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Entries in Oscars (22) (164)

Friday
Jan132023

PGA nominates the usual suspects plus "Wakanda Forever" and "The Whale"

by Nathaniel R

The Producers Guild of America has announced their nominations for 2022 entertainment. Their 34th annual awards will be held on Febuary 25th at the Beverly Hilton Hotel. Nominations and comments and some things to consider while making Oscar predictions are after the jump...

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Thursday
Jan122023

Costume Designers Guild Nominations: "Top Gun" soars, "The Fabelmans" flounder

by Cláudio Alves

Worry not, "Fabelmans" fans. Mark Bridges may still get an Oscar nomination.

For the past two years, all the Oscar nominees in Best Costume Design were also recognized by the Costume Designers Guild, but that's not always the case. Indeed, in 2019, they didn't nominate three of the eventual Oscar nominees, including the winner – Jacqueline Durran for Little Women. All this to say that you should take this year's nominees with a grain of salt in terms of Oscar, especially regarding two big omissions – Mark Bridges for The Fabelmans and Sandy Powell for Living. Both designers have secured Oscar nominations with no corresponding guild support in the past – he for Joker, she for Gangs of New York, Mrs. Henderson Presents, and The Irishman. In any case, their lack of recognition proves that the industry may not be as into their films as previously anticipated. We shall see.

After the jump, the complete list of nominees and some further comments… 

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Wednesday
Jan112023

Best of the 80th Golden Globes. Plus: Complete Winners List

by Nathaniel R

Colman Domingo presenting "Best DIrector" to Steven Spielberg

An awards shows on a Tuesday night? Chaos. But we kinda liked it. As the 80th Golden Globes evening began on the red carpet we learned (among other things) that red was the color of the moment, Jenna Ortega choreographed her own (viral) dance for Wednesday, Letitia Wright's favourite movie is I Tonya (of all things!) and Margot Robbie can cry on cue as precisely as Nelly does in Babylon. The night that followed was hit and miss. The hits were familiar: the palpable joy that so many stars expressed at being back in rooms together, the sight of very enthusiastic and possibly drunk tables (Abbott Elementary, Banshees of Inisherin, The Fabelmans and Everything Everywhere All At Once showcased most prominently), and as ever moving speeches, and even a few stellar presenter “bits”.

There were misses, too, including at least four absent winners (Zendaya, Costner, Seyfried, Blanchett) which always brings the mood down...

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Wednesday
Jan112023

"Elvis" and "The Batman" lead the MUAHS nominations

by Cláudio Alves

"Elvis" | © Warner Bros.

The Make-Up Artists & Hair Stylists Guild have announced their nominees in this, their awards' tenth year. Some surprises abound, mainly regarding what films were shut out, but plenty of the Oscar finalists show up throughout their categories. The Batman and Elvis lead with three nominations each, while, in the land of TV, American Horror Stories and Pam & Tommy rule over with triple nods. Though, if one wants to point towards the MUAHS favorite production, we must venture into their Live programming portion, where Legendary dominates with a total of five nominations. HBO recently canceled the show, so it's good to see it go out with a bang among the guilds.

After the jump, discover the full list of nominees and some stray observations…

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Saturday
Jan072023

Split Decision: “Everything Everywhere All at Once”  

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer and Baby Clyde talking about Everything Everywhere All at Once.

ABE: Baby Clyde, I hope all is well! I'm eager to start talking about a film that I absolutely loved, Everything Everywhere All at Once. I actually am very late to the party on this one. I wasn't seeing films in theaters yet back when it was originally released. I finally caught it about two months ago in early November and was impressed that it more than lived up to the hype. The performances are all phenomenal, and it's just drowning in creativity in a way that so few films are these days. But, if I'm to understand correctly, you don't agree. Before I get in to what else I loved about it, can you tell me what you didn't?

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