Oscar Volley: Adapted Screenplay

Team Experience is discussing each Oscar category in the lead up to the nominations. Here's Nathaniel and Chris to talk Adapted Screenplays

CHRIS: Hi Nathaniel! I’m looking forward to discussing the Adapted Screenplay race with you. Each year, it’s fun to size up which screenplay category is more competitive - Original or Adapted. This year, the scale is tipped much more in favor of the Original Screenplay race, which has a majority of the Best Picture hopefuls. By comparison, the Adapted Screenplay is much more open, which can lead to a more interesting set of nominations. The clear frontrunner is Women Talking. It’s a Best Picture hopeful that has a really clear script hook. The film takes place over the course of 24 hours, yet weaves the individual stories of its female ensemble into a stunning patchwork quilt of trauma. Yet, it does so with moments of levity and heart. After that, the only other Best Picture sure thing in contention is Top Gun: Maverick. As that movie becomes more of a threat to win the big prize, it feels like the blockbuster behemoth will take one of the five slots here. So what becomes of the final three slots?

It’s crazy that Glass Onion: A Knives Out Mystery only stayed in theaters for a week. The groundswell for the incredibly twisty and fun whodunnit will likely begin now that it's streaming on Netflix...

Click to read more ...

Team Experience Predictions - Round 3: Oscar Shortlists

We're polling Team Film Experience on where the Oscar race stands. This week, Best Picture and the Oscar shortlisted categories.

Both Black Panther: Wakanda Forever and All Quiet on the Western Front received major boosts from the Oscar shortlists.

The Oscars announced the shortlists for ten categories on Wednesday, December 21st. Both Black Panther: Wakanda Forever and All Quiet on the Western Front dominated the mentions, appearing in five categories each. How does this affect the Oscar race? Our team of writers updated their predictions in Best Picture and seven of the shortlisted categories (minus the shorts for now). Click for our predictions after the jump...

Click to read more ...

Colman Domingo, Taiki Waititi, and Idris Elba give starpower to the Best Animated Short Oscar race

by Nathaniel R

Colman Domingo in "New Moon" based on one of his plays

This year's Best Animated Short Oscar finalists come from about a dozen countries and feature a pleasing variety of animation strategies. The shorts feature talking animals, naturally, as well as plenty of heightened surreal adventures. All of this is to be expected in this always intriguing category (provided you are able to find the films!).  Less expected: this year the race has more than a little star power via voice casts. We'll review all the films here as we screen them.

Read on for brief run downs of the finalists and if and where you can watch the films right now (if you can). Links go to official sites if we could find them...

Click to read more ...

The 95th Oscars Shortlists Are Here!

by Cláudio Alves

"All Quiet on the Western Front" | © Netflix

Like in the last few seasons, the Academy has announced shortlists in 10 Oscar categories – Documentary Feature, International Film, Original Score, Song, Sound, Visual Effects, and the three Shorts races. As always, there are surprises along with expected honors and the domination of certain frontrunners. One imagines this is an especially sweet batch of finalists for fans of Black Panther: Wakanda Forever and All Quiet on the Western Front, who rule over all other contenders with mentions in five different categories. Not far behind, we find Avatar: The Way of Water with four categories.

Expect more commentary at a later time, but for now, let's look over the complete lists and fire off some instant reactions…

Click to read more ...

Best International Film Reviews: Final Flurry before the Shortlist

by Cláudio Alves

The Oscar shortlists are almost upon us, culling the 90-plus Best International Film submissions to a measly 15-wide field. Unfortunately, that means we're running out of time to consider those unfortunate titles unlikely to catch AMPAS' eye, no matter how deserving they may be. This includes productions perchance a bit too low-profile and others whose style skews too far from the Academy's sweet spot. Sometimes it's a matter of formalistic austerity. Sometimes, unresolved bleakness or genre stylings do the troubling trick. So, from an Iranian movie set to an Alpine tragedy, going through multiple wartime tragedies and the domestic sorrows of an Irish girl, let's indulge in a final flurry of capsule-sized reviews…

Click to read more ...