There's no true leader at the European Film Awards this year with three films (Titane, The Father, and Compartment No 6) tied for the most nominations but there is a leader if you look at individual nominations: Italian master Paolo Sorrentino is up for three prizes himself for Italy's Oscar submission The Hand of God (Film, Director, and Screenplay) so consider that a force going into the Oscar finalist selections. The European Film Awards also have juries that decide on craft awards like Cinematography, Production Design, and the like but they don't have traditional nominations so we won't know the winners for a while yet. 

The nomination list and commentary after the jump...

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Will black-and-white dominate Best Cinematography?

by Cláudio Alves

I don't know about you, but I love how démodé film styles are slowly making a comeback. Black-and-white cinematography and Academy aspect ratio, for instance, have become something of a fad. I'd love for it to persist until the techniques go beyond boutique indie distributors and prestige awards bait, returning, at long last, to the forefront of mainstream moviemaking. Sure, it's a bit of a pipe dream, but one can hope. At the very least, AMPAS is enamored by the trend. Their last Best Cinematography winner, Mank, was in silvery monochrome and, for the past three years, there's been at least one black-and-white film nominated in the category. Considering the prominent contenders of the season, this year will surely prolong the tendency.

Indeed, we might even have a majority of black-and-white movies in the Best Cinematography lineup. Don't believe it? Check this out… 

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Review: For all its artful presentation, "Spencer" is a misfire

by Nathaniel R

A woman driving alone stops at a diner along the road to ask directions. She’s lost which is as common a problem as it gets. In any usual circumstance this would go unnoticed by other patrons but this is not a usual circumstance and this woman is far from common, and no Commoner at that. The whole room stops to gawk at her. This clever gambit early in Spencer sets Princess Diana (Kristen Stewart) immediately apart from humanity. A elegant but sterile aerial shot from the gifted cinematographer Claire Mathon (Portrait of a Lady on Fire) futher isolates her when she reaches that destination. She’s just a tiny figure about to be swallowed up in an imposing estate (Sandringham House, to be exact).

While the opening scenes of Spencer are promising and mobile, and the craft of the filmmaking as rich as you’d expect from the Chilean master Pablo Larraín, Spencer stops abruptly in its tracks at the estate...

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